Smith, Hannah M. Ward Stewart (1845 -1932)
/Bryan R. Johnson’s Portrait Photograph of Hannah M. Ward Steward Smith
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and, beginning in December of 1862, co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)
THE SITTER:
Name: Hannah M. Ward Steward Smith. At the time this portrait was taken, she would have been known as Hannah Ward Stewart.
Description: This portrait was taken of Hannah when she was between 18 and 22 years old. She sits sedately with her hands placed upon the skirt of her voluminous, dark dress. Her large, gigot sleeves drop from her shoulders and are gathered tightly at her wrists beneath stiff white cuffs. Her dress is tightly cinched with a dark waist belt which has a large, rectangular buckle. She wears a brooch attached to her white collar, drop earrings, and a wedding ring. Her dark hair is center-parted, carefully combed to the back of her head, and secured in a snood.
Biographical Note: Hannah M.Ward Stewart Smith was born in Missouri in 1845 and traveled with her family to California by wagon train. (Later in her life, her memories of this overland journey were recorded by her grandaughter, Minna Allegro and preserved by her descendant, Lee Torliatt. See the bibliography section below.) The Ward family settled on a 950-acre dairy ranch on San Antonio Creek in Marin County just south of Petaluma. After her marriage to businessman, James W. Stewart, in 1863, Hannah and her husband moved to Petaluma and resided at 10 6th Street. Hannah inherited the home upon her husband’s death in 1874, and continued to live in the house with her second husband, Rufus Richards Smith. In 1911, Hannah rented out the house and moved to San Francisco to live with her son, Percy, and daughter, Dora. The local newspapers reported that Hannah often returned to Petaluma to visit friends, and she was buried in Petaluma’s Cypress Hill Memorial Park.
Family Affiliation: Hannah was the daughter of early Petaluma pioneers, Abraham Ward (1817-1899) and Naomi Porter Ward (1818-1883). Hannah married James W. Stewart (1837-1874) on December 31, 1863 at her parents’ home on San Antonio Creek. Together James and Hannah had three children: William A. Stewart (b.1866), Franklin Lester Stewart (b.1868), and Robert H. Stewart (b.1870). In 1876, Hannah married Rufus Richards Smith (1833-1903). Together they had Isadora Naomi “Dora” Smith (1879-1919) and Percy Alfred Smith (1886-1964). https://www.findagrave.com/memorial/51087336/hannah_mary_smith
Bibliography: Torliatt, Lee, A History of the Torliatt Family of Petaluma, From Mid-19th Century to Circa 1950, pp. 20 - 22, 31-43. This booklet is available in the Hoppy Hopkins Library at the Petaluma Historical Library & Museum. A copy of Hannah Ward Stewart Smith’s memoir of her overland journey from St. Louis, Missouri to Petaluma is available in the Hoppy Hopkins Library at the Petaluma Historical Library & Museum, call number 920 Griswold/Stewart.
THE PHOTOGRAPH:
Format / Size: carte de visite
Medium: albumen photographic print mounted on cardstock
Description, front: Hannah sits in a large, tufted, balloon chair with an elaborately carved back. In the background, on the left, is a dark drape and a large drapery tassel.
Description, back: On the back of this carte de visit is a 2-cent United States Internal Revenue stamp. Handwritten in black ink on the top of the stamp appear what may be Bryan R. Johnson’s initials. The 2-cent stamp documents that the purchaser paid less than 25 cents for the portrait. Below the stamp is Johnson’s imprint. Along the bottom edge is written, “Negatives preserved from which extra copies can be had at less than regular prices.”. Handwritten in black ink at the bottom is: Hannah Ward (from Bible).
Date: The United States Internal Revenue tax stamp on the back of this carte de visite documents that it was created between August 1864 and August 1866.
Condition: This carte de visite is in good condition.
Owner: The Lee Torliatt Family Album, 2017-92-01, digital copy by permission.
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Stickney, Lydia Bartlett
/John Quincy Reed’s Portrait Photograph of Lydia Bartlett STickney
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)
THE SITTER:
Name: Lydia Bartlett Stickney
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: carte de visite
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back:
Date:
Condition:
Owner: The Cyndi Logan Collection, digital copy by permission.
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Symonds, Gertrude (d. 1930) (see Green)→
/Lafayette T. Sheppard’s Portrait Photograph of Gertrude J. Symonds Green
Smith, Nancy A.
/George Ross’ Portrait Photograph of Nancy A. Smith
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)
THE SITTER:
Name: Nancy A. Smith
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 10.75 x 16.25 cm
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back:
Date: circa 1862-1893
Condition:
Owner: Petaluma Historical Library & Museum, Schwobeda/Bloom/Taylor/DeMartin Family & Friends Album, 2022-952-01-40d
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sharp, Elizabeth
/Unidentified Photographer, Portrait Photograph of Edward & Elizabeth Sharp
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
THE SITTERS:
Names: Edward & Elizabeth Sharp
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: Tin type, 5.6 x 8.2
Medium:
Description, front:
Description, back:
Date:
Condition:
Owner: Petaluma Historical Library & Museum, 2022-952-01-27a, Schowbeda/Bloom/Taylor/DeMartin Collection
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sharp, Edward
/Unidentified Photographer, Portrait Photograph of Edward & Elizabeth Sharp
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
THE SITTERS:
Names: Edward & Elizabeth Sharp
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: Tin type, 5.6 x 8.2
Medium:
Description, front:
Description, back:
Date:
Condition:
Owner: Petaluma Historical Library & Museum, 2022-952-01-27a, Schowbeda/Bloom/Taylor/DeMartin Collection
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Shringer, Charles Augest 2022-952-01-pg8b
/Downing, Rea & Rauscher’s Portrait Photograph of Charles Augest Shringer
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Downing, Rea & Rauscher
Studio Location: Third Street, Santa Rosa, Ca.
THE SITTER:
Name: Charles Augest Shringer
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: carte de visite
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back:
Date:
Condition:
Owner: Petaluma Historical Library & Museum, Schwobeda, Bloom, Taylor, DeMartin Family & Friends Album, 2022-952-01-pg8b
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Schwobeda, Unidentified Children
/Unidentified Photographer, Portrait Photograph of unidentified Schwobeda children
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
THE SITTER:
Names: Unidentified Schwobeda daughter and son
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 6.3 x 10.4 cm
Medium:
Description, front:
Description, back:
Date:
Condition:
Owner: Private collection, digital copy by permission, 2022-952-31, Schowbeda/Bloom/Taylor/DeMartin Collection
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Schwobeda, Florence Hannah Taylor (1864-1935) (2 of 2)
/Unidentified Photographer, Portrait Photograph of John Lincoln Schwobeda, Florence Hannah Taylor and their children
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
THE SITTER:
Names: John Lincoln Schwobeda, Hannah Taylor Schwobeda and their children.
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 6.3 x 10.4 cm
Medium:
Description, front:
Description, back:
Date:
Condition:
Owner: Private collection, digital copy by permission, 2022-952-30, Schowbeda/Bloom/Taylor/DeMartin Collection
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Schwobeda, John Lincoln (1864-1935) (2 of 2)
/Unidentified Photographer, Portrait Photograph of John Lincoln Schwobeda, Florence Hannah Taylor and their children
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
THE SITTER:
Names: John Lincoln Schwobeda, Hannah Taylor Schwobeda and their children.
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 6.3 x 10.4 cm
Medium:
Description, front:
Description, back:
Date:
Condition:
Owner: Private collection, digital copy by permission, 2022-952-30, Schowbeda/Bloom/Taylor/DeMartin Collection
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Schwobeda, Florence Hannah Taylor (1867-1947)(1 of 3)
/A&G Taylor’s Portrait photograph of Florence Hannah Schw0beda
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: A&G Taylor
Studio Location: Manchester, England
THE SITTER:
Name: Florence Hannah Taylor Schwobeda
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 10.5 x 16 cm
Medium: albumen photographic print mounted on cardstock
Description front:
Description, back:
Date:
Condition:
Owner: Private collection, digital copy by permission, 2022-952-29, Schwobeda/Bloom/Taylor/DeMartin Collection
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Schwobeda, John Lincoln (1864-1935)(1 of 2)
/Unidentified Photographer, Portrait Photograph of John Lincoln Schwobeda
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
THE SITTER:
Name: John Lincoln Schwobeda
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size:
Medium:
Description, front:
Description, back:
Date:
Condition:
Owner: Private collection, digital copy by permission, 2022-952-28, Schowbeda/Bloom/Taylor/DeMartin Collection
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sproul, Mabel (1885-1967) (see Wolverton)→
/Coyle’s Portrait photograph of Mabel Sproul Wolverton
Sproul, Wilsey (1883-1917)
/Coyle’s Portrait photograph of Wilsey Sproul
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Coyle
Studio Location: Oakdale and Stockton
THE SITTER:
Name: Wilsey Sproul
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back:
Date:
Condition:
Owner: Petaluma Historical Library & Museum, 2022-791-07
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sproul, Frank Roy (1879-1917) (2 of 2)
/Coyle’s Portrait photograph of Frank Roy Sproul
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Coyle
Studio Location: Oakdale and Stockton
THE SITTER:
Name: Frank Roy Sproul
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back:
Date:
Condition:
Owner: Petaluma Historical Library & Museum, 2022-791-07
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sproul, Frank Roy (1879-1917)(1 of 2)
/Downey Studio’s Portrait photograph of Frank Roy Sproul
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Downey Studio
Studio Location:Porterville, California
THE SITTER:
Name: Frank Roy Sproul
Description:
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back:
Date:
Condition:
Owner: Petaluma Historical Library & Museum, 2022-791-06
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sproul, John S. (1826-1899)
/Alameda Photograph Company’s photographic portrait of John S. Sproul
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Alameda Photograph Company
Photographic Studio: Neither the owner, operator, or location of the Alameda Photograph Company has been determined.
THE SITTER:
Name: John S. Sproul
Description: Sproul appears in this portrait as a gaunt, elderly man. He is dressed in a sack jacket with a small lapel and matching vest. He wears a grid-line patterned shirt with an asymmetrical collar. There is a handkerchief in his left breast pocket. He is balding and sports a heavy, walrus mustache which flows into his beard. The facial hair along his jaw has been clipped close to his face.
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 10.50 X 15.7cm
Medium: albumen photographic print mounted on cardstock
Description, front: The photographic paper of this portrait has been mounted on a card with scalloped edges. It has been assumed the bottom edge has been trimmed.
Description, back: The inscription on the back side of this portrait was originally handwritten in cursive in pencil. That text was then re-written on top of the original text in black ink with the exception of the second like which retains its original text in pencil. The inscription reads: “John S. Sproul”, “Grandpa Sproul”, b. 1 Dec 1826 near Londonderry, Ireland”, “m. 12 Nov 1848 to Roxanne King”, “Canton, Fulton Co IL”, “d. 16 Aug 1899 Oakdale Stanis-”, “laus Co. CA”.
Date: 1890s
Condition: This portrait has a jagged, horizontal crease which run the full horizontal length of the card directly below the sitter’s armpits. The bottom edge of this portrait’s card has been trimmed.
Owner: Petaluma Historical Library & Museum, 2022-791-03
A second copy of this portrait is owned by the Sonoma County Library: https://digital.sonomalibrary.org/Documents/Detail/portrait-of-john-s.-sproul-in-alameda-california-about-1892/63388
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Spear, Clara Whitney (1873-1954)(2 of 4)
/Lewis Dowe’s Portrait Photograph of Clara, Marcella, and Albion Whitney
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)
THE SITTERS:
Names: Clara Whitney Spear, Marcella “Ella” Whitney Wheaton, and Albion “Albie” Whitney (At the time this portrait was taken, Clara and Marcella would have been known by their maiden name, Whitney.)
Description: This is a masterful portrait of three young siblings. Clara, approximately 4 years of age, sits on a fringed studio chair with her feet dangling above the floor. She is attired in a dark dress with a double row of buttons and a white side ruffle which runs the length of her dress and borders the attached matching shawl. Her petticoat is revealed, peaking under the front of her dress’s hem. She wears white leggings and dark, leather, side-snap, boots. Marcella, approximately 10 years of age, stands behind her sister and brother and is attired in a dark dress with a front strip of fabric which is embellished with buttons and a diagonal cross design. She wears a white lace ruff and a necklace which ends in what is most probably a locket. Albion, approximately 7 years of age, stands on the viewer’s right and affectionally rests his right hand on Clara’s left wrist. He is dressed in a formal, cutaway, jacket with decorative side buttons. Beneath, he wears a matching piped vest and knickers.
Biographical Note: Clara Whitney was raised in Petaluma. She attended Mills College in Oakland, California and was married in 1893 at the age of 20 to Lewis Eugene Spear. Clara died at the age of 81 in Santa Barbara, California but was buried in Petaluma’s Cypress Lawn Memorial Park.
Family Affiliation: Clara Whitney Spear was the seventh and last child of the prominent Petaluma pioneers Albion Paris Whitney (1825-1884) and Susan Durgin Eastman Whitney (1832-1917). Her father was a California State Senator and wealthy businessman. Her mother managed the family business after his death and was an active participant in the women’s suffrage movement. Her paternal grandmother was Olive Parlin Whitney, and her siblings were Cleora Melissa Whitney Hewlett, Nancy Jane “Jenny” Whitney Morrow, Arthur Leslie Whitney, Leona Merrill Whitney, Marcella “Ella” Whitney Wheaton, and Albion Harvey Whitney. Clara’s husband was Lewis Eugene Spear (1867-1953). He was a California business man who organized the Pacific Steel and Wire Company in San Francisco and later established the Pacific Wire Rope Company in Los Angeles.
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card
Medium: albumen photographic print mounted on cardstock
Description, front: This is a masterful portrait of three siblings. The brilliantly harmonious arrangement of the children is strengthened by the arched matte and uncluttered background. The photographer has posed the children in a classic pyramidal composition. He angled Clara and Albion to serve as compositional parenthesis and placed Marcella to serve as the exclamation mark.
Description, back: Handwritten in cursive in pencil is, “Albie”, “Ella” and “Clara”. Handwritten in cursive in black ink in the lower right is, “Clark Family”. This is not a reference to the sitters, but, most probably, to the owners of the cabinet card.
Date: 1876 or 1877
Condition: Both the front and the back of this card are soiled.
Owner: Petaluma Historical Library & Museum, 1981-835-03
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Spear, Clara Whitney (1873-1954) (1 of 4)
/Lewis Dowe’s Portrait Photograph of Clara Whitney
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)
THE SITTER:
Name: Clara Whitney Spear (When this portrait was taken, the sitter would have been known by her maiden name, Whitney.)
Description: In this portrait Clara appears to be 3 or 4 years old. She stands leaning on the armrest of Dowe’s fringed studio chair. She looks directly and calmly at the camera. She is dressed in a luxurious, heavily embroidered, dark, velvet, coat which fastens up the front with large white buttons latched together with braided soutache fasteners. Around her neck is a large white lace collar and what appears to be a white beaded necklace.
Biographical Note: Clara Whitney was raised in Petaluma. She attended Mills College in Oakland, California and was married in 1893 at the age of 20 to Lewis Eugene Spear. Clara died at the age of 81 in Santa Barbara, California but was buried in Petaluma’s Cypress Lawn Memorial Park.
Family Affiliation: Clara Whitney Spear was the seventh and last child of the prominent Petaluma pioneers Albion Paris Whitney (1825-1884) and Susan Durgin Eastman Whitney (1832-1917). Her father was a California State Senator and wealthy businessman. Her mother managed the family business after his death and was an active participant in the women’s suffrage movement. Her paternal grandmother was Olive Parlin Whitney, and her siblings were Cleora Melissa Whitney Hewlett, Nancy Jane “Jenny” Whitney Morrow, Arthur Leslie Whitney, Leona Merrill Whitney, Marcella “Ella” Whitney Wheaton, and Albion Harvey Whitney. Clara’s husband was Lewis Eugene Spear (1867-1953). He was a California business man who organized the Pacific Steel and Wire Company in San Francisco and later established the Pacific Wire Rope Company in Los Angeles.
Bibliography:
THE PHOTOGRAPH:
Format / Size: carte de visite, approximately 6.25 x 10.5 cm
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back: Handwritten in print in pencil is: “Clara Whitney”. Below in the center of the card appears Lewis Dowe’s imprint printed on a diagonal.
Date: 1878 or 1879
Condition: This card is soiled on both sides, and the top edge has been trimmed and left with a ragged edge.
Owner: Petaluma Historical Library & Museum, 1981-835-09
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Spear, Clara Whitney (1873-1954) (4 of 4)
/Charles Lainer’s Portrait Photograph of Marcella “Ella” & Clara Whitney
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Charles Lainer
Studio Location: 715 Market Street, San Francisco, CA
THE SITTERS:
Names: Marcella “Ella” Whitney Wheaton (1866-1915) and Clara Whitney Spear (1873-1954). (At the time this portrait has taken, these two sisters may have been known by their maiden name, Whitney. Marcella married in October 1892 at the age of 26, and Clara married in 1893 at the age of 20.)
Description: This is a lovely portrait of two sisters. Ella, the elder sister, is on the viewer’s left and Clara is on the right. There was 7 years age different between the sisters. Unfortunately, due to the faded quality of the photograph, it is not possible to distinguish the details of their blouses. An element of interest is Ella’s coiffure. Her hair has been arranged into a tight, small, bun on the top of her head which has been garnished with a unique hair ornament giving additional height to the arrangement.
Biographical Note: Clara Whitney was raised in Petaluma. She attended Mills College in Oakland, California and was married in 1893 at the age of 20 to Lewis Eugene Spear. Clara died at the age of 81 in Santa Barbara, California but was buried in Petaluma’s Cypress Lawn Memorial Park.
Family Affiliation: Clara Whitney Spear was the seventh and last child of the prominent Petaluma pioneers Albion Paris Whitney (1825-1884) and Susan Durgin Eastman Whitney (1832-1917). Her father was a California State Senator and wealthy businessman. Her mother managed the family business after his death and was an active participant in the women’s suffrage movement. Her paternal grandmother was Olive Parlin Whitney, and her siblings were Cleora Melissa Whitney Hewlett, Nancy Jane “Jenny” Whitney Morrow, Arthur Leslie Whitney, Leona Merrill Whitney, Marcella “Ella” Whitney Wheaton, and Albion Harvey Whitney. Clara’s husband was Lewis Eugene Spear (1867-1953). He was a California business man who organized the Pacific Steel and Wire Company in San Francisco and later established the Pacific Wire Rope Company in Los Angeles.
Bibliography:
THE PHOTOGRAPH:
Format / Size: carte de visite, approximately 5 x 6.75 cm
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back: Handwritten along the top edge in script in bold black ink is, “Ella Whitney”, “Clara Whitney”. Below this is Chas. Lainer’s elaborate imprint which includes an image of San Francisco’s Cliff House and his many award medallions.
Date: circa 1890 - 1895
Condition: Both sides of this card are heavily soiled, stained, and faded. Additionally, a significant strip of the bottom of this card has been trimmed.
Owner: Petaluma Historical Library & Museum, 1981-835-26
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
St. John, Isabel Grigsby (1837-1917) (see Denman)→
/Isaiah West Taber’s Portrait Photograph of Isabelle Grigsby St. John Denman
Spear, Clara Whitney (1873-1954) (3 of 4)
/Portrait Photograph of
Ida Kleinhaus, Lucia Kleinhaus, Clara Whitney & Frances Raylis
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
Photographic Studio: unidentified
THE SITTERS:
Names: Ida Kleinhaus, Lucia Kleinhaus, Clara Whitney Spear, and Frances Raylis. When this portrait was taken, Clara Whitney Spears would have been known by her maiden name, Clara Whitney.
Description: Clara Whitney appears in this group portrait in the lower center. She looks off to her right with a smile on her face. She was 17 when this portrait was taken. Like the other young women in the portrait, she wears her hair pulled to the back of her head with tight, short curls adorning her forehead. This may be a group portrait of Mills College students.
Biographical Note: Clara Whitney was raised in Petaluma. She attended Mills College in Oakland, California and was married in 1893 at the age of 20 to Lewis Eugene Spear. Clara died at the age of 81 in Santa Barbara, California but was buried in Petaluma’s Cypress Lawn Memorial Park.
Family Affiliation: Clara Whitney Spear was the seventh and last child of the prominent Petaluma pioneers Albion Paris Whitney (1825-1884) and Susan Durgin Eastman Whitney (1832-1917). Her father was a California State Senator and wealthy businessman. Her mother managed the family business after his death and was an active participant in the women’s suffrage movement. Her paternal grandmother was Olive Parlin Whitney, and her siblings were Cleora Melissa Whitney Hewlett, Nancy Jane “Jenny” Whitney Morrow, Arthur Leslie Whitney, Leona Merrill Whitney, Marcella “Ella” Whitney Wheaton, and Albion Harvey Whitney. Clara’s husband was Lewis Eugene Spear (1867-1953). He was a California business man who organized the Pacific Steel and Wire Company in San Francisco and later established the Pacific Wire Rope Company in Los Angeles.
Bibliography:
THE PHOTOGRAPH:
Format / Size: This square format is often referred to as a Carré; it is approximately 10.5 x 10.5 cm
Medium: albumen photographic print mounted on cardstock
Description, front: This group portrait of four young women appears in a circular window within a square format. The photographic paper was then mounted onto a square card.
Description, back: Handwritten in cursive in black ink is, “Petaluma Sept. 1890.”. Handwritten in cursive in pencil is: “Ida Kleinhaus, Lucia Kleinhaus, Clara Whitney, Frances Raylis”.
Date: September 1890
Condition: Both sides of this card are soiled and stained.
Owner: Petaluma Historical Library & Museum, 1981-835-28
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sproul, Clara Belle (1858-1935) (see Ivancovich)→
/Lewis Dowe’s Portrait Photograph of Clara Belle Ivancovich, c. 1877-1879
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Lewis Dowe (b. 1838, New Hampshire)
Active in Petaluma: 1877-1881
Biographical Note: Dowe worked in Petaluma as both a “view” and portrait photographer. After leaving Petaluma he worked in San Francisco, operated as a traveling photographer and by 1904, was working to repair musical instruments.
Bibliography: Mautz, pg. 95.
THE SITTER(s):
Name(s): Clara Belle Ivancovich
Description: Cabinet card of Clara Belle Ivancovich sitting, with one arm resting against her face and the other holding the place of a book on a studio table. She is wearing a dress with ruffled cuffs and a lacy bow collar. Clara Belle, maiden name Sproul, married John Elliot Jewell, and later Dr. George Ivancovich.
Biographical Note: add, augment
Family Affiliation:
Bibliography: add, augment
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 10.75 x 16.5 cm
Medium: albumen photographic print mounted on cardstock
Description, Obverse: (identify group or individual, gender(s); identify pose, furniture & props; describe composition, background, added color…)
Description, Reverse: To JE Jewell. L. Dowe, Photographer, Petaluma, Cal.
Date: c. 1877-1879
Condition: (note tears, foxing, fading)
Owner: Petaluma Historical Library & Museum, 2014-791-35
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Sproul, Mary Jane 2014-791-38
/Unidentified Photographer, Portrait Photograph of Mary Jane Sproul, c. 1855-1865
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: unidentified
THE SITTER(s):
Name(s): Mary Jane Sproul
Description: 1/6th plate tintype of Mary Jane Sproul sitting on a wooden chair in a brass frame. Her hair is pulled back and secured with a tinted bow. There is tinting in her cheeks as well. She is wearing a gingham dress and her elbow rests on a blanket covered studio table. Mary Jane was the daughter of Roxanne King and John Sproul, and sister to Clara Belle Ivancovich.
Biographical Note: add, augment
Family Affiliation:
Bibliography: add, augment
THE PHOTOGRAPH:
Format / Size: ambrotype, approximately 8 x 8.5 x 9 cm
Medium: Black lacquer on cast iron
Description, Obverse: (identify group or individual, gender(s); identify pose, furniture & props; describe composition, background, added color…)
Description, Reverse: Mary Jane Sproul daughter of Roxanne King & John Sproul. Sister of Clara B. Sproul Ivancovich.
Date: c. 1855-1865
Condition: (note tears, foxing, fading)
Owner: Petaluma Historical Library & Museum, 2014-791-38
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Scott, Mary R. Formschlag (1877-1946)
/E. R. HEALY Ground Floor Gallery’S PORTRAIT PHOTOGRAPH OF Mary R. Formschlag Scott
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)
THE SITTER:
Name: Mary R. Formschlag Scott
Description: In this head-and-shoulders portrait, Mary Scott Formschlag Scott wears a dark velvet dress with extremely large sleeves. Her dark hair is parted down the middle and combed to the back of her head. A single, prominent curl hangs from the center of her forehead. A bouquet that is pinned just inside of her projecting left sleeve adorns her dress. The white blotch on the left side of her chest appears to be a flaw in the original print.
Biographical Note:
Family Affiliation: Mary R. Formschlag Scott was the daughter of early Penngrove pioneers, John N. Formschlag (1838-1927) and Elizabeth Formschlag (1847-1909). There is a portrait of Mary’s sister, Louise Formschlag Nissen (1878-1950), in this archive. Mary married Stewart H. Scott (1870-1934), and together they had three children: Harold J. Scott, Wilbur Scott, and Irene E. Scott (1914-1930). Mary, Stewart, and Irene are buried together in Petaluma’s Cypress Hill Memorial Park.
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card
Medium: gelatin or collodion photographic print mounted on cardstock
Description, front: The photographer’s imprint is embossed along the bottom edge of the card.
Description, back: Handwritten in cursive in ink along the top edge is, “Mary Scott”.
Date: between 1896-1905
Condition: Both sides of this portrait are soiled. A small piece of paper adheres to the bottom right corner of the front side of the card.
Owner: Petaluma Historical Library & Museum, 1978-80-36
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Silsby, E. 1981-835-19
/Unidentified Photographer’s Portrait Photograph of E. Silsby’s
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Unidentified photographer,
Studio Location: Hodson Studio, Santa Cruz, California
THE SITTER:
Name: E. Silsby
Description: Carte de visite of an elderly E. Silsby's bust in an oval frame. Silsby is wearing a suit with a dark vest, white shirt, and bow tie. He has grey hair, and is slightly balding. The oval frame and Silsby's clothes date this photo to the early 1870s.
Biographical Note: Possible relation to Henry Silsby, his father perhaps?
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: carte de visite, approximately 5.75 x 10.25 cm
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back: “Silsby a cousin of Father. Hodson Santa Cruz”
Date: circa 1870-1875
Condition:
Owner: Petaluma Historical Library & Museum, 1981-835-19
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Silsby, Henry 1981-835-21
/Unidentified Photographer’s Portrait Photograph of Henry Silsby
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Unidentified photographer, Hodson, Santa Cruz, California
THE SITTER:
Name: Henry Silsby
Description: Carte de visite of Henry Silsby's bust in an oval frame. Silsby wears a suit with a dark vest, white shirt and dark bow tie. He has large sideburns and a connecting handlebar mustache. The oval frame, and Silsby's large sideburns date this photo to the late 1860s/ early 1870s.
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: carte de visite, approximately 5.75 x 10.25 cm
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back: “Hodson, Santa Cruz”
Date: circa 1869-1875
Condition:
Owner: Petaluma Historical Library & Museum, 1981-835-21
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
St. John, Dorothy 1991-IDI-34
/Unidentified Photographer’s Portrait Photograph of Dorothy St. John
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
Photographer: Unidentified photographer, Bushnell Photo Studio
THE SITTER:
Name: Dorothy St. John
Description: Carte de visite of Dorothy St. John from the chest up. She is wearing a striped blouse and her hair is pulled up into a large, decorative hat.
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: carte de visite, approximately 6.5 x 9.5 cm
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back: “Yours truly, Dorothy St. John. April 23rd 1901”
Date: April 23rd, 1901
Condition:
Owner: Petaluma Historical Library & Museum, 1991-IDI-34
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.
Stone, Rose Bailey 1994-633-03
/John Quincy Reed’s Portrait Photograph of Rose Bailey Stone
THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:
JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)
THE SITTER:
Name: Rose Bailey Stone
Description: Cabinet card with beveled edges of Rose Bailey Stone's bust. Bailey has short bangs and the rest of her hair is pulled back. Only her dark lace blouse is visible. She has a chain hanging around her neck and flowers pinned to her chest. Bailey's hairstyle, dress, and Reed's duration in Petaluma date the photo to the1880s.
Biographical Note:
Family Affiliation:
Bibliography:
THE PHOTOGRAPH:
Format / Size: cabinet card, approximately 10.75 x 16.5 cm
Medium: albumen photographic print mounted on cardstock
Description, front:
Description, back:
Date: circa 1880-1888
Condition:
Owner: Petaluma Historical Library & Museum, 1994-633-03
Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.