Lewis, Elizabeth "Lizzie" Bodwell (1826-1866) (2 of 2)

R.S. de lamater’s Portrait Photograph of Elizabeth Bodwell Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  R.S. De Lamator

Studio Location: Hartford, CT

THE SITTER:

Name: Elizabeth “Lizzie” Bodwell Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:



THE PHOTOGRAPH:

Format / Size: crayon portrait

Medium:

Description front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Webster Collection, 2022-214-304

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, John Bacon Sr.(1825-1909) (1 of 2)

Unidentified Photographer’s Portrait Photograph of John Bacon Lewis, Sr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:


THE SITTER:

Name: John Bacon Lewis, Sr.

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size:  Boudoir Cabinet Card, 21 X 12.8 cm

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection, 2022-214-619

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, John Bacon Jr. (1848-1850)

Unidentified photographer’s daguerrEOtype of John Bacon Lewis, Jr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:


THE SITTER:

Name: John Bacon Lewis, Jr.

fRont of case

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: 

Medium:

Description, front:

Description, back:

Date:

BACK OF CASE

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection, 2022-214-332

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Leppo, Clara McNear (1881-1979) (2 of 2)

Charles Lainer, Portrait Photograph of Clara McNear Leppo

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Charles Lainer

Studio Location: 31 Third Street, San Francisco, CA

THE SITTER:

Name: Clara McNear Leppo

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back: Charles Lainer’s stamp

Date: undated

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942) (4 of 4)

Healy Ground Floor Gallery’s Portrait Photograph of

charles wadsworth lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)

THE SITTER:

Name: Charles Wadsworth Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

 THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion print with embossed oval mount

Description, front:

Description, back:

Date: 1904

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-318

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942) (2 of 4)

Healy Ground Floor Gallery’s Portrait Photograph of

charles wadsworth lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)

THE SITTER:

Name: Charles Wadsworth Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

 THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion print with embossed oval mount

Description, front:

Description, back:

Date: June 1900

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-317

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Mary Elizabeth Goodwin (1845-1926)

Joseph Wayne’s Portrait Photograph of Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOSEPH WAYNE (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 20.7 x 18 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-316

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942) (3 of 4)

Joseph Wayne’s Portrait Photograph of Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOSEPH WAYNE (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 20.7 x 18 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-316

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942)(1 of 4)

John Quincy Reed’s Portrait Photograph of Charles Wadsworth Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Charles Wadsworth Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: April 1884

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-314

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, John Davis (1875-1885)(2 of 2)

George Ross’ Portrait Photograph of John Davis Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: John Davis Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: circa 1862-1893

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-313

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Lewis, John Davis (1875-1885)(1 of 2)

George Ross’ Portrait Photograph of John Davis Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: John Davis Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: circa 1862-1893

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-311

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Lewis, John Bacon Sr.(1825-1909)(2 of 2)

Robert Peterson Dammand’s Portrait Photograph of John Bacon Lewis, Sr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROBERT PETERSON DAMMAND (Dammond) was born on September 6, 1855, in Horsens, Denmark, and died on January 27, 1936, in Glendale, California. He worked as a photographer in Iowa and Southern California before arriving in Petaluma in November 1901. He resided on Petaluma’s D Street and located his photographic studio opposite the American Hotel over the Steiger Building on Main Street. In late July 1905, Dammand departed Petaluma to set up a studio in Richmond, California. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: John Bacon Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: 

Medium: matte collodion print with oval mount

Description, front: The photographer’s imprint embossed on the center of the bottom edge of the card reads, “Dammand, Oskaloosa, Iowa”.

Description, back:

Date: between 1898 and November 1901

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Julia Davis Lewis Wiswell (1856-1933) 2 of 2

Unidentified Photographer, Portrait from a tintype of Julia Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Julia Davis Lewis Wiswell Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: portrait, 19.8 x 25 cm

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Webster Collection, 2022-214-307

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Julia Davis Lewis Wiswell (1856-1933) 1 of 2

Unidentified Photographer, tintype Photograph of Julia Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Julia Davis Lewis Wiswell Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: tintype, approximately 6 x 9.9 cm

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Webster Collection, 2022-214-306

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Elizabeth "Lizzie" Bodwell (1826-1866)(1 of 2)

R.S. de lamater’s Portrait Photograph of Elizabeth Bodwell Lewis


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  R.S. De Lamator

Studio Location: Hartford, CT

THE SITTER:

Name: Elizabeth “Lizzie” Bodwell Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:



THE PHOTOGRAPH:

Format / Size: carte de visite, approximately 6.8 x 10.6 cm

Medium:

Description front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Webster Collection, 2022-214-304

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lafferty, Isaac Newton (1840-1902) or Jeremiah “ Jerry” Henry Clay Lafferty (1846-1914)

Hugh S. Anderson’s Portrait Photograph of “Mr. Lafertie”

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: In light of this carte de visite’s handwritten inscription, “Mr. Lafertie”, the date of its creation (January 1872 - December 1873), and the youthful appearance of the sitter, it is most probable that this is a portrait of either Isaac Newton Lafferty (1840-1902) or his younger brother, Jeremiah Henry Clay Lafferty (1846-1914). Isaac was often referred to as I. N. Lafferty, and Jeremiah was often shortened to Jerry. Occasionally, Jeremiah was also referred to as Henry Clay Lafferty.

Description: The gentleman in this portrait leans back slightly and looks forward with a fixed gaze and stern demeanor. He is formally dressed in a simple but elegant jacket and vest. His jacket has wide lapels and a contrasting, dark velvet collar. His white shirt has been fastened at his neck with a textile partially hidden behind his wiry, goatee, and his thick, wavy hair is parted on his left side.

Biographical Note: Isaac and Jeremiah Lafferty were born in Clarke County, Illinois, to Marshall Lafferty (1808-1892) and Elizabeth Criss Lafferty (1805-1878). In 1857, the family traveled by covered wagon to California, establishing themselves on a 270-acre parcel of land on Sonoma Mountain that they purchased in 1859 from Mariano Guadalupe Vallejo(1807-1890). The family remained on the land, which was located on the outskirts of Petaluma until it changed ownership in 1888. The water- rich parcel is still known today as “Lafferty Ranch”.

Isaac was a successful educator in the community, but in 1874, at the age of 34, he departed Petaluma for Mendocino County to teach in the newly constructed school in Covelo. He was awarded a life diploma in 1877 by the California State Board of Education, and in 1882, he moved to Vancouver, Washington, where he was elected County Superintendent of Schools. The Seattle Star stated in his obituary ( Jan. 18, 1902, p.1) that he was one of the most prominent educators in the state and a leader in the order of Odd Fellows.

Jeremiah was a farmer, and he remained on the family ranch raising cattle and tending a large fruit orchard. The Petaluma newspapers reported that he was also a hunter who rid Sonoma Mountain of wild cats and a musician who played the violin at social occasions. Later in his life, he purchased a ranch on the Glen Ellen side of Sonoma Mountain, where he lived for over twenty-five years. Jerry died there in 1914 from blood poisoning, which was the result of a leg wound.

Family Affiliation: Isaac and Jeremiah were the two youngest sons of Marshall Lafferty (1808-1892) and Elizabeth Criss Lafferty (1805-1878). In 1889, at the age of 49, Isaac married Mary J. Smith, who died less than a year later. In 1892, he married Myrtle “Mertie” Lillian Blair (1866-1936), and together they had two daughters, Zenobia Ruth Lafferty (1896-1920) and Lillian Newton Lafferty (1900-1964). Jeremiah married Annie Olena Johnson (d.1939), and together they had one daughter, Mary Elizabeth Lafferty Jenkins (1877-1973), and one son, Claude Lafferty (1872-1898).

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: This head-and-shoulders portrait is framed within a vertical oval, and the sitter gazes to his right. Handwritten in cursive in pencil along the bottom edge of the photographic paper is, “Mr Lafertie”.

Description, back: Hugh Anderson’s imprint is on the center of the back of this carte de visite. Anderson created several versions of his Petaluma imprint. An expanded, possibly later, version appears here. It is printed in red ink and includes four lines of text, each in a different font. The text is embellished above and below with a horizontally flipped, elaborate flourish.

Date: January 1872 - December 1873

Condition: Both the front and back of this carte de visite are slightly soiled and marked with small dark spots.

Owner:  Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Lynch, Nellie

Unidentified photographer’s Portrait Photograph of Nellie Lynch

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Unidentified

Studio Location:

THE SITTER:

Name: Nellie Lynch

Description:

Biographical Note:

Family Affiliation: Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.5 x 16 cm

Medium:

Description front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, 2013-731-04

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lovejoy, Mary Elizabeth Heffner (1844-1913)

George Ross’ Portrait Photograph of Mary Elizabeth Heffner Lovejoy

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Mary Elizabeth Heffner Lovejoy

Description: Mary Elizabeth Heffner Lovejoy is elegantly portrayed seated fully frontal in a studio chair. She turns her head slightly to the right and gazes into the lower distance. She wears a cuirass bodice with ruffled sleeves, a high neck and front buttons. At her neck is a trefoil lace jabot pinned at its center with a round brooch. She also wears a white lace ruff, and a long, drop earning can be seen dangling from her left ear. Her dark hair is parted in the center, and she wears a large braided hairpiece on the back of her head.

Biographical Note: Mary Elizabeth Heffner Lovejoy moved with her husband to Petaluma from Ohio some time after their marriage in 1858. Together they lived at #9 6th Street. She was a member of the Petaluma Woman’s Club, the Woman’s Relief Corps, and the Morning Star Chapter, OES.

Family Affiliation: Mary Elizabeth Hefffner Lovejoy was the daughter of early Ohio pioneers, Mary F. Heffner and Thomas Heffner. In 1858 in Ohio, Mary Elizabeth Heffner was married to Dr. George Edwin Lovejoy (1831-1906), and together they moved to Petaluma. Among their children were Lillian Alice Lovejoy Stafford, Dr. Frank Lovejoy, Dr. George Palmer Lovejoy (1877-1949), Jennie Lovejoy Spotwood (1874-1934), and Mrs. N. Oscar Stafford of Los Angeles.

Bibliography:

THE PHOTOGRAPH:

Format / Size:  cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This is an elegant and unusual composition of a seated lady. Mrs. Lovejoy’s body is presented fully frontal with her head turned slightly to the right. She rests her right arm on the fringed arm of a studio chair and holds her left arm away from her body. This pose reveals her slim waist. The arched top adds to the formality of the portrait. Along the bottom edge is the photographer’s imprint.

Description, back: Handwritten in cursive in pencil along the top is, “Clarke Family”. This is not an identification of the sitter, but may be an identification of the recipient. Below this is handwritten in pencil in print script, “Grandma Lovejoy”, “Mare Elizabeth Heffner” and “Lovejoy”.

Date: after 1880

Condition: There is extensive, heavy foxing throughout this portrait.

Owner:  Petaluma Historical Library & Museum, 1991-IDI-04

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Lovejoy, George

John Quincy Reed’s Portrait Photograph of Mr. Lovejoy, c. 1874-1898

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Lovejoy

Description: Cabinet card of a man's bust. He has a goatee and is wearing a suit with a bow tie and upturned collar.

Biographical Note: add, augment

Family Affiliation:

Bibliography: add, augment

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Obverse: (identify group or individual, gender(s); identify pose, furniture & props; describe composition, background, added color…)

Description, Reverse: N/A

Date: c. 1874-1898

Condition: (note tears, foxing, fading)

Owner:  Petaluma Historical Library & Museum, 1978-80-45-LP39

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lodge, Jennie (see Harris) 1992-IDI-07-p12-p19

John Quincy Reed’s Portrait Photograph of Jennie Lodge Harris, c. 1874-1898

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER(s):

Name(s): Jennie Lodge Harris

Description: CDV of a woman’s busy in an oval frame. She has sausage curls, is wearing a hat, and has a decorative collar

Biographical Note: add, augment

Family Affiliation:

Bibliography: add, augment

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Obverse: (identify group or individual, gender(s); identify pose, furniture & props; describe composition, background, added color…)

Description, Reverse: “Jennie Lodge”; John Reed’s stamp

Date: c. 1874-1898

Condition: (note tears, foxing, fading)

Owner:  Petaluma Historical Library & Museum, 1992-IDI-07-p12-p19

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Lodge, Martha 1994-IDI-01

Unidentified Photographer, Portrait Photograph of Martha Lodge & Child, c. 1865-1870

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified

THE SITTER(s):

Name(s): Martha Lodge and child

Description: 6-inch diameter tin disc with enamel portrait of Martha Lodge and an unidentified child. The image appears to be colored by hand. Lodge is sitting, wearing a dress with a hoop skirt. The child is standing next to her wearing an off the shoulder red dress. Lodge's dress dates this image to the 1860's, though the object and process may date it earlier.

Biographical Note: add, augment

Family Affiliation:

Bibliography: add, augment

THE PHOTOGRAPH:

Format / Size: tin disc, approximately 6 inch diameter

Medium: tin disc with enamel portrait

Description, Obverse: (identify group or individual, gender(s); identify pose, furniture & props; describe composition, background, added color…)

Description, Reverse: N/A

Date: c. 1865-1870

Condition: (note tears, foxing, fading)

Owner:  Petaluma Historical Library & Museum, 1994-IDI-01

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Leppo, Clara McNear (1881-1979)(1 of 2)

Lewis Dowe’s Portrait Photograph of Elizabeth “Betsy” Bailey Williams & Clara McNear



THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTERS:

Names: Elizabeth “Betsy” Bailey Williams & Clara McNear Leppo. When this portrait was taken the baby would have been known by her maiden name, Clara McNear.

Description: In this double portrait Clara McNear is the baby held by her great-great-grandmother, Elizabeth Bailey Williams. Baby Clara is dressed in a white lace gown which contrasts dramatically with William’s black jacket and skirt. In an intricate and intimate composition, Williams’s left hand supports Clara’s back and the enlarged middle or index finger of her right hand is clasped by the fingers of the baby’s right hand. Williams wears glasses and gazes directly at the viewer while the square-faced baby looks off to the viewer’s right. Williams’s cuff and dropped waist jacket is edged in dark satin. A stiff, white, ruffled collar surrounds her neck, and a white, lace jabot falls almost to her waist. This great-great-grandmother has very dark hair which is parted in the middle. Her ruffled bonnet is decorated with white flowers and is fastened at the neck with a lighter colored ribbon.

Biographical Note:

Family Affiliation: Clara McNear Leppo was born in 1881 to Petaluma pioneers, George Plummer McNear (1857-1947) and Jennie Otis McNear (1857-1883). She married David Harrison Leppo (1876-1928) in 1902, and was buried in Petaluma’s Cypress Hill Memorial Park in 1979.

Bibliography: Elizabeth Bailey Williams & Clara McNear Leppo PDF

THE PHOTOGRAPH:

Format: cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This masterful double portrait is framed within an arched, ecru, mat which is edged in light blue. The photographer’s imprint runs along the bottom blue strip; on the left is the photographer’s signature presented in cursive letters, “L Dowe”, and on the right in block print is “PETALUMA, CAL”. Hand written in blue ink cursive along the bottom ecru strip is written, “Mrs Betsy Williams 90 years, Clara McNear 5 mos. Great great grd”.

Description, back: Hand written in black ink cursive along on the top: Mrs Betsy Williams 90 years. Clara McNear 5 months. Great-Great-Grand Mother”. Written in black ink cursive along the bottom: “for Mrs. Maria Wright from Mrs. Eliza Garrett”. (Eliza Jane Williams Garrett (1813-1884) was the daughter of Elizabeth Bailey Williams.)

Date: 1881

Condition: slight foxing throughout

Owner:  Petaluma Historical Library & Museum, 2006-1-78

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Lloyd, Kate 1979-425-01-p36-p24

John Quincy Reed’s Portrait Photograph of Kate Lloyd, c. 1874-1898

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER(s):

Name(s): Kate Lloyd

Description: CDV of a woman resting on a fringe studio chair in an oval frame. Her hair is pulled up into a braided up do and she is wearing a plaid dress.

Biographical Note: add, augment

Family Affiliation:

Bibliography: add, augment 

THE PHOTOGRAPH:

Format / Size:  carte de visite, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Obverse: (identify group or individual, gender(s); identify pose, furniture & props; describe composition, background, added color…)

Description, Reverse: John Reed’s stamp

Date: c. 1874-1898

Condition: (note tears, foxing, fading)

Owner:  Petaluma Historical Library & Museum, 1979-425-01-p36-p24

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lodge, David 1992-IDI-07-p15-p29

Bryan R. Johnson’s Portrait Photograph of David Lodge

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: David Lodge

Description: CDV of a young boy standing next to a studio chair.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, size N/A

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: “David E. Lodge”

Date: April 1863-1864

Condition:

Owner:  Petaluma Historical Library & Museum, 1992-IDI-07-p15-p29

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lodge, Martha 1992-IDI-07-p4-p6

George Ross’ Portrait Photograph of Martha Lodge

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Martha Lodge

Description: CDV of a woman’s bust in an oval frame. Her hair is partially done in sausage curls, and she is wearing a dress with a large lace collar

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: George Ross’ stamp

Date: circa 1862-1893

Condition:

Owner:  Petaluma Historical Library & Museum, 1992-IDI-07-p4-p6

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Mrs. 2005-439-04

George Ross’ Portrait Photograph of Mrs. Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Mrs. Lewis

Description: Cabinet card of Mrs. Lewis' bust in an oval frame. Lewis appears to wearing a black dress with a white collar. Lewis is the mother of May Lewis.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  cabinet card, approximately 10.75 x 16.25 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: circa 1862-1893

Condition:

Owner:  Petaluma Historical Library & Museum, 2005-439-04

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Linebaugh, Mary 1979-425-01-p37-p25

Hoebel & Luther Photograph Gallery, Portrait Photograph of Mary Linebaugh, Date N/A

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: H. Luther

Studio Location: 444 ½ Third Street, San Francisco, CA

THE SITTER(s):

Name(s): Mary Linebaugh

Description: CDV of an infant sitting in a fringe studio chair wearing a plaid dress

Biographical Note: add, augment

Family Affiliation:

Bibliography: add, augment

THE PHOTOGRAPH:

Format / Size:  carte de visite, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Obverse: (identify group or individual, gender(s); identify pose, furniture & props; describe composition, background, added color…)

Description, Reverse: H. Luther’s stamp

Date: N/A

Condition: (note tears, foxing, fading)

Owner:  Petaluma Historical Library & Museum, 1979-425-01-p37-p25

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.