Hall, Mary Louise Brown (1860-1932)(2 of 6)

Bryan R. Johnson’s Portrait photograph of Mary Louise Brown

 


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.

THE SITTER:

Name: Mary Louise Brown Hall. This portrait was taken when the sitter was a child and known by her birth name, Mary Louise Brown.

Description: In this full-length portrait, Mary Louis Brown stands confidently gazing directly at the viewer, and, although just a child, her self possession borders on boldness. She places her right hand on the top of a round table, and her left holds a dark shawl. She is attired in a checkered print dress with a three-layered flounced hem, a matching waist belt, drop shoulders, and flounced sleeves edged in lace. She wears a hooped petticoat, and her full-skirted dress falls to just above the top of her boots, revealing a short section of her white leggings. Her hair has been center-parted and cut short with wisps surrounding her face. She wears a thin gold chain that falls to just below the neckline of her dress.

Biographical Note: Mary Louise, or Lulu as she was called, was the first of twelve children born to the early Petaluma pioneers, Daniel and Annie Brown.  She was born in Petaluma on March 5, 1860, and attended the Brick School and Petaluma High School.  Lulu graduated from high school in 1878 along with five other students including her future husband, Gilbert Hall.  Two years later on May 29, 1882, Lulu and Gil eloped to Marin County and were married there by a Justice of the Peace.  The next day the Brown parents arranged for them to be married in a Catholic ceremony in their home.  The Hall couple settled in Petaluma and for a few years resided in Santa Rosa while Gil was acting as Sonoma County Auditor and Recorder. From girlhood and throughout her adult years, Mary Louise was active in St. Vincent Church events.  At one time she was photographed driving a horse and buggy down Main Street with a friend while collecting donations for a Catholic fair.  The tintype still exists.

The marriage of the Hall couple lasted almost fifty years.  Gil died on January 24, 1932, and Mary Louise followed on August 25th of the same year.  Five daughters survived the Hall couple, Aletha, Evelyn, Kathleen, Geraldine, and Dorothy; one son died at birth.  Gilbert and Mary Louise lived at 325 Post Street in Petaluma and were buried together in Calvary Catholic Cemetery.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046382/mary-louise-hall Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown and Hall families.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obituary); August 27, 1932, p. 3. Petaluma Daily Morning Courier: July 29, 1911, p.1; August 28, 1911, p. 5. For additional information and artifacts pertaining to the Brown and Hall families, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

It is of significant note that this carte de visite was used to create a crayon portrait of the sitter that is also in this archive.

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: The details of this carte de visite’s painted backdrop are not distinguishable due to the photograph’s extensive foxing.

Description, back: On the back of this carte de visite is a 2-cent federal tax stamp upon which is handwritten in black ink the initials of the photographer, “BRJ”, and below these letters is the date June 5. The 2-cent stamp documents that the purchaser paid less than 25 cents for the portrait. Below the stamp is the photographer’s imprint. Handwritten in pencil below the imprint are the numbers 766-53 with a line through them. Below these numbers appears what may be the word “Easel”, and below that is “10013/8”. Printed along the bottom edge is “Negatives preserved from which extra copies can be had at less than regular prices.”

Date: The 2-cent federal tax stamp on the back side of this carte de visite establishes its earliest possible date as June 5, 1864, and the photographer’s departure from Petaluma establishes its latest possible date as 1866.

Condition: This cdv is in very poor condition. It has extensive foxing on the front, and the back is heavily soiled.

Owner: Petaluma Historical Library & Museum, from the collection of Kathleen O’Brien Balestrini, 2024-998-02.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

McNear, George Plummer Sr. (1857-1947) (4 of 4)

Oil Painting of George Plummer Mcnear, Sr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:

Studio Location:

THE SITTER:

Name: George Plummer McNear, Sr.

Description:

Biographical Note: Following in the footsteps of his famous, Petaluma, pioneer father, John August McNear (1832-1918), George Plummer McNear Sr. was a prominent Petaluma citizen and successful business man. He invested early in the community’s poultry industry, served on the board of Sonoma County National Bank and was Vice President of the Petaluma and Santa Rosa Railroad. He was also a generous philanthropist donating sections of his extensive land holdings to accommodate the community post office, fire station, McNear Park and McNear School.

Family Affiliation: George Plummer McNear was the only child of Petaluma pioneers John Augustus McNear (1832-1918) and his first wife, Clarinda Damsen Williams McNear (1837-1866), to survive to adulthood. George’s first wife was Jennie Otis McNear (1857-1883) who died tragically at the age of 26. Together George and Jennie had one child, Clara McNear Leppo (1881-1979), named in honor of George’s mother. George’s second wife was Ida Belle Denman McNear (1859-1949). Together, they had four children. https://www.findagrave.com/memorial/105717995/george-plummer-mcnear.

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium:

Description, Front:

Description, Back:

Date: undated

Condition:

Owner: 

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Mary Louise Brown (1860-1932)(3 of 6)

Crayon Portrait of Mary Louise Brown






THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Sometime between June 5, 1864 and 1866, Bryan R. Johnson created the original carte de visite upon which this crayon portrait is based, and several years later, an unidentified retoucher applied the watercolor, pastel, and chalk embellishments to this enlarged cropped reproduction. Fortunately, the original carte de visite is in this archive and can be viewed below. Additional information about it can be accessed using the link above.



THE SITTER:

Name: Mary Louise Brown Hall. This portrait was taken when the sitter was a child and known by her birth name, Mary Louise Brown.

Back side of Crayon portrait of Mary Louise Brown Hall

Description: In this portrait, Mary Louise Brown stands confidently gazing directly at the viewer, and, although just a child, her self-possession borders on boldness. She places her right hand on the top of a maroon chair, and her left holds a black velvet shawl. She is attired in a checkered print dress with a matching waist belt, drop shoulders, and flounced sleeves trimmed in white lace. At her left shoulder is a curious gold and black ornament attached to the neckline trim of her dress. Serving as a type of feminine epaulette, it falls down her arm along the gathering of her flounced sleeve. Her hair has been center-parted and cut short with wisps surrounding her face. She wears a thin gold chain that falls to just below the neckline of her dress.

Biographical Note: Mary Louise, or Lulu as she was called, was the first of twelve children born to the early Petaluma pioneers, Daniel and Annie Brown.  She was born in Petaluma on March 5, 1860, and attended the Brick School and Petaluma High School.  Lulu graduated from high school in 1878 along with five other students including her future husband, Gilbert Hall.  Two years later on May 29, 1882, Lulu and Gil eloped to Marin County and were married there by a Justice of the Peace.  The next day the Brown parents arranged for them to be married in a Catholic ceremony in their home.  The Hall couple settled in Petaluma and for a few years resided in Santa Rosa while Gil was acting as Sonoma County Auditor and Recorder. From girlhood and throughout her adult years, Mary Louise was active in St. Vincent Church events.  At one time she was photographed driving a horse and buggy down Main Street with a friend while collecting donations for a Catholic fair.  The tintype still exists.

The marriage of the Hall couple lasted almost fifty years.  Gil died on January 24, 1932, and Mary Louise followed on August 25th of the same year.  Five daughters survived the Hall couple, Aletha, Evelyn, Kathleen, Geraldine, and Dorothy; one son died at birth.  Gilbert and Mary Louise lived at 325 Post Street in Petaluma and were buried together in Calvary Catholic Cemetery.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046382/mary-louise-hall Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown and Hall families.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obituary); August 27, 1932, p. 3. Petaluma Daily Morning Courier: July 29, 1911, p.1; August 28, 1911, p. 5. For additional information and artifacts pertaining to the Brown and Hall families, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH: It is of significant note that this crayon portrait is an embellished cropped and enlarged copy of an earlier carte de visite dating between June 5, 1884 and 1886. The original carte de visite is in this archive, and its creator was Bryan R. Johnson. Additionally, this crayon portrait has a companion piece, a matching crayon portrait of Mary Louise Brown Hall’s husband, Gilbert Pine Hall. According to Kathleen O’Brien Balestrini, a descendant of Gilbert, the two crayon portraits were commissioned by Mary Louise sometime after her marriage to Gilbert in 1882.

Format / Size:  Crayon portrait, 14” x 17”

Medium: A mixture of water color, pastel, and chalk applied on top of a gelatin photographic print

Description, front: The retoucher has added color and texture to this portrait using chalk, pastels, and watercolor. They have skillfully rendered the velvet texture of the maroon chair and black shawl. They have added a whimsical background with fanciful arabesques and striped paneling. The addition of color to the child’s blue eyes, the gold necklace, and the shoulder ornament are also notable.

Description, back: Handwritten in large elaborate cursive is “Hall”.

Date: The original carte de visite that was used to reproduce this crayon portrait was created between June 5, 1864 and 1866 by Bryan R. Johnson (illustrated above). Kathleen O’Brien Balestrini, a descendant of Gilbert Pine Hall, reported that this crayon portrait and a companion crayon portrait of Gilbert Pine Hall (Mary Louise Brown Hall’s husband, illustrated below) were commissioned by Mary Louise Brown Hall sometime after her marriage to Gilbert in 1882.

Condition: This crayon portrait is in very good condition.

Owner: Petaluma Historical Library & Museum, from the collection of Kathleen O’Brien Balestrini, 2024-998-19.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Gilbert Pine (1859-1932)(2 of 7)

Unidentified Photographer’s crayon portrait of Gilbert Pine Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: In either 1861 or 1862, an unidentified photographer created the original tintype upon which this crayon portrait is based, and several years later, an unidentified retoucher applied the watercolor, pastel, and chalk embellishments to this enlarged reproduction. Fortunately, the original tintype is in this archive and can be viewed below. Additional information about it can be accessed using the link above.


THE SITTER:

Name: Gilbert Pine Hall

Description: In this crayon portrait, Gilbert Pine Hall, although a toddler, assumes a calm demeanor. He sits on the top of a studio prop that is covered with an embroidered cloth. With both hands, he holds an adult-sized straw hat. His dark hair has been side-parted and cut to one length just below the top of his ears. He is dressed in a dark jacket which fastens at the top and is trimmed in a plaid fabric. He also wears checkered pants and a white shirt.

Biographical Note: Gilbert Pine Hall was born on April 20, 1859, in Manchester, Missouri, the thirteenth and youngest child of Sarah Gibbons Thomas and Dr. James Henry Hall.  When he was about 11, his family moved to Petaluma, California.  Gil continued his education and graduated in 1878 from Petaluma High School in a class of six students, including Mary Louise Brown, aka Lulu Brown.  Over the next few years, Gil worked in a variety of positions.  In April 1880, he was teaching school in the San Antonio district, and two years later, he and former classmate Lulu were married by the Marin County Justice of the Peace.  The Brown parents soon arranged for Father Cleary of St. Vincent’s parish to repeat the ceremony for the couple, and the Petaluma Courier announced that “Cupid’s darts are flying fast.”

tintype portrait of gilbert pine hall, photographer unidentified, 1861 or 1862

Gil Hall joined the National Guard in 1882, was appointed Postmaster of Petaluma in 1886, and in 1890 was voted in as County Auditor and Recorder.  In 1894, he was admitted to the California Bar and began practicing law in Sonoma County. Gil’s name appeared frequently in Petaluma newspapers throughout his life and many times years after his death.  He was described as eloquent, controversial, golden-tongued, unpredictable, fiery, and many more colorful terms.  Bill Soberanes, a Petaluma Argus-Courier columnist for many years, wrote frequently about Gil Hall’s courtroom tactics.  One story tells about Gil’s defense of a client charged with selling illegal whiskey during prohibition.  The evidence was in a bottle displayed in the courtroom.  Gil picked up the bottle and drank the contents.  “That’s not whiskey!” he exclaimed and won the case.  The evidence was gone.  

tintype portrait of Gilbert Pine Hall photographed after removal from its case, photographer unidentified, 1861 or 1862 

Gil and Mary Louise were the parents of five daughters: Aletha, Evelyn, Kathleen, Geraldine, and Dorothy.  An unnamed son died at birth in 1888.  The family lived in Petaluma for all but a few years while Gil was county recorder in Santa Rosa. Their marriage lasted just short of 50 years.  Gil and Mary Louise both died in 1932.  Gil died on January 24 and Mary Louise seven months later on August 25. Their graves are side-by-side in Calvary Catholic Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046069/gilbert-pine-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of Gilbert Pine Hall and his family members.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3; Sept 29, 1899, p. 1; November 2, 1927, p. 8; November 8, 1927, p. 7; January 25, 1932, p. 3; March 10, 1932, p. 5. Petaluma Courier: May 29, 1878, p. 3; August 13, 1890, p.4. Petaluma Daily Morning Courier: August 28, 1911, p. 5; December 9, 1896, p. 2; March 8, 1897, p. 2; July 31, 1897, p. 1; November 2, 1897, p.1; July 12, 1911, p.2. Petaluma Weekly Argus: May 31, 1878, p. 3; April 2, 1880, p. 3; July 23, 1889, p. 3; June 2, 1882, p. 3; October 13, 1882, p. 3. Gilbert Pine Hall was referenced numerous times after his death in articles written by Bill Soberanes. The most extensive references include: Petaluma Argus-Courier: May 13, 1966, p.9; April 26, 1967, p. 11; September 14, 1979, p. 11. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

crayon portrait of mary louise brown hall, retoucher unidentified, created sometime after 1882. original cdv by Bryan R. Johnson, c. 1865.



THE PHOTOGRAPH: It is of significant note that this crayon portrait is an embellished enlarged copy of an earlier tintype dating to either 1861 or 1862. The original tintype is in this archive, and its creator is also unidentified. Additionally, this crayon portrait has a companion piece, a matching crayon portrait of Gilbert Pine Hall’s wife, Mary Louise Brown Hall. According to Kathleen O’Brien Balestrini, a descendant of Gilbert, the two crayon portraits were commissioned by Mary Louise sometime after her marriage to Gilbert in 1882.

Format / Size: Crayon portrait, 14” x 17”

Medium: A mixture of water color, pastel, and chalk applied on top of a gelatin photographic print

Description, front: The retoucher has added color and texture to this portrait using chalk, pastels, and watercolor. They have skillfully rendered the highlights of the child’s white shirt and the hat he holds. Color has also been applied to his hair, eyes, and cheeks.

Description, back: The back side reveals the shadow of a shape that suggests this portrait was formerly displayed in an oval frame. A word that appears to be “Walker” is handwritten in pencil in the center. Also in the center handwritten in pencil and underlined is “14720” and beneath that appears the word “gilt”. In the top left handwritten in pencil is, “Santa Rosa”. Handwritten in pencil under the piece of tape along the top edge is written “14 X 17”.

Description, supportive backing: On the cardboard utilized to back this portrait is handwritten in cursive in blue ink, “Gilbert Pine Hall”, “1859-1932”, “Papa in his youth —”, “K. M. Hall”

Date: The original tintype that was used to reproduce this crayon portrait was created by an unidentified photographer in either 1861 or 1862. Kathleen O’Brien Balestrini, a descendant of Gilbert Pine Hall, reported that this crayon portrait and a companion crayon portrait of Mary Louis Brown Hall (Gilbert’s wife, illustrated below) was commissioned by Mary Louise Brown Hall sometime after her marriage to Gilbert in 1882.

Condition: This crayon portrait is in very good condition.

Owner: Petaluma Historical Library & Museum, donated from the collection of Kathleen O’Brien Balestrini, 2024-998-18

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Edstrom, Eliza Kent (1829 - June 29, 1891)

George Webb’s Portrait Photograph of Eliza Kent Edstrom and Edwin Charles Edstrom Sr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  George Webb

Studio Location: George Webb’s studio was located at 400 Pacific Avenue, Santa Cruz, California. The Web photographic studio operated between 1889 and 1907. Carl Mautz, Biographies of Western Photographers, 2018 edition, p. 180.

THE SITTERS:

Names: Eliza Kent Edstrom and Edwin Charles Edstrom Sr.

Description: In this double portrait, Mr. and Mrs. Edstrom sit side-by-side, both looking somberly off to the viewer’s right. Edwin Edstrom is dressed in a double-breasted coat and matching trousers. The hair of his head, mustache and beard are pure white, and he carries a cane. Eliza Edstrom is dressed in a matching jacket and skirt. Her hair is center-parted and combed behind her ears to the back of her head. She holds a book in her lap and wears a knotted neck scarf.

Biographical Note: Eliza Kent was born in Canada on November 15, 1829. She married Edwin Charles Edstrom in Eureka, Humboldt County, on January 18, 1867 when she was 37, and he was 53. She was buried in Santa Cruz, California.

Family Affiliation: Eliza and Edwin Edstrom were the parents of Edwin Charles Edstrom Jr. and Arthur Edstrom. All four Edstroms were associated with Santa Cruz.

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.25 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This is a horizontal cabinet card with the photographer’s imprint along the right edge.

Description, back: Handwritten in cursive in pencil along the top edge is, "Aunt Eliza, Died June 29/91”. Above this date handwritten in ink is, “1891”, leading to the presumption that the death date of Eliza Edstrom was June 29, 1891. Below this is handwritten, “Aunt Eliza + Uncle Edstrom.”.

Date: Between 1889, the opening date of George Web’s studio, and June 29, 1891, the date of Eliza Edstrom’s death.

Condition: This cabinet card is in good condition.

Owner:  Petaluma Historical Library & Museum, 1983-32-08

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Edstrom, Edwin Charles Sr. (1814 -1896)

George Webb’s Portrait Photograph of Edwin Charles Edstrom and Eliza Kent Edstrom

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  George Webb

Studio Location: George Webb’s studio was located at 400 Pacific Avenue, Santa Cruz, California. The Web photographic studio operated between 1889 and 1907. Carl Mautz, Biographies of Western Photographers, 2018 edition, p. 180.

THE SITTERS:

Names: Edwin Charles Edstrom Sr. and Eliza Kent Edstrom

Description: In this double portrait, Mr. and Mrs. Edstrom sit side-by-side, both looking somberly off to the viewer’s right. Charles is dressed in a double-breasted coat and matching trousers. The hair of his head, mustache and beard are pure white, and he carries a cane. Eliza is dressed in a matching jacket and skirt. Her hair is center-parted and combed behind her ears to the back of her head. She holds a book in her lap and wears a knotted neck scarf.

Biographical Note: Edwin Charles Edstrom Sr. was born on January 13, 1814 in the state of New York and baptized March 2, 1814 in Charlottetown, Prince Edward Island, Canada. In 1833 he was living again in New York, and by 1860 was living in Pacific Township, Humboldt County, California. On, January 18, 1867, he married Eliza Kent in Eureka, Humboldt County, California. He died in 1896 at his Petaluma home on Third Street. His remains were sent to Santa Cruz for interment.

Family Affiliation: Edwin Charles Edstrom Sr. and Eliza Kent Edstrom were the parents of Edwin Charles Edstrom Jr. and Arthur Edstrom. All four Edstroms were associated with Santa Cruz.

Bibliography: Petaluma Courier, Feb. 26, 1896, p.6.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.25 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This is a horizontal cabinet card with the photographer’s imprint along the right edge.

Description, back: Handwritten in cursive in pencil along the top edge is, "Aunt Eliza, Died June 29/91”. Above this date handwritten in ink is, “1891”, leading to the presumption that the death date of Eliza Edstrom was June 29, 1891. Below this is handwritten, “Aunt Eliza + Uncle Edstrom.”.

Date: Between 1889, the opening of George Web’s studio, and 1891, the year of Eliza Edstrom’s death.

Condition: This cabinet card is in good condition.

Owner:  Petaluma Historical Library & Museum, 1983-32-08

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Woman (2024-PV-09)

E. R. HEALY GALLERY’S PORTRAIT PHOTOGRAPH OF a family

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)

THE SITTERS:

Name: Unknown

Description: Cabinet card of a woman and, presumably, her children.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: large format, 17.17 x 23cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back: N/A

Date: circa 1896 -1905

Condition:

Owner:  Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Woman (2024-PV-08)

E. R. HEALY GALLERY’S PORTRAIT PHOTOGRAPH OF an UNIDENTIFIED woman

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)

THE SITTER:

Name: Unknown

Description: Cabinet card of an unidentified woman.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: approximately 13 x 16.5cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back: N/A

Date: circa 1896 -1905

Condition:

Owner:  Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Women (2024-PV-06)

Lewis Dowe’s Portrait Photograph of two unidentified women

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)




THE SITTERS:

Name: Unidentified

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: tin type

Description, front:

Description, back:

Date: September 1875 - March 1882

Condition:

Owner:  Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Woman (2024-PV-05)

Sunset Studio’s Portrait Photograph of an unidentified woman

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

SUNSET STUDIO was established in Petaluma in February 1920 and was in operation until 1942. The studio had three owner/operators who were also photographers: Walter Kersey Waters, Wilfred J. Geoffroy, and Rupert Henry Wheldon. It has not been determined which of the three created this portrait. (For additional information on this studio and its three photographers, click on Sunset Studio in blue above.)

Sunset Studios, 23 Western Avenue, Petaluma, California



THE SITTER:

Name: Unidentified

Biographical Note:  

Description:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  7.8 x 11cm

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Man (2024-PV-04)

Ross & Ormsby’s Portrait Photograph of

an unidentified man

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROSS & ORMSBY was a Petaluma photography studio operated by George Colvaine Ross (born February 12, 1832, Edinburgh, Scotland; died 1893, Petaluma, California) and Elon D. Ormsby (died March 6, 1895, Oakland, California). The Ross & Ormsby studio was located, “At Ross’ old gallery, Main Street, two doors above the Wickersham + Co’s bank”. Ross, already an established portrait photographer in Petaluma, renamed his studio, placing his new partner’s name after his own. The Ross & Ormsby studio was first advertised in the Petaluma Weekly Argus on May 20, 1869, and the final advertisement for the studio appeared on June 11, 1870. (For additional information on this photography studio and to view all portraits in this archive with its imprint, click on its name in blue above.)


THE SITTER:

Name: Unknown

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size:  Carte de visite, approximately 6.1 x 9.8 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: May 20, 1869 to June 11, 1870

Condition:

Owner:  Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Green, Mace/Marion

Hugh S. Anderson’s Portrait Photograph of Williard Green and Marion/Mace Green

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Williard & Marion/Mace Green

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: Hugh Anderson’s imprint is on the center of the back of this carte de visite. Anderson created several versions of his Petaluma imprint. An expanded, possibly later, version appears here. It is printed in red ink and includes four lines of text, each in a different font. The text is embellished above and below with a horizontally flipped, elaborate flourish. Beneath the imprint, handwritten in cursive in pencil is, “James Gale”.

Date: January 1872 - December 1873

Condition:

Owner: Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Green, Williard (1865-1950)

Hugh S. Anderson’s Portrait Photograph of Williard Green and Marion/Mace Green

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Williard & Marion/Mace Green

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: Hugh Anderson’s imprint is on the center of the back of this carte de visite. Anderson created several versions of his Petaluma imprint. An expanded, possibly later, version appears here. It is printed in red ink and includes four lines of text, each in a different font. The text is embellished above and below with a horizontally flipped, elaborate flourish. Beneath the imprint, handwritten in cursive in pencil is, “James Gale”.

Date: January 1872 - December 1873

Condition:

Owner: Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Unidentified Woman 2024-PV-02

John Quincy Reed’s Portrait Photograph of an Unidentified Woman

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: unidentified

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Woman 2024-PV-01

George Ross’ Portrait Photograph of Unidentified Woman

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other 19th century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived, photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported Ross stopped working as a photographer soon after he became an invalid in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Unknown

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: May 14, 1880

Condition:

Owner:  Pete Vilmur Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Elizabeth "Lizzie" Bodwell (1826-1866) (2 of 2)

R.S. de lamater’s Portrait Photograph of Elizabeth Bodwell Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  R.S. De Lamator

Studio Location: Hartford, CT

THE SITTER:

Name: Elizabeth “Lizzie” Bodwell Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:



THE PHOTOGRAPH:

Format / Size: crayon portrait

Medium:

Description front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Webster Collection, 2022-214-304

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Allen, Elizabeth “Lizzie” Dora Waugh (1852-1940)

Unidentified Photographer, Portrait Photograph of Elizabeth “Lizzie” Dora Waugh Allen

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified

THE SITTER:

Name: Elizabeth Dora Waugh Allen

Description: With a detached gaze, Elizabeth Dora Waugh Allen presents her face fully frontal to the viewer. She wears a dark dress or jacket with a white under-blouse that can be seen at her neck. Below it is a horizontal pin that fastens a dark, floral patterned scarf that rests on her shoulders. Pinned to the scarf is a bouquet of two light-colored flowers. The hair at Elizabeth’s temples has been tightly pulled to the back of her head, while the hair above her forehead has been curled and adorns the crown of her head. She wears a pair of large, gold dangling earrings.

Biographical Note:

Family Affiliation: Elizabeth Dora Waugh Allen was born November 20, 1852, in Sonoma County, California, and died March 26, 1940, in Butte County, California. She was born to the early, prominent Petaluma pioneers, Clarissa Jane Edsall Waugh (1826-1877) and Reverend Lorenzo Waugh (1808-1900). In Sonoma County, on March 20, 1868, at the age of sixteen, she married the riverboat captain George Allen (see companion portrait). They had three children: Walter, Mary Bell, and Lonnie.

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This cabinet card bears no imprint or photographer’s name. Handwritten in blue ink across the bottom in a combination of upper and lower case letters is: “ELizABETH WAUGH BoRA (born?) NOV. 20, 1852 - Sanona” (Sonoma?)

Description, back: The back side of this card is either blank or contains only an access number.

Date: The dark color of the card upon which the photograph is mounted and Allen’s attire suggest this portrait dates to the late 1880s.

Condition: There is light foxing throughout the front of this portrait, and the card’s edges are nicked.

Owner:  Petaluma Historical Library & Museum, 1978-80-08

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Vonsen, Sophie Willhelmine Bartelt (1888-1978)

GUSTAVE A. GOEHNER’S PORTRAIT PHOTOGRAPH OF

Herman C. Bartelt, Catherine Petersen Bartelt and sophie Bartelt Vonsen

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographic Studio:  GUSTAVE A. GOEHNER was born in 1852 or 1853 in Germany and immigrated to the United States in 1870. He worked as a photographer in Wisconsin and Minnesota before arriving in Petaluma in June 1906. He maintained his Petaluma photographic studio on Western Avenue from that year until sometime in the early 1920s. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTERS:

Names: Herman C. Bartelt, Catherine Petersen Bartelt and Sophie Bartelt Vonsen

Description:

Biographical Note: Herman C. Bartelt was a native of Germany. He was a long-time resident of Petaluma where he worked as a poultry farmer, businessman, resort & saloon owner, and real estate agent. He and his wife Catherine were the proprietors of the Willow Brook Hotel at Redwood Highway and Corona Road and the popular Chicken Rancho. Bartelt also established the Novelty Iron Works in Petaluma at 770-772 Keller Street. Towards the end of his life he resided at 14 or 824 Keller Street. Bartelt and his wife reported the famous Wiseman airship mishap. Bartelt was an active member of the Herman Sons’ Lodge.

Family Affiliation: Bartelt’s wife and business partner was Catherine Petersen Bartelt (b. 1865), and his daughter was Sophie Bartelt Vonsen (1888-1978), a Petaluma dressmaker.

Bibliography:

THE PHOTOGRAPH:

Format / Size: Imperial cabinet card, approximately 25 x 17 cm

Medium:

Description, front:

Description, back:

Date:

Condition: Owner:  Petaluma Historical Library & Museum, 1978-80-30

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Bartelt, Herman C. (1858-1938) (4 of 4)

GUSTAVE A. GOEHNER’S PORTRAIT PHOTOGRAPH OF

Herman C. Bartelt, Catherine Petersen Bartelt and sophie Bartelt

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographic Studio:  GUSTAVE A. GOEHNER was born in 1852 or 1853 in Germany and immigrated to the United States in 1870. He worked as a photographer in Wisconsin and Minnesota before arriving in Petaluma in June 1906. He maintained his Petaluma photographic studio on Western Avenue from that year until sometime in the early 1920s. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTERS:

Names: Herman C. Bartelt, Catherine Petersen Bartelt and Sophie Bartelt

Description:

Biographical Note: Herman C. Bartelt was a native of Germany. He was a long-time resident of Petaluma where he worked as a poultry farmer, businessman, resort & saloon owner, and real estate agent. He and his wife Catherine were the proprietors of the Willow Brook Hotel at Redwood Highway and Corona Road and the popular Chicken Rancho. Bartelt also established the Novelty Iron Works in Petaluma at 770-772 Keller Street. Towards the end of his life he resided at 14 or 824 Keller Street. Bartelt and his wife reported the famous Wiseman airship mishap. Bartelt was an active member of the Herman Sons’ Lodge.

Family Affiliation: Bartelt’s wife and business partner was Catherine Petersen Bartelt (b. 1865), and his daughter was Sophie Bartelt Vonsen (1888-1978), a Petaluma dressmaker.

Bibliography:

THE PHOTOGRAPH:

Format / Size: Imperial cabinet card, approximately 25 x 17 cm

Medium:

Description, front:

Description, back:

Date:

Condition: Owner:  Petaluma Historical Library & Museum, 1978-80-30

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Bartelt, Catherine Petersen (b. 1865) (3 of 3)

GUSTAVE A. GOEHNER’S PORTRAIT PHOTOGRAPH OF

Herman C. Bartelt, Catherine Petersen Bartelt and sophie Bartelt

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographic Studio:  GUSTAVE A. GOEHNER was born in 1852 or 1853 in Germany and immigrated to the United States in 1870. He worked as a photographer in Wisconsin and Minnesota before arriving in Petaluma in June 1906. He maintained his Petaluma photographic studio on Western Avenue from that year until sometime in the early 1920s. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTERS:

Names: Herman C. Bartelt, Catherine Petersen Bartelt and Sophie Bartelt

Description:

Biographical Note: Herman C. Bartelt was a native of Germany. He was a long-time resident of Petaluma where he worked as a poultry farmer, businessman, resort & saloon owner, and real estate agent. He and his wife Catherine were the proprietors of the Willow Brook Hotel at Redwood Highway and Corona Road and the popular Chicken Rancho. Bartelt also established the Novelty Iron Works in Petaluma at 770-772 Keller Street. Towards the end of his life he resided at 14 or 824 Keller Street. Bartelt and his wife reported the famous Wiseman airship mishap. Bartelt was an active member of the Herman Sons’ Lodge.

Family Affiliation: Bartelt’s wife and business partner was Catherine Petersen Bartelt (b. 1865), and his daughter was Sophie Bartelt Vonsen (1888-1978), a Petaluma dressmaker.

Bibliography:

THE PHOTOGRAPH:

Format / Size: Imperial cabinet card, approximately 25 x 17 cm

Medium:

Description, front:

Description, back:

Date:

Condition: Owner:  Petaluma Historical Library & Museum, 1978-80-30

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Lewis, John Bacon Sr.(1825-1909) (1 of 2)

Unidentified Photographer’s Portrait Photograph of John Bacon Lewis, Sr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:


THE SITTER:

Name: John Bacon Lewis, Sr.

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size:  Boudoir Cabinet Card, 21 X 12.8 cm

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection, 2022-214-619

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, John Bacon Jr. (1848-1850)

Unidentified photographer’s daguerrEOtype of John Bacon Lewis, Jr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:


THE SITTER:

Name: John Bacon Lewis, Jr.

fRont of case

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: 

Medium:

Description, front:

Description, back:

Date:

BACK OF CASE

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection, 2022-214-332

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Vestal, Amelia Nancy Ayers (1852-1930) (1 of 2)

Hugh S. Anderson’s Portrait Photograph of Amelia Nancy Ayers (Vestal)

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Amelia Nancy Ayers (Vestal)

Description: This portrait was taken of Amelia Nancy Ayers when she was between 20 and 21 years old. She sits erect, gazing fixedly to the right. She is attired in a black front-button blouse and matching skirt. A dark cloth belt with a metal rectangular buckle cinches her waist. She wears four adornments around her neck: a thin black choker from which hangs a round, metal pendant; a white lace collar; a flattened cloth bow; and a long metal chain, which may be a type of chatelaine. It appears to end in a set of keys tucked into her belt. She wears two additional ornaments: a large drop earring and a garland of white lace which cascades down the right side of her hair.

Biographical Note: In 1852, Amelia Ayers was born in Illinois to early Petaluma pioneers William Ayers (1829-1899) and Martha Wade Ayers (1829 or 30 - 1890). Her parents brought her to California as an infant and raised her in Analy and Petaluma. Later in her life, she lived in Santa Rosa. On July 2, 1874, she married Lemuel H. Vestal (1841-1923). Together, they had at least three children: Lena E. Vestal Hall (1877-1968), Warren Eugene Vestal (1883-1973), and William Thomas Vestal (1885-1947). Amelia was buried in the Santa Rosa Odd Fellows Cemetery.

Family Affiliation: https://www.findagrave.com/memorial/231487662/amelia-n-vestal. This website has numerous portraits of additional Vestal and Ayers family members.

Bibliography: Petaluma Argus, “The Ayers Reunion,” May 28, 1908, p. 2. Santa Rosa Republican, Jan. 13, 1930, p.2; Jan. 14, 1930, p. 3.

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: Handwritten in script in pencil along the bottom edge of the card is: “Amelia N. Ayers”.

Description, back: Hugh Anderson’s imprint appears in red ink in the center of the card. Below this, handwritten in back marker is; “Amelia Nancy Ayers Vestal”.

Date: January 1872 - December 1873.

Condition: Both the front and back sides of this carte de visite are slightly soiled.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Blakely, Rosalie “Rosa” Ayers (1865-1938) (1 of 2)

Bryan R. Johnson’s Portrait Photograph of rosalie “Rosa” ayers Blakely

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April of 1863 Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864 he moved his studio twice within the community and continued working in Petaluma at least until 1867. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Names: Rosalie “Rosa” Ayers (Blakely)

Description: With a petulant expression typical of intelligent children, Rosalie sits in a balloon chair looking straight out at the viewer. She holds her hands assuredly in her lap and pulls the toes of her feet back in what can be read as a defiant gesture. She wears a brocaded dark dress with slightly dropped shoulders.

Biographical Note:

Family Affiliation: Rosalie was the daughter of early Petaluma pioneers William A. Ayers (1829-1899) and Martha Wade Ayers. Rosalie was married to Theron M. Blakely Senior who worked for the Petaluma Courier. Together, they had one daughter, Clarice Blakely Holmes, and one son, Theron Melville Blakely Junior (1890-1923), who died in the disastrous crash of the U. S. Army Airship Roma on February 21, 1922, in Norfolk, Virginia. Rosalie lived in Petaluma until 1906 when she moved to Napa and then to St. Helena. She died in St. Helena and was buried with her son in Alta Mesa Memorial Park, Palo Alto, California. On this website are additional portraits of other Ayers family members. https://www.findagrave.com/memorial/95183568/rosalie_blakely

Bibliography: Petaluma Argus-Courier, Sept. 17, 1908, p.7; Feb. 23, 1922, p. 1. The Napa Valley Register, March 8, 1938, p. 8.

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: In the center of the back of the card is the photographer’s imprint: “From B. R. Johnson’s Photographic Establishment, Doyle’s Building, Main Street, Petaluma.” Above this has been placed a two cent revenue stamp. Along the bottom edge is written, “Negatives preserved from which extra copies can be had at less than regular prices.”. “Rosalie Ayers” also appears along the bottom edge handwritten in bold black marker.

Date: 1867 or 68

Condition: Both the front and back of this carte de visite are soiled.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Blakely, Rosalie “Rosa” Ayers(1865-1938) (2 of 2)

John Quincy Reed’s Portrait Photograph of rosalie “Rosa” ayers Blakely

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Rosalie “Rosa” Ayers (Blakely)

Description: Looking out at the viewer with a scowling expression, Rosalie sits casually, resting her right elbow on a side table. She wears a calf-length plaid dress that has a matching shorter overskirt. The overskirt has a scalloped hem trimmed in two bands of dark ribbon. On the left side of her dress hem can be seen the trim of her white, scalloped petticoat. Over her dress is a bolero jacket trimmed along the front and around the cuffs with white embroidery. She also wears laced boots and white stockings. Her shoulder-length hair is very curly and adorned with a bow.

Biographical Note:

Family Affiliation: Rosalie was the daughter of early Petaluma pioneers William A. Ayers (1829-1899) and Martha Wade Ayers. Rosalie married Theron M. Blakely Senior, who worked for the Petaluma Courier. Together, they had one daughter, Clarice Blakely Holmes, and one son, Theron Melville Blakely Junior (1890-1923), who died in the disastrous crash of the U. S. Army Airship Roma on February 21, 1922, in Norfolk, Virginia. Rosalie lived in Petaluma until 1906 when she moved to Napa and then to St. Helena. She died in St. Helena and was buried with her son in Alta Mesa Memorial Park, Palo Alto, California. On this website are additional portraits of other Ayers family members. https://www.findagrave.com/memorial/95183568/rosalie_blakely

Bibliography: Petaluma Argus-Courier, Sept. 17, 1908, p.7; Feb. 23, 1922, p. 1. The Napa Valley Register, March 8, 1938, p. 8.

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: Handwritten in script in pencil along the bottom of the card is: “Rosalie Ayers 14 yrs. old”.

Description, back:

Date: 1879

Condition: There is extensive foxing in the upper right of this portrait.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wiswell, Nelson Lincoln (1867-1920)

Easterly & Company’s Portrait Photograph of Nelson Lincoln Wiswell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EASTERLY & CO. was operated in Petaluma by George Bascombe Easterly (1859-1906) between August 1891 and November 1893. (For additional information on Easterly & Co. and to view all portraits produced by the studio in the collection, click its name in blue above.)

Active in Petaluma: 1892-1895

Biographical Note: Easterly opened a studio in Petaluma in 1892 and moved to Lake County 1895.

Bibliography:

THE SITTER:

Name: Nelson Lincoln Wiswell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.5 x 16.25 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Webster/Lewis Collection, 2022-214-308

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Baker, Aletha Hall O'Brien (1883-1966)(4 of 4)

Unidentified Photographer, Portrait Photograph of Anna “Annie” Alexis ferguson brown, Mary Louise Brown Hall, Aletha Hall O’brien & Margaret Aletha O’Brien

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified



THE SITTERS:

Names: Anna Alexis Ferguson Brown, Mary Louise Brown Hall, Aletha Hall O’Brien & Margaret Aletha O’Brien. Aletha Hall O’Brien Baker would have been known as Aletha Hall O’Brien at the time this portrait was taken.

Description: Aletha Hall O’Brien (Baker)(1883-1966) appears in the center of this pyramidal composition directly above her daughter, Margaret Aletha O’Brien (1908 - 1996). On the left is Anna “Annie” Alexis Ferguson Brown (1841-1920), the child’s maternal great-grandmother. On the right, is Mary Louis Brown Hall (1860-1932), the child’s maternal grandmother.

Biographical Note: Aletha Hall was born in Petaluma in 1883, the eldest child of Gilbert and Mary Louise Brown Hall.  She was educated at Petaluma schools and the Ursuline Academy in Santa Rosa and for a while ran her own millinery store in Petaluma.  In 1907 she married local physician Dr. John Thomas O’Brien and the couple was blessed with three children, Margaret in 1908, Kathleen in 1911, and John T., Jr., in 1913. During the First World War, Dr. O’Brien received a commission to the Army Medical Corps and was stationed in San Diego.  Aletha drove south with her children to be near him and when he was honorably discharged they all returned to Petaluma to their beautiful home on several acres near Oak Hill Park.  In 1920 the O’Briens sold their home and moved to San Francisco.  In 1926 Dr. O’Brien died there at the age of 63.  Several years later Aletha married Walter Baker, an officer with the Metropolitan Insurance Company.  Walter died in 1933 and Aletha, at the age of 50, was again a widow.

Aletha led a busy life as a widow.  She settled in Palo Alto and was highly involved with her family which included twelve grandchildren.  She never moved back to Petaluma but always kept her connection, often visiting relatives and friends there, and frequently sending notices of family events to the Argus Courier.  She was frequently involved in local events, acting as a guest speaker at AAUW meetings and as a frequent chairperson at political conferences.  She was a staunch Democrat and after Eisenhower’s win expressed herself with one of the first bumper stickers:  Don’t Blame Me!  I voted Democrat!  Aletha Hall O’Brien Baker died in 1966 and was buried in the O’Brien Plot in the Catholic Calvary Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42033731/aletha-o'brien_baker. There are many portraits of other members of the Brown, Hall, O’Brien, and Baker families in this archive.

Bibliography: Petaluma Argus-Courier, September, 20, 1966, p. 5 (obituary); The Peninsula Times Tribune (Palo Alto, CA), September 20, 1966, p. 4 (obituary). For additional information and artifacts pertaining to the Brown, Hall O’Brien and Baker families, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  5 x 7 3/4

Medium: Gelatin or collodion photographic print

Description, front:

Description, back: Handwritten in script in pencil is : “Annie Alexis Ferguson Brown (left) 1841-1920”; “Mary Louise Brown Hall" (right) 1860-1932”; Aletha Hall O’Brien Baker (top) 1883-1966; and “Margaret O’Brien McSherry Fassoth Reed (BABY) 1908-1996”.

Date: 1910-1912

Condition:

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Mary Louise Brown (1860-1932)(5 of 6)

Unidentified Photographer, Portrait Photograph of Anna “Annie” Alexis ferguson brown, Mary Louise Brown Hall, Aletha Hall O’brien Baker & Margaret Aletha O’Brien

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTERS:

Names: Anna “Annie” Alexis Ferguson Brown, Mary Louise Brown Hall, Aletha Hall O’Brien Baker, and Margaret Aletha O’Brien. Aletha Hall O’Brien Baker would have been known as Aletha Hall O’Brien at the time this portrait was taken.

Description: Aletha Hall O’Brien (Baker) (1883-1966) appears in the center of this pyramidal composition directly above her daughter, Margaret Aletha O’Brien (1908-1990). On the left is Anna “Annie” Alexis Ferguson Brown (1841-1920), the child’s maternal great-grandmother. On the right, is Mary Louise Brown Hall (1860-1932), the child’s maternal grandmother.

Biographical Note: Mary Louise, or Lulu as she was called, was the first of twelve children born to the early Petaluma pioneers, Daniel and Annie Brown.  She was born in Petaluma on March 5, 1860, and attended the Brick School and Petaluma High School.  Lulu graduated from high school in 1878 along with five other students including her future husband, Gilbert Hall.  Two years later on May 29, 1882, Lulu and Gil eloped to Marin County and were married there by a Justice of the Peace.  The next day the Brown parents arranged for them to be married in a Catholic ceremony in their home.  The Hall couple settled in Petaluma and for a few years resided in Santa Rosa while Gil was acting as Sonoma County Auditor and Recorder. From girlhood and throughout her adult years, Mary Louise was active in St. Vincent Church events.  At one time she was photographed driving a horse and buggy down Main Street with a friend while collecting donations for a Catholic fair.  The tintype still exists.

The marriage of the Hall couple lasted almost fifty years.  Gil died on January 24, 1932, and Mary Louise followed on August 25th of the same year.  Five daughters survived the Hall couple, Aletha, Evelyn, Kathleen, Geraldine, and Dorothy; one son died at birth.  Gilbert and Mary Louise lived at 325 Post Street in Petaluma and were buried together in Calvary Catholic Cemetery.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046382/mary_louise_hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of the Hall and Brown families.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3. Petaluma Daily Morning Courier: July 29, 1911, p.1; August 28, 1911, p. 5. https://www.findagrave.com/memorial/42046382/mary-louise-hall.



THE PHOTOGRAPH:

Format / Size:  5 x 7 3/4

Medium: Gelatin or collodion photographic print

Description, front:

Description, back: Handwritten in script in pencil is : “Annie Alexis Ferguson Brown (left) 1841-1920”; “Mary Louise Brown Hall" (right) 1860-1932”; Aletha Hall O’Brien Baker (top) 1883-1966; and “Margaret O’Brien McSherry Fassoth Reed (BABY) 1908-1996”.

Date: 1910-1912

Condition: This photograph is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Anna “Annie” Alexis Ferguson (1841-1920) (4 of 4)

Unidentified Photographer’s Portrait Photograph of Anna “Annie” alexis Ferguson Brown, Mary Louise Brown Hall, Aletha Hall O’Brien, and Margaret Aletha O’brien

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified



THE SITTER:

Names: Anna “Annie” Alexis Ferguson Brown, Mary Louise Brown Hall, Aletha Hall O’Brien (Baker) & Margaret Aletha O’Brien. Aletha Hall O’Brien Baker would have been known as Aletha Hall O’Brien at the time this portrait was taken.

Description: Aletha Hall O’Brien (Baker) (1883-1966) appears in the center of this pyramidal composition directly above her daughter, Margaret Aletha O’Brien (1908 - 1990). On the left is Anna “Annie” Alexis Ferguson Brown (1841-1920), the child’s maternal great-grandmother. On the right, is Mary Louis Brown Hall (1860-1932), the child’s maternal grandmother.

Biographical Note: Anna “Annie” Alexis Ferguson was born in 1841 in County Galway, Ireland. By age 5, she and her family had immigrated to the United States and lived in Boston, Massachusetts. Annie sailed around Cape Horn and came to California in 1856 to live in Petaluma with her sister and brother-in-law, Sabina and Thomas Rochford. On May 18, 1858, Annie and Daniel Brown were married at the Rochford’s house by Father Louis Auger. Annie and Daniel had twelve children, seven of whom survived until adulthood. Besides raising their children, Annie was active in St. Vincent de Paul Catholic Church and participated in local fairs, entering tapestries and other works of art she had created.  Annie lived in Petaluma until a few years after the 1902 death of her husband.  She moved to San Francisco with her son, Vincent and three of her unmarried daughters, Josephine, Emma, and Kathleen Elise. Annie died in San Francisco on March 13, 1920.  She was buried next to Daniel in Calvary Cemetery in Petaluma, and eventually most of their twelve children were interred with them in the Brown Family Plot. 

*This biographical note was written by Anna Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41848304/annie-alexis-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Primary Sources: Petaluma Argus-Courier: March 28, 1900, p. 1; March 13, 1916, p. 2; March 13, 1920, p. 4 (obit); March 15, 1920, p. 5.. Petaluma Daily Morning Courier: October 12, 1904, p. 1; March 20, 1922, p.3; September 13, 1911, p. 5; March 14, 1920, p. 8 (obit). Petaluma Weekly Argus: September 1, 1888, p. 2. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  5 x 7 3/4 inside of frame

Medium: Gelatin or collodion photographic print

Description, front:

Description, back: Handwritten in script in pencil is : “Annie Alexis Ferguson Brown (left) 1841-1920”; “Mary Louise Brown Hall" (right) 1860-1932”; Aletha Hall O’Brien Baker (top) 1883-1966; and “Margaret O’Brien McSherry Fassoth Reed (BABY) 1908-1996”.

Date: 1910-1912

Condition:

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Baker, Aletha Hall O'Brien (1883-1966)(3 of 4)

Robert Peterson Dammand’s Portrait Photograph of Aletha Hall O’brien baker

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROBERT PETERSON DAMMAND (Dammond) was born on September 6, 1855, in Horsens, Denmark, and died on January 27, 1936, in Glendale, California. He worked as a photographer in Iowa and Southern California before arriving in Petaluma in November 1901. He resided on Petaluma’s D Street and located his photographic studio opposite the American Hotel over the Steiger Building on Main Street. In late July 1905, Dammand departed Petaluma to set up a studio in Richmond, California. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Aletha Hall O’Brien Baker

Description: In this portrait, a beguiling Aletha Hall O’Brien Baker stands in a languid, alluring pose while gazing straight out at the viewer. She tilts her head to the left and raises her right hand to touch the fringes of her billowy, white, fleece collar. Her thigh-length cape is trimmed in the same sensuous fleece above which is an elaborate border of white embroidery. Her cape is secured with a long ribbon which flows down the front of her body. Under her cape she wears a simple linen dress that appears to be cinched at the waist. Around her neck is a black choker with a circular white ornament in the center. Her dark hair is mounded on top of her head and adorned with a large, round bow made of ribbon.

Biographical Note: Aletha Hall was born in Petaluma in 1883, the eldest child of Gilbert and Mary Louise Brown Hall.  She was educated at Petaluma schools and the Ursuline Academy in Santa Rosa and for a while ran her own millinery store in Petaluma.  In 1907 she married local physician Dr. John Thomas O’Brien and the couple was blessed with three children, Margaret in 1908, Kathleen in 1911, and John T., Jr., in 1913. During the First World War, Dr. O’Brien received a commission to the Army Medical Corps and was stationed in San Diego.  Aletha drove south with her children to be near him and when he was honorably discharged they all returned to Petaluma to their beautiful home on several acres near Oak Hill Park.  In 1920 the O’Briens sold their home and moved to San Francisco.  In 1926 Dr. O’Brien died there at the age of 63.  Several years later Aletha married Walter Baker, an officer with the Metropolitan Insurance Company.  Walter died in 1933 and Aletha, at the age of 50, was again a widow.

Aletha led a busy life as a widow.  She settled in Palo Alto and was highly involved with her family which included twelve grandchildren.  She never moved back to Petaluma but always kept her connection, often visiting relatives and friends there, and frequently sending notices of family events to the Argus Courier.  She was frequently involved in local events, acting as a guest speaker at AAUW meetings and as a frequent chairperson at political conferences.  She was a staunch Democrat and after Eisenhower’s win expressed herself with one of the first bumper stickers:  Don’t Blame Me!  I voted Democrat!  Aletha Hall O’Brien Baker died in 1966 and was buried in the O’Brien Plot in the Catholic Calvary Cemetery in Petaluma.

*This biographical note was written by Aletha Hall O’Brien Baker’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42033731/aletha-o'brien_baker. There are many portraits of other members of the Hall, O’Brien, and Baker families in this archive.

Bibliography: Petaluma Argus-Courier, September, 20, 1966, p. 5 (obituary); The Peninsula Times Tribune (Palo Alto, CA), September 20, 1966, p. 4 (obituary). For additional information and artifacts pertaining to the Hall and O’Brien families, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

THE PHOTOGRAPH:

Format / Size:  7 1/2 x 9 1/2

Medium: gelatin or collodion photographic print

Description, front: The backdrop of this portrait depicts a large framed mirror behind which is a misty garden of palm fronds.

Description, back: On the right corner is the photograph’s imprint.

Date: 1901 - 1905

Condition: This portrait is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, William Barnabus (1842-1914) (4 of 4)

Unidentified photographer’s portrait photograph of William Barnabus Haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified


THE SITTERS:

Names: William Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-19

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, William Barnabus (1842-1914) (3 of 4)

Unidentified photographer’s portrait photograph of William Barnabus Haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified


THE SITTERS:

Names: William Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-17

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, William Barnabus (1842-1914) (2 of 4)

Unidentified photographer’s portrait photograph of William Barnabus Haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified


THE SITTERS:

Names: William Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-18

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Unidentified Boy

Bryan R. Johnson’s Portrait Photograph of unidentified haskell Boy

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866.(For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Names: Unidentified Haskell Boy

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, size N/A

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: April 1863-1864

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-16

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Emma Webber

S. P Burnham’s portrait Photograph of emma webber haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: S.P. Burnham

Studio Location: Norwich, VT

THE SITTER:

Name: Emma Webber Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-15

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, Betsy

Ross & Ormsby’s Portrait Photograph of Betsy Haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROSS & ORMSBY was a Petaluma photography studio operated by George Colvaine Ross (born February 12, 1832, Edinburgh, Scotland; died 1893, Petaluma, California) and Elon D. Ormsby (died March 6, 1895, Oakland, California). The Ross & Ormsby studio was located, “At Ross’ old gallery, Main Street, two doors above the Wickersham + Co’s bank”. Ross, already an established portrait photographer in Petaluma, renamed his studio, placing his new partner’s name after his own. The Ross & Ormsby studio was first advertised in the Petaluma Weekly Argus on May 20, 1869, and the final advertisement for the studio appeared on June 11, 1870. (For additional information on this photography studio and to view all portraits in this archive with its imprint, click on its name in blue above.)


THE SITTER:

Name: Betsy Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  Carte de visite, approximately 6.25 x 10. 5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-14

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, Barnabus (1817-1887) (4 of 4)

unidentified photographer’s Portrait Photograph of barnabus haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified

THE SITTER:

Name: Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-13

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, Barnabus (1817-1887) (3 of 4)

unidentified photographer’s Portrait Photograph of barnabus haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified

THE SITTER:

Name: Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date: 1862

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-11

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, Barnabus (1817-1887) (2 of 4)

Cha’s K. bill’s Portrait Photograph of barnabus haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Charles K. Bill Photographic Establishment

Studio Location: 603 Broadway, New York, NY

THE SITTER:

Name: Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-10

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, Abigail Ainsley Goodwin (1819-1884) (8 of 8)

unidentified photographer’s daguerREOtype of abigail ainsley goodwin haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified


THE SITTERS:

Names: Abigail Ainsley Goodwin Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Case Description:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-05

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Abigail Ainsley Goodwin (1819-1884) (7 of 8)

unidentified photographer’s daguerREOtype of abigail ainsley goodwin haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified


THE SITTERS:

Names: Abigail Ainsley Goodwin Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Case Description:

Date:

Condition:

Owner:  The Ann Nisson Digital Collection, digital copy by permission. 2019-887-06

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Barnabus (1817-1887) (1 of 4)

Hamilton’s daguerREOtype of abigail ainsley goodwin haskell, William Barnabus Haskell and Barnabus Haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Hamilton


THE SITTERS:

Names: Abigail Ainsley Goodwin Haskell, William Barnabus Haskell and Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Case Description:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-01

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Abigail Ainsley Goodwin (1819-1884) (6 of 8)

Hamilton’s daguerREOtype of abigail ainsley goodwin haskell, William Barnabus Haskell and Barnabus Haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Hamilton


THE SITTERS:

Names: Abigail Ainsley Goodwin Haskell, William Barnabus Haskell and Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium: daguerreotype

Case Description:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-01

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, William Barnabus (1842-1914) (1 of 4)

Hamilton’s daguerREOtype of abigail ainsley goodwin haskell, William Barnabus Haskell and Barnabus Haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Hamilton


THE SITTERS:

Names: Abigail Ainsley Goodwin Haskell, William Barnabus Haskell and Barnabus Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Case Description:

Date:

Condition:

Owner: The Ann Nisson Collection, digital copy by permission. 2019-887-01

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Abigail Ainsley Goodwin (1819-1884) (3 of 8)

Crayon drawing based on Whipple Studios Portrait Photograph of abigail Ainsley goodwin haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Whipple

Studio Location: 297 Washington Street,

Boston

THE SITTER:

Name: Abigail Ainsley Goodwin Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium:

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-08

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, Abigail Ainsley Goodwin (1819-1884) (5 of 8)

Unidentified Photographer, oil portrait of abigail ainsley goodwin haskell

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Abigail Ainsley Goodwin Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-07

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Abigail Ainsley Goodwin (1819-1884) (4 of 8)

Bryan R. Johnson’s Portrait Photograph of abigail ainsley goodwin haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Names: Abigail Ainsley Goodwin Haskell

Description: Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, size N/A

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: April 1863-1864

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-02

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Haskell, Abigail Ainsley Goodwin (1819-1884) (1 of 8)

Whipple Studios Portrait Photograph of abigail Ainsley goodwin haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Whipple

Studio Location: 297 Washington Street,

Boston

THE SITTER:

Name: Abigail Ainsley Goodwin Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-03

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Haskell, Abigail Ainsley Goodwin (1819-1884) (2 of 8)

Whipple Studios Portrait Photograph of abigail Ainsley goodwin haskell

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Whipple

Studio Location: 297 Washington Street,

Boston

THE SITTER:

Name: Abigail Ainsley Goodwin Haskell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Ann Nisson Collection, digital copy by permission. 2019-887-09

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Reed, Jack

A.O. Carpenter’s Portrait Photograph of Jack Reed

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  A.O. Carpenter

Studio Location: Ukiah, California

THE SITTER:

Name: Jack Reed

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, Reverse:

Date:

Condition:

Owner:  Private collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Casey, Julia Moriarty (1852-1934)

Unidentified Photographer and Unidentified Retoucher’s crayon portrait of Julia Moriarty Casey

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified 

Retoucher: unidentified

THE SITTER:

Name: Julia Moriarty Casey

Description: In this head-and-shoulders portrait, Julia Moriarty Casey appears as a sturdy, self-possessed matron. Her demeanor is orderly and stoic. Her dark, center-parted hair has been carefully combed back into a bun pinned on the top of her head. She wears a starched “Gibson Girl” blouse, and her sole ornament is a brooch fastened to the center of her collar.

Biographical Note: Born in County Kerry, Ireland, Julia was only 14 when she boarded a ship in 1866 bound for New York City accompanied by her Aunt Mary Moriarty, who had taken her in after she lost her mother at age 10. Also, along on the journey were Mary’s three daughters, all under 18.

The women comprised part of the second wave of Irish emigration, the first wave having peaked during the 1850s in the wake of the Great Famine that devasted Ireland following the potato crop failure in 1845. Unlike the first wave, the second wave was predominately made up of single females, the majority of them under the age of 25.

From New York City, the Moriarty women sailed via the Isthmus of Panama for San Francisco, where Julia was briefly reunited with her father, who had left Ireland for America soon after his wife’s death.

Like more than three quarters of Irish female immigrants, Julia found ready employment for five years as a domestic for a liquor merchant and his family in San Francisco. It was grueling employment that most working-class American girls avoided, as domestic service bore a social stigma, preferring jobs as shop girls, mill hands, and seamstresses.

While attending a St. Patrick’s Day dance, 19-year-old Julia met a 30-year-old Irish bachelor from Petaluma’s Lakeville area named John Casey. Casey had emigrated to America from County Kerry in 1863 with an older brother, Jeremiah, and two sisters, Mary and Catherine. Jeremiah and John established a 120-acre wheat farm on the northern end of Tolay Lake. Mary married a neighboring farmer named George Eades, and Catherine another neighboring farmer named John Gregory.

After their marriage, John and Julia leased a 160-acre ranch in Lakeville from J.B. Lewis for raising dairy cows. Julia gave birth to six children, who all attended St. Vincent’s Academy on Howard Street. Soon after the birth of her sixth child in 1887, John Casey died unexpectedly from a bad case of the measles.

With the help of her sons, Julia operated the dairy ranch until 1898, when she moved into Petaluma, purchasing a house at 322 Bassett Street and the adjacent empty lot. On the lot she built a two-story house at 326 Bassett Street, renting it out to boarders for income before eventually selling it to fellow Irish immigrants Charles and Hannah Sheehy. Sheehy established a painting business on Main Street in 1973. Julia’s youngest daughter Mary married the Sheehy’s oldest son Charles, Jr.

Julia was very involved with her parish at St. Vincent’s Catholic Church, and a founding member and longtime officer of Catholic Ladies Aid Society, established in 1891. In 1922, she replaced her house at 322 Bassett Street with a new modern home built by local contractor Stewart Scott. By that time, three other houses she had purchased on the block were occupied by members of her extended family.

Julia died at her home surrounded by family members in 1934 at the age of 82. Through hard work, persistence, community engagement, and family devotion, she overcame poverty and adversity to reign as the matriarch of a thriving Irish clan in Petaluma.*

Family Affiliation: Of Julia’s six children, none of her four sons married, only her two daughters. Catherine (1874-1925) married John Bennett, a prominent Molino nurseryman during Sebastopol’s apple boom; Jeremiah Casey (1875-1893) died at 19 from lung disease; John (Jack) Casey (1877-1951) was a teamster for the Golden Eagle Mill; William (1878-1968) was general manager of A. Kahn Grocery and grain distribution; James (1886-1928) operated meat markets, including King’s Corner Grocery on Bodega Avenue; George (1881-1972) was ranch manager for Joe Redding in Rancho Nicasio and Shellville; Mary (1887-1969) married Charles Sheehy, Jr., who operated Sheehy Brothers Painting at 128 Kentucky Street until his unexpected death in 1929. Mary supported her two children working for Newburg department store, Tomasini’s Hardware, and for ten years in the office of the Petaluma Creamery.*

*This biographical note and family affiliation information was written by Julia Moriarty Casey’s descendant, John Patrick Sheehy.

Bibliography: https://petalumahistorian.com/julia-moriarty-casey/.

THE PHOTOGRAPH:

Format / Size: Crayon enlargement also known as a crayon portrait, 16 X 20

Medium: Photographic print mounted on paperboard and enhanced with charcoal

Description, front:

Description, back: The back of this portrait is blank

Date: c. 1900

Condition: The original of this portrait is torn. The version presented here has been digitally restored.

Owner:  John Patrick Sheehy, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Brown, Thomas H.(b. 1855)

Hugh S. Anderson’s Portrait Photograph of Thomas H. Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Thomas H. Brown

Description: This portrait was taken of Thomas H. Brown when he was between 17 and 18 years old. He is attired in a sack coat with large lapels and contrasting collar, a high-collared white shirt, and a chevron- shaped necktie that was ineptly colorized. Color has also been added to his cheeks producing, along with his tender gaze, the appearance of an innocent young man.

Biographical Note: Thomas H. Brown was born in New York and traveled with his parents to California. The family arrived in Petaluma around 1865. When his family moved to Alameda, Thomas remained in Petaluma working for the Western Union Telegraph Company until 1889 when he left for San Francisco. He eventually moved with his wife to Reno, Nevada where he served as the manager of the Western Union Telegraph Company for many years.

Family Affiliation: Thomas H. Brown was the eldest son of Petaluma pioneers John K. Brown (1820-1902) a riverboat captain, and Helen W. Walter Brown (1837-1892). He had one sister, Ida Brown Coffin (b. 1858 or 59). He had three brothers: William W. Brown (d. 1905), George W. Brown (b. 1868), and George H. Brown (1869-1922)

Bibliography: Nevada State Journal, May 1, 1891, p. 3; July 14, 1905, p. 5; Oct. 1, 1915, p. 8; August 27, 1930, p. 8. Petaluma Argus-Courier, July 14, 1905, p. 5; Jan. 10, 1933, p.5. Petaluma Courier, Dec. 7, 1887, p. 3; April 3, 1889, p. 3. Petaluma Journal and Argus, Dec. 28, 1865, p. 2. Petaluma Weekly Argus, Dec. 28, 1865, p. 2. Reno Gazette-Journal, April 1, 1901, p.5; Dec. 21, 1901, p. 7.

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This head-and-shoulders portrait has been set within a vertical oval.

Description, back: Hugh Anderson’s imprint appears in the center in red ink.

Date: January 1872 - December 1873

Condition: All four corners of this carte de visite have been clipped. Both sides are slightly soiled.

Owner:  Private collection, 2024-760-02, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Helen W. (1833-1892)

G & J Hall’s Portrait Photograph of Helen W. Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographic Studio: G & J Hall, Wakefield

THE SITTER:

Name: Helen W. Brown

Description:

Biographical Note:

Family Affiliation:

Bibliography:





THE PHOTOGRAPH:

Format / Size:  cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition: This cabinet card is in excellent condition.

Owner: Private collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, John K. (1820-1902)

G & J Hall’s Portrait Photograph of John K. Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographic Studio: G & J Hall, Wakefield, West Yorkshire, England

Photographers: George and John Hall

THE SITTER:

Name: Captain John K. Brown

Description: In a full-frontal seated poise, Captain Brown exudes an air of comfort and assuredness. He rests his left elbow on the arm of a chair and his right on a side table. He peers off into the distance with an aloof gaze. He is dressed in businessman’s attire: a three piece suit with a white shirt, four-in-hand necktie, pocket hankerchief and a chained pocket watch.

Biographical Note: John K. Brown was born in New York

Family Affiliation: John K. Brown was married to Helen W. Walter Brown (1837-1892). They had at least five children: Thomas H. Brown (born 1855), Ida Brown Coffin (b. 1858 or 59), William W. Brown (d. 1905), George W. Brown (b. 1868), and George H. Brown (1869-1922).


Bibliography:





THE PHOTOGRAPH:

Format / Size:  cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: The portrait includes two pieces of furniture, a side table and a dark wooden chair. There is a curtain in the background on the left and an elaborate painted column on the right.

Description, back: The G & J Hall studio’s elaborate imprint fills the entire backside of this cabinet card. A scalloped label has been placed on the card covering the center bottom edge. Upon it has been typewritten, “CAPTAIN J. K. BROWN, Lloyd’s Grandfather on his Father’s side”.

Date: late 1880s - early 1890s

Condition: This cabinet card is in good condition with the exception of a strip of tape remnant along the top edge of the back side.

Owner: Private collection, 2024-760-01, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Tom (2024-760-01)

Unidentified Photographer, Portrait Photograph of Tom Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified.

THE SITTER:

Name: Tom Brown

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  Private collector, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a website, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

“Unidentified Infant Dressed in a White Gown With Large Puff Sleeves”

Joslin & Company’s Portrait Photograph of an unidentified infant

PHOTOGRAPHER / PHOTOGRAPHIC STUDIO:

JOSLIN & COMPANY was established by the photographer Amon James Tuft Joslin. He was born in 1839 in Rockwood, New York, and died in 1913 in San Benito County, California. He established the Petaluma Photo Parlor under the name of Joslin & Company in November 1893, and left the studio, departing for Chico, California in April 1897. (For additional information on Joslin and Company and to view all portraits produced by the studio in the collection, click on its name in blue above.)

THE SITTER:

Name: Unidentified

Description: This smiling, round-faced baby sits calmly with both arms resting on either side of its body. It wears a white gown with large puffs sleeves, and a white lace bib. It appears the baby’s blanket, which is decorated with an animal print, has been draped over the arm of the chair.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: This portrait has been mounted on a cream-colored card which has scalloped edges. The Joslin & Company imprint appears on the bottom edge in blue ink.

Description, back: The back of this card is either empty or contains only an accession number.

Date: November 1893 - April 1897

Condition: This cabinet card is slightly soiled throughout, and a stain appears on the baby’s right cheek.

Owner:  Petaluma Historical Library & Museum, 2024-946-01

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

“A Gentleman in a Right Facing Profile With a Distinctive Hair Style”

Ross & Ormsby’s Portrait Photograph of

“A Gentleman in a right facing profile with a distinctive hair style”

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROSS & ORMSBY was a Petaluma photography studio operated by George Colvaine Ross (born February 12, 1832, Edinburgh, Scotland; died 1893, Petaluma, California) and Elon D. Ormsby (died March 6, 1895, Oakland, California). The Ross & Ormsby studio was located, “At Ross’ old gallery, Main Street, two doors above the Wickersham + Co’s bank”. Ross, already an established portrait photographer in Petaluma, renamed his studio, placing his new partner’s name after his own. The Ross & Ormsby studio was first advertised in the Petaluma Weekly Argus on May 20, 1869, and the final advertisement for the studio appeared on June 11, 1870. (For additional information on this photography studio and to view all portraits in this archive with its imprint, click on its name in blue above.)


THE SITTER:

Name: Unknown

Description: In this portrait, the sitter’s shoulders are almost full frontal while he turns his head to display an almost full right profile. He is attired in a jacket with large lapels, a matching vest, a white shirt and a large dark bowtie. Curiously the second button of his vest is not buttoned. His demeanor is serious and stern. His hair has been combed in a distinctive manner most probably meant to conceal a bald patch.

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size:  Carte de visite, approximately 6.1 x 9.8 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This right facing profile portrait is set within a vertical oval.

Description, back: The back of this carte de visite is either blank or contains only an accession number.

Date: May 20, 1869 to June 11, 1870

Condition: This carte de visite is slightly soiled.

Owner:  Petaluma Historical Library & Museum, 2023-946-02

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

“Young Girl in a Billowy White Dress”

Joslin & Company’s Portrait Photograph of a “Young Girl in a Billowy white Dress”

PHOTOGRAPHER / PHOTOGRAPHIC STUDIO:

JOSLIN & COMPANY was established by the photographer Amon James Tuft Joslin. He was born in 1839 in Rockwood, New York, and died in 1913 in San Benito County, California. He established the Petaluma Photo Parlor under the name of Joslin & Company in November 1893, and left the studio, departing for Chico, California in April 1897. (For additional information on Joslin and Company and to view all portraits produced by the studio in the collection, click on its name in blue above.)

THE SITTER:

Name: Unidentified

Description: This carte de visite portrays a young girl attired in a billowy white dress with elaborate lace short sleeves. In a graceful gesture, she holds both hands in her lap with her fingertips touching. Her dark, shoulder-length hair is center parted. She looks up and to her right with an angelic smile.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: This portrait has been mounted on a cream colored card which has scalloped edges. The Joslin & Company imprint appears on the bottom edge in gold colored ink.

Description, back: The back of this card is either empty or contains only an accession number.

Date: November 1893 - April 1897

Condition: This cabinet card is slightly soiled and has distinct foxing spots on the bottom left.

Owner:  Petaluma Historical Library & Museum, 2023-946-01

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Bello, Maria Delphina Ageuda

Joslin & Company’s Portrait Photograph of Jose Nunes Bello & Maria Delphina Agueda Bello


PHOTOGRAPHER / PHOTOGRAPHIC STUDIO:

JOSLIN & COMPANY was established by the photographer Amon James Tuft Joslin. He was born in 1839 in Rockwood, New York, and died in 1913 in San Benito County, California. He established the Petaluma Photo Parlor under the name of Joslin & Company in November 1893, and left the studio, departing for Chico, California in April 1897. (For additional information on Joslin and Company and to view all portraits produced by the studio in the collection, click on its name in blue above.)



THE SITTERS:

Names: Jose Nunes Bello & Maria Delphina Agueda Bello

Description:

Biographical Note:

Family Affiliation:

Bibliography:



THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, Front:

Description, Back:

Date: 1889

Condition:

Owner:  Petaluma Historical Library & Museum, 2013-743-04

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Unidentified Boy (2017-92-28)

George Ross’ Portrait Photograph of an Unidentified Boy

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Unknown

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-28, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Child (2017-92-26)

Richard Reece Percival’s Portrait Photograph of an unidentified child

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

RICHARD REECE PERCIVAL was born in England in 1835 and died in Rhode Island in 1917. He operated the R. Percival Gallery in Petaluma between October 1867 and September 1870 and again between March 1871 and at least May 1871. After departing Petaluma, he continued working as a photographer in San Jose, California. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Unidentified

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  Carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-26, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Child (2017-92-14)

Richard Reece Percival’s Portrait Photograph of an unidentified child

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

RICHARD REECE PERCIVAL was born in England in 1835 and died in Rhode Island in 1917. He operated the R. Percival Gallery in Petaluma between October 1867 and September 1870 and again between March 1871 and at least May 1871. After departing Petaluma, he continued working as a photographer in San Jose, California. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Unidentified

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  Carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-14, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Man

Bryan R. Johnson’s Portrait Photograph of an Unidentified man

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Unidentified

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, size N/A

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: 1864-1866

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-10, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Ward, Mrs. Zipporia

Unidentified Photographer, Portrait photograph of Mrs. zipporia WArd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 




THE SITTER:

Name: Zipporia Ward

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: carte de visite

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-08, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ward, Naomi Porter (1818-1883) (presumably)

Unidentified Photographer, Portrait photograph of Naomi Porter Ward

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Naomi Porter Ward

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: tin type

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-07, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ward, John William

Unidentified Photographer, Portrait photograph of John William Ward

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: John William Ward

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: carte de visite

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-06, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ward, Thomas (1804-1893)

Unidentified Photographer, Portrait photograph of Thomas Ward

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Thomas Ward

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: carte de visite

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-05, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ward, Naomi Porter (1818-1883)

Unidentified Photographer, Portrait photograph of Naomi Porter Ward

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Naomi Porter Ward

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: carte de visite

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-04, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hickey, Mary Ann (1852-1919)

Richard Reece Percival’s Portrait Photograph of Mary ann Hickey

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

RICHARD REECE PERCIVAL was born in England in 1835 and died in Rhode Island in 1917. He operated the R. Percival Gallery in Petaluma between October 1867 and September 1870 and again between March 1871 and at least May 1871. After departing Petaluma, he continued working as a photographer in San Jose, California. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Mary Ann Hickey

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  Carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Lee Torliatt Family Album, 2017-92-02, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Smith, Hannah M. Ward Stewart (1845 -1932)

Bryan R. Johnson’s Portrait Photograph of Hannah M. Ward Steward Smith

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and, beginning in December of 1862, co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Hannah M. Ward Steward Smith. At the time this portrait was taken, she would have been known as Hannah Ward Stewart.

Description: This portrait was taken of Hannah when she was between 18 and 22 years old. She sits sedately with her hands placed upon the skirt of her voluminous, dark dress. Her large, gigot sleeves drop from her shoulders and are gathered tightly at her wrists beneath stiff white cuffs. Her dress is tightly cinched with a dark waist belt which has a large, rectangular buckle. She wears a brooch attached to her white collar, drop earrings, and a wedding ring. Her dark hair is center-parted, carefully combed to the back of her head, and secured in a snood.

Biographical Note: Hannah M.Ward Stewart Smith was born in Missouri in 1845 and traveled with her family to California by wagon train. (Later in her life, her memories of this overland journey were recorded by her grandaughter, Minna Allegro and preserved by her descendant, Lee Torliatt. See the bibliography section below.) The Ward family settled on a 950-acre dairy ranch on San Antonio Creek in Marin County just south of Petaluma. After her marriage to businessman, James W. Stewart, in 1863, Hannah and her husband moved to Petaluma and resided at 10 6th Street. Hannah inherited the home upon her husband’s death in 1874, and continued to live in the house with her second husband, Rufus Richards Smith. In 1911, Hannah rented out the house and moved to San Francisco to live with her son, Percy, and daughter, Dora. The local newspapers reported that Hannah often returned to Petaluma to visit friends, and she was buried in Petaluma’s Cypress Hill Memorial Park.

Family Affiliation: Hannah was the daughter of early Petaluma pioneers, Abraham Ward (1817-1899) and Naomi Porter Ward (1818-1883). Hannah married James W. Stewart (1837-1874) on December 31, 1863 at her parents’ home on San Antonio Creek. Together James and Hannah had three children: William A. Stewart (b.1866), Franklin Lester Stewart (b.1868), and Robert H. Stewart (b.1870). In 1876, Hannah married Rufus Richards Smith (1833-1903). Together they had Isadora Naomi “Dora” Smith (1879-1919) and Percy Alfred Smith (1886-1964). https://www.findagrave.com/memorial/51087336/hannah_mary_smith

Bibliography: Torliatt, Lee, A History of the Torliatt Family of Petaluma, From Mid-19th Century to Circa 1950, pp. 20 - 22, 31-43. This booklet is available in the Hoppy Hopkins Library at the Petaluma Historical Library & Museum. A copy of Hannah Ward Stewart Smith’s memoir of her overland journey from St. Louis, Missouri to Petaluma is available in the Hoppy Hopkins Library at the Petaluma Historical Library & Museum, call number 920 Griswold/Stewart.

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: Hannah sits in a large, tufted, balloon chair with an elaborately carved back. In the background, on the left, is a dark drape and a large drapery tassel.

Description, back: On the back of this carte de visit is a 2-cent United States Internal Revenue stamp. Handwritten in black ink on the top of the stamp appear what may be Bryan R. Johnson’s initials. The 2-cent stamp documents that the purchaser paid less than 25 cents for the portrait. Below the stamp is Johnson’s imprint. Along the bottom edge is written, “Negatives preserved from which extra copies can be had at less than regular prices.”. Handwritten in black ink at the bottom is: Hannah Ward (from Bible).

Date: The United States Internal Revenue tax stamp on the back of this carte de visite documents that it was created between August 1864 and August 1866.

Condition: This carte de visite is in good condition.

Owner:  The Lee Torliatt Family Album, 2017-92-01, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

“A Young Boy and Child Seated Together”

Bryan R. Johnson’s Portrait photograph, “a young Boy and Child seated together”

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTERS:

Names: unidentified

Description: This is a rare and important, although enigmatic, double portrait. The boy on the left may be a Native American of the Coast Miwok Tribe. He wears a long, light-colored work shirt and dark pants. Curiously, it appears there is a concealed, circular object resting on his left thigh between the fabric of his shirt and his pants. He rests his right hand in the center of the object. The child next to him has blond hair and light skin. The child is attired in a plaid dress with a white collar and black bow tie. Encircling the crown of the child’s head is an intriguing hat. It consists of a wide, plaid band with embellishments applied to the section of the band over the child’s forehead.

The boy leans towards the child with protective and comforting gestures. While titing his head toward the child, the boy’s left arm embraces the child, drawing their upper bodies together. The fingers of his left hand can be seen to the right of the child’s face, drawing the child’s head to rest on his shoulder. The boy also raises his left leg off the floor in a position obviously meant to support and contain the child’s lower body. The boy’s posture and face exude a calm dignity. The child appears anxious and apprehensive. The child holds its grasping right hand in the air and clutches its ankle with its left hand.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: The boy and child depicted in this double portrait sit together on a stool or chair. The background is bare except for an unidentified vertical object on the extreme left. The floor has a mosaic tile design, and an unidentified object lies on the floor to the right.

Description, back: An orange, two-cent United States Internal Revenue tax stamp has been applied to the top left corner. It has been positioned on its side and canceled with a black line through its center. This stamp documents that the price of this portrait was less than 25 cents. Bryan Johnson’s scallop-border imprint appears in the center of the card. On the bottom edge is written: “Negatives preserved from which extra copies may be had at less than regular prices.”

Date: The United States Internal Revenue tax stamp on the back of this carte de visite documents that it was created between August 1864 and August 1866.

Condition: The front of this carte de visite is soiled on its top and bottom edges, and the back is slightly soiled throughout.

Owner: The Dan Brown Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Huffman, Ruth Philena Hubbell(1862-1949) (1 of 6)

Z. P. McMillen’s Portrait Photograph of Ruth Philena Hubbell Huffman

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Z.P. McMillen, East Main St., Galesburg, Illinois

THE SITTER:

Name: Ruth Philena Hubbell Huffman

Description: Carte de visite of Ruth Philena Hubbell Huffman's bust, age 17. Her hair appears to be short or pulled back. She is wearing a light dress with a high white collar and a dark bow.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: “1876 Z.P. McMillen. Photographic Artist, 12 & 14 East Main Street, Galesburg, Illinois. Duplicates supplied at any time. Ruth Philena Hubbell Huffman, age 17 yrs”

Date: 1876

Condition:

Owner:  Petaluma Historical Library & Museum, 1983-32-06

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Wilson, Thomas J. (1872-1934) (2 of 3)

Unidentified Photographer, Portrait Photograph of thomas j. wilson

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified 

THE SITTER:

Name: Thomas J. Wilson

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Peoples, Ova M (2 of 2)

Lewis Dowe’s Portrait Photograph of Ova M Peoples



THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Ova M. Peoples

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format: carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Cromwell, Franklin Arlington

Lewis Dowe’s Portrait Photograph of franklin arlington cromwell



THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Franklin Arlington Cromwell

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format: carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Peoples, Stuart Zeno (1878-1943)

Lewis Dowe’s Portrait Photograph of Stuart zeno peoples



THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Stuart Zeno Peoples

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format: carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Wilson, George (1869-1870)

Ross & Ormsby’s Portrait Photograph of GEORGE WILSON

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROSS & ORMSBY was a Petaluma photography studio operated by George Colvaine Ross (born February 12, 1832, Edinburgh, Scotland; died 1893, Petaluma, California) and Elon D. Ormsby (died March 6, 1895, Oakland, California). The Ross & Ormsby studio was located, “At Ross’ old gallery, Main Street, two doors above the Wickersham + Co’s bank”. Ross, already an established portrait photographer in Petaluma, renamed his studio, placing his new partner’s name after his own. The Ross & Ormsby studio was first advertised in the Petaluma Weekly Argus on May 20, 1869, and the final advertisement for the studio appeared on June 11, 1870. (For additional information on this photography studio and to view all portraits in this archive with its imprint, click on its name in blue above.)


THE SITTER:

Name: William David Ayers

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6 x 10 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ayers, William David (1869-1929) (1 of 2)

Ross & Ormsby’s Portrait Photograph of William david ayers

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROSS & ORMSBY was a Petaluma photography studio operated by George Colvaine Ross (born February 12, 1832, Edinburgh, Scotland; died 1893, Petaluma, California) and Elon D. Ormsby (died March 6, 1895, Oakland, California). The Ross & Ormsby studio was located, “At Ross’ old gallery, Main Street, two doors above the Wickersham + Co’s bank”. Ross, already an established portrait photographer in Petaluma, renamed his studio, placing his new partner’s name after his own. The Ross & Ormsby studio was first advertised in the Petaluma Weekly Argus on May 20, 1869, and the final advertisement for the studio appeared on June 11, 1870. (For additional information on this photography studio and to view all portraits in this archive with its imprint, click on its name in blue above.)


THE SITTER:

Name: William David Ayers

Description: In this portrait, William David Ayers appears as a baby of 1 or 2 years old. He sits on a fabric-covered studio prop, and behind him is a drape. He is attired in a dark dress and holds what appears to be an adult’s cap with both his hands. The baby appears calm but apprehensive. His dark hair has been parted on both his left and right sides, a style typical of the time.

Biographical Note: William David Ayers was born at his family’s ranch in Stony Point, and when he was eleven years old, they moved to Petaluma. For many years, he worked at the Petaluma branch of the Wells Fargo Company and earned additional income by investing in Petaluma real estate. Although William was living in San Francisco at the time of his death, he was buried in Petaluma’s Cypress Hill Memorial Park.

Family Affiliation: William David Ayers was the youngest child of early Petaluma pioneers William Ayers (1829-1899) and Martha Wade Ayers (1829 or 30 - 1890). In 1892, William married Ada Mae Carlisle Ayers (1875-1931). Together, they had at least three children: William D. Ayers III, Mervyn W. Ayers, and Harry W. Ayers. https://www.findagrave.com/memorial/125529520/william_david_ayers. There are numerous additional portraits of the Ayers family members on this website.

Bibliography: Petaluma Argus-Courier, Jan. 4, 1929, p. 8.

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6 x 10 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This carte de visite portrait is framed within a vertical oval, and handwritten in script in pencil along the bottom edge of the card is: “William David Ayers”.

Description, back: Ross & Ormsby’s imprint appears in the center, and handwritten in script in black marker along the bottom is: “William David Ayers”.

Date: May 1869 - June 1870

Condition: Both the front and the back side of this carte de visite are soiled, and there is extensive spotting throughout.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wilson, Thomas J. (1872-1934) (1 of 3)

John Quincy Reed’s Portrait Photograph of Thomas J. wilson

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Thomas J. Wilson

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Stickney, Lydia Bartlett

John Quincy Reed’s Portrait Photograph of Lydia Bartlett STickney

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Lydia Bartlett Stickney

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wilson, Warren

John Quincy Reed’s Portrait Photograph of Warren wilson

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Warren Wilson

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wilson, Leon A.

John Quincy Reed’s Portrait Photograph of Leon A. wilson

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Leon A. Wilson

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Bartlett, Alice

George Ross’ Portrait Photograph of alice bartlett

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Alice Bartlett

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: George Ross’ stamp

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Peoples, Ova M. (1 of 2)

George Ross’ Portrait Photograph of Ova m. peoples

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Ova M. Peoples

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: George Ross’ stamp

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hart, Augusta Ayers (1868-1913)

Richard Reece Percival’s Portrait Photograph of Augusta Ayers Hart

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

RICHARD REECE PERCIVAL was born in England in 1835 and died in Rhode Island in 1917. He operated the R. Percival Gallery in Petaluma between October 1867 and September 1870 and again between March 1871 and at least May 1871. After departing Petaluma, he continued working as a photographer in San Jose, California. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Augusta Ayers Hart. At the time this portrait was taken, the sitter would have been known as Augusta Ayers.

Description: This full-frontal, seated portrait of Augusta Ayers Hart was taken when she was between 2 and 3 years old. She sits atop a drapery-covered prop and appears displeased. She holds a toy in her left hand and scowls directly at the viewer. She is attired in a flounced, off-the-shoulder dress; a white, lace petticoat; white, lace bloomers; white stockings; and Mary-Jane slippers. Off-the-shoulder dresses for young girls were fashionable at this time. In what may have been a statement of modesty, a lace garment under her dress cloaks her shoulders and the top of her arms. Her blond, center-parted hair has been carefully curled and secured with a ribbon.

Biographical Note: According to her September 5, 1908 marriage certificate, Augusta was Head Nurse of the McNutt Hospital in San Francisco. She died at the age of 45 of heart failure. Although residing at the time of her death in Hercules, California, she was buried with her family members in the Cypress Hill Cemetery in Petaluma.

Family Affiliation: In 1868, Amelia Ayers was born in Petaluma to early Petaluma pioneers, William Ayers (1829-1899) and Martha Wade Ayers (1829 or 30 - 1890). Augusta married Louis Eugene Hart in 1880. It appears they had no children. There are numerous additional portraits of the Ayers family members on this website. https://www.findagrave.com/memorial/72995362/augusta-hart.

Bibliography: Richmond Daily Independent, June 18, 1913, p. 3.

THE PHOTOGRAPH:

Format / Size:  Carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: Handwritten in script in pencil at the bottom of the card is: “Augusta Ayers”.

Description, back: Richard Percival’s imprint appear in red ink in the center of the card. At the top, handwritten in script in pencil is : “Property of Rosa Ayers”. (Rosalie “Rosa” Ayers Blakely was Augusta’s elder sister.) Along the bottom edge, handwritten in script in black marker is: “Augusta Ayers”.

Date: 1869 to September 1870 or March 1871 to May 1871.

Condition: Both sides of this carte de visite are slightly soiled.

Owner: The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Woodworth, Delia

Hugh S. Anderson’s Portrait Photograph of delia woodworth

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Delia Woodworth

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Woodworth, Darius

Hugh S. Anderson’s Portrait Photograph of darius woodworth

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Darius Woodworth

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ayers, William (1829-1899)

Hugh S. Anderson’s Portrait Photograph of William Ayers

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: William Ayers

Description: In this head-and-shoulders portrait, William Ayers is between 43 and 44 years old. He is attired in a sack jacket with pipped lapels. Attached to the second button of his dark vest is a chain, which most probably leads to a watch stored in the vest’s pocket. His dark, wavy hair is receeding, and he sports a wiry, graying, chin beard.

Biographical Note: William Ayers was born in Ireland in 1829 and traveled with his parents to America, where they settled in Warsaw, Illinois. In 1849 he married Martha Wade, and in 1851 or 1857, they traveled to California and settled on a ranch reported to be at Stony Point. The 1860 census documents them living in Annally, Sonoma County, and the 1870 census documents them living in Petaluma, where William lived until he died in 1899. William served on the Petaluma City Council and as Street Superintendent. William was buried in his family plot at the Petaluma Cypress Hill Cemetery.

Family Affiliation: William married Martha Wade in 1849. Together, they had at least six children: Miss Gussie Ayers, Mrs. Eugene Wilson, Mrs. Amelia Vestal, Mrs. Edith Chapman, William David Ayer, and Rosalie “Rosa” Ayers Blakely. William Ayer’s brother, Robert Ayers (d. Ventura, California, December 1899), built the Washoe House at Stony Point in 1855. There are numerous portraits of additional Ayers family members on this website.

Bibliography: Petaluma Argus-Courier, Oct. 15, 1899, p.1. Petaluma Daily Morning Courier, Oct. 14, 1899, p. 1; Oct. 16, 1899, p. 1; Oct. 24, 1899, p. 2; Dec. 14, 1899, p. 1;

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: Handwritten in script in pencil along the bottom edge is: “William Ayers”.

Description, back: Hugh Anderson’s imprint appears in red ink, and along the bottom edge in bold black marker appears: “Wiliam Ayers”.

Date: January 1872-December 1873

Condition: The front of this CDV has considerable foxing and the back is slightly soiled.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Bock, Josephine (Josie) Emma (1863 -1939) (1 of 2)

Hugh S. Anderson’s Portrait Photograph of Josephine Emma bock

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Josephine Emma Bock

Description: In this portrait, Josephine Emma Bock looks off to her right with a self-possessed gaze. She wears a plaid blouse with a high neckline that is trimmed with a thin white boarder. She also wears a short beaded necklace that features a small circular pendant. Her hair is shoulder length and is held back behind her ears by a thin dark headband.

Biographical Note: Josephine Emma Bock was born on August 29, 1863, and died at age 75 on January 30, 1939. In 1877 Bock was attending school in Petaluma’s Dunham District and was reported to be among the most outstanding students. She was mentioned in the society pages of the Petaluma newspapers throughout her life. Her funeral service was held at the Two Rock Valley Presbyterian Church, and she was interred at the Liberty Cemetery in Petaluma.

Family Affiliation: Josephine Emma Bock was the daughter of David Bock (1822-1887) and Lucy Renn Bock (1828-1896) who were among the earliest pioneer settlers of the Roblar and Stony Point district. Her siblings included William A. Bock (1852-1871), Blanche Elizabeth Bock (died 1926), Edward H. Bock (died 1919), John P. Bock, Kate Bock Magoon, Andrew Bock, Walter Bock (1861-1903), and George Bock.

Bibliography: Petaluma Argus-Courier, February 20, 1926, p. 1; March 22, 1928, p.7; Jan 21, 1933, p. 5; March 26, 1934, p. 8; January 31, 1939, p.3. Petaluma Daily Morning Courier, Feb. 21, 1919, p. 4. Petaluma Weekly Argus, April 6, 1877, p. 4; Sept. 28, 1877, p. 4. https://www.findagrave.com/memorial/15860050/josephine-bock.

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This portrait has been set within a vertical oval. Along the bottom edge of the card is handwritten in cursive in pencil, “Josie Bock”.

Description, back: Handwritten in bold black ink is “Josie Bock”.

Date: January 1872 - December 1873

Condition: This carte de visite is slightly soiled throughout.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ayers, Martha Wade (1829 or 1830 - 1890)(1 of 2)

Hugh S. Anderson’s Portrait Photograph of martha Ayers

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Martha Ayers

Description: In this portrait, Martha Wade Ayers is between 42 and 44 years old. She wears a dark, front-buttoned blouse and a matching skirt cinched tightly at her waist with a buckled, vertically striped, cloth belt. A large white, scalloped, lace collar with long, pointed ends surrounds her neck. Her dark hair is center-parted, combed to the back of her head, and secured in a netted snood.

Biographical Note: Martha Wade Ayers was a native of Tennessee. She married William Ayers in 1849, and in 1851 or 1857, they traveled to California and settled on a ranch reported to be at Stony Point. The 1860 census documents them living in Analy, Sonoma County, and the 1870 census documents them living in Petaluma, where Martha lived until she died in 1890.

Family Affiliation: Martha married William Wade in 1849. Together they had at least six children: Miss Gussie Ayers, Mrs. Eugene Wilson, Mrs. Amelia Vestal, Mrs. Edith Chapman, William David Ayer, and Rosalie “Rosa” Ayers Blakely. There are numerous additional portraits of Ayers family members on this website.

Bibliography: The Petaluma Courier, Oct. 9, 1890, p.5.

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: Handwritten in script in pencil along the bottom of the card is: “Martha Ayers”.

Description, back: Huge Anderson’s imprint appears in red ink in the center of the card. Along the top edge of the card is written: “Mrs. T. M. Blakeley”, “1551 Myrtle st”. This undoubtedly refers to the owner of the portrait, Martha’s daughter, Rosalie Ayers Blakely also known as Mrs. Theron M. Blakely. The handwritten script across the photographer’s imprint has not been determined. Below the imprint is additional text which includes, “1 Crayon” and “16 X 20”. Given that crayon portraits were traditionally 16” by 20”, this may be a note referring to the possibility of ordering a crayon portrait which could be created from the carte de visite. Along the right side of the card written in bold black marker is: “Martha Ayers”.

Date: January 1872 - December 1873

Condition: This carte de visite is heavily soiled and there is extensive foxing on both sides.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Carter, Emma

Hugh S. Anderson’s Portrait Photograph of Emma Carter

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Emma Carter

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Lena Ester Vestal (1878-1968) (1 of 2)

John Quincy Reed’s Portrait Photograph of Lena Ester Vestal Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Lena Ester Vestal (Hall).

Description: Although only eight years old, Lena Ester Vestal stands with exceptional composure and dignity. She assuredly looks out at the viewer, hands calmly clasped in front of her. She wears a dark skirt, matching jacket, and a vest with round white buttons. Her dark, wavy, waist-length hair falls freely behind her, and precisely trimmed bangs fall to just above her eyebrows. She wears an intriguing distinct fringed necklace, the significance of which has not been determined.

Biographical Note:

Family Affiliation: Lena was the eldest child of early pioneers, Lemuel Hadley Vestal (1841-1932) and Amelia Nancy Ayers Vestal (1852-1930). Among her siblings were Warren Eugene Vestal (1883-1973) and William Thomas Vestal (1885-1947). She graduated, along with her brother, Warren, from the Santa Rosa Business College in 1900. She lived in Sacramento, Petaluma, San Francisco, and Santa Rosa. She married William Clyde Hall of San Francisco in 1917. Lena and William had at least one daughter, Helene Hall Deffenbaugh. Lena is buried in the Santa Rosa Memorial Park.

Bibliography: Petaluma Daily Morning Courier, Nov. 10, 1917, p. 3. Press Democrat (Santa Rosa), Dec. 18, 1968. Sonoma West Times and News, June 20, 1900, p. 3.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: gelatin or collodion photographic print mounted on cardstock.

Description, front: The photographer’s imprint appears along the bottom edge of the card, and, also along the bottom edge, handwritten in script in pencil is: “Lena Vestal”.

Description, back: Handwritten in script in pencil along the top edge is: “Lena E. Vestal, 8 years old 1885”.

Date: 1885

Condition: This cabinet card is in excellent condition.

Owner: The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ayers, Martha Wade (1829 or 30 - 1890) (2 of 2)

John Quincy Reed’s Portrait Photograph of martha ayers

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Names: Martha Wade Ayers

Description: In this head-and-shoulders portrait, Martha Wade Ayers appears as a middle-aged matron. She wears a dark, front-buttoned jacket with a white ruff collar. Her dark hair is center-parted and combed to the back of her head. Her only ornament is a bar brooch pinned at her neck.

Biographical Note: Martha Wade Ayers was a native of Tennessee. She married William Ayers in 1849, and in 1851 or 1857, they traveled to California and settled on a ranch reported to be at Stony Point. The 1860 census documents them living in Annally, Sonoma County, and the 1870 census documents them living in Petaluma where Martha lived until her death in 1890.

Family Affiliation: Martha married William Wade in 1849. Together they had at least six children: Miss Gussie Ayers, Mrs. Eugene Wilson, Mrs. Amelia Vestal, Mrs. Edith Chapman, William David Ayer, and Rosalie “Rosa” Ayers Blakely. There are numerous additional portraits of Ayers family members on this website.

Bibliography: The Petaluma Courier, Oct. 9, 1890, p.5.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: Gelatin or collodion photographic print mounted on cardstock

Description, front: John Quincy Reed’s imprint appears along the bottom of the card, and handwritten in script in black ink along the bottom of the photographic print is “Martha Ayers”.

Description, back: Handwritten in black marker along the bottom is: “Martha Ayers”.

Date: 1870 to 1890

Condition: With the exception of a few small spots in the top of the front, this cabinet card is in good condition.

Owner: The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Ayers, William David (1869-1929)(2 of 2)

John Quincy Reed’s Portrait Photograph of william david ayers

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Names: William David Ayers

Description: William David Ayers appears as an apprehensive adolescent in this head-and-shoulders portrait. He is attired in a high-buttoned tweed jacket with small lapels and a high-collared white shirt which is accompanied by a wide necktie adorned with a rectangular stickpin. His center-parted, full, wavy, dark hair has been carefully combed and oiled.

Biographical Note: William David Ayers was born at his family’s ranch in Stony Point and at age eleven they moved to Petaluma. For many years he worked at the Petaluma branch of the Wells Fargo Company and earned additional income by investing in Petaluma real estate. Although William was living in San Francisco at the time of his death, he was buried in Petaluma’s Cypress Hill Memorial Park.

Family Affiliation: William David Ayers was the youngest child of early Petaluma pioneers William Ayers (1829-1899) and Martha Wade Ayers (1829 or 30 - 1890). In 1892, William married Ada Mae Carlisle Ayers (1875-1931). Together, they had at least three children: William D. Ayers III, Mervyn W. Ayers, and Harry W. Ayers. There are numerous additional portraits of the Ayers family members on this website. https://www.findagrave.com/memorial/125529520/william_david_ayers.

Bibliography: Petaluma Argus-Courier, Jan. 4, 1929, p. 8.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: Gelatin or collodion photographic print mounted on cardstock

Description, front: Handwritten in script in pencil along the bottom of the photographic print is: “Uncle Will” and “Wm D. Ayers, Jr”. The photographer’s imprint appears in black type along the bottom of the card.

Description, back: Handwritten in script in pencil along the top of card is: “Wm David Ayers”. Handwritten in script in black marker along the bottom edge is: “William David Ayers”.

Date: Based on the appearance of the sitter, it would seem logical to date this portrait between 1885 and 1890.

Condition: Both sides of this cabinet card are slightly soiled.

Owner: The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Vestal, Warren Eugene (1883-1973)

LAFAYETTE F. SHEPPARD’S PORTRAIT PHOTOGRAPH OF William Thomas Vestal and Warren Eugene Vestal

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: LAFAYETTE F. SHEPPARD was born in 1852 in Ohio and died in 1940 in Inglewood, California. He established his photographic gallery in Petaluma in February of 1886, “in the rooms formerly occupied by Lewis Dowe”. It was located at 59 1/2 Main Street next door to the First National Bank Building. Sheppard continued to work as a photographer in Petaluma at least through June of 1891. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Names: William Thomas Vestal and Warren Eugene Vestal

Description: The two Vestal brothers appear in this double portrait in front of a staged brick wall behind which is a painted backdrop depicting a gray coastal scene. Will, a toddler, is on the left and Warren, a child of 4 or 5, is on the right. The boys are dressed in matching outfits. They wear pleated skirts, a front-buttoned vest, and a jacket, all in the same fabric. Topping their jackets is a white lace bordered collar.

Biographical Note: According to his obituary, Warren was born at the Vestal Station in Two Rock. He graduated, along with his sister Lena, from the Santa Rosa Business College in 1900. He and his brother, William, managed a large poultry farm at Stony Point, and at sometime prior to 1911, they sold it and moved to Santa Rosa to establish a hatchery. Warren also worked as an automobile salesman and was connected with the Silvershield Realty and Insurance Company in Santa Rosa. Warren is buried in the Santa Rosa Memorial Park.

Family Affiliation: Warren Eugene Vestal was a son of early pioneers, Lemuel Hadley Vestal (1841-1932) and Amelia Nancy Ayers Vestal (1852-1930). Among his siblings were Lena Ester Vestal Hall ((1878-1968) and William Thomas Vestal ((1885-1947). Warren was married to Ethel Francis Huckins Vestal (1888 - 1966). https://www.findagrave.com/memorial/126367284/warren_e_vestal.

Bibliography: The Press Democrat (Santa Rosa), January 27, 1926, p. 2; December 23, 1973, p.28. Santa Rosa Republican, Jan 4, 1911, p.4. Sonoma West Times and News, June 20, 1900, p. 3.

THE PHOTOGRAPH:

Format / Size: cabinet card, 10.8 x 16.4

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: Embossed in the left bottom corner is the photographer’s imprint, “L. F. Sheppard”. Directly above the imprint, handwritten in script in pencil is: “Will Vestal”. Opposite this name is: “Warren Vestal married Ethel”. Below this is: Sons of Millie + Lemuel Vestal”.

Description, back: Handwritten in script in black marker along the left side of the bottom edge is: “Will Vestal”. Along the right side of the bottom edge is: “Warren Vestal”. Below these inscriptions is written: “Sons of Millie and Lemuel Vestal”. (Millie was a nickname given to their mother, Amelia.)

Date: 1887 or 1888

Condition: There is a water stain on the top edge of the front of this cabinet card.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Vestal, William Thomas (1885-1947)

LAFAYETTE F. SHEPPARD’S PORTRAIT PHOTOGRAPH OF William Thomas Vestal and Warren Eugene Vestal

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: LAFAYETTE F. SHEPPARD was born in 1852 in Ohio and died in 1940 in Inglewood, California. He established his photographic gallery in Petaluma in February of 1886, “in the rooms formerly occupied by Lewis Dowe”. It was located at 59 1/2 Main Street next door to the First National Bank Building. Sheppard continued to work as a photographer in Petaluma at least through June of 1891. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Names: William Thomas Vestal and Warren Eugene Vestal

Description: The two Vestal brothers appear in this double portrait in front of a staged brick wall behind which is a painted backdrop depicting a gray coastal scene. Will, a toddler, is on the left, and Warren, a child of 4 or 5, is on the right. The boys are dressed in matching outfits. They wear pleated skirts, a front-buttoned vest, and a jacket, all in the same fabric. Topping their jackets is a white lace- bordered collar.

Biographical Note: William Thomas Vestel was born in the Stony Point area and lived in Sonoma County all his life. He and his brother, Warren, managed a large poultry farm at Stony Point which they sold prior to 1911. They then moved to Santa Rosa and established a hatchery. William operated a cigar store on Fourth Street for many years and was a long-time member of the Santa Rosa Aerie No. 210, F.O.E.

Family Affiliation: William Thomas Vestal was the son of early Petaluma pioneers Lemuel Hadley Vestal (1841-1932) and Amelia Nancy Ayers Vestal (1852-1930). Among his siblings were Lena Ester Vestal Hall ((1878-1968) and Warren Eugene Vestal (1883-1973). William was married to Georgia T. Vestal (1891-1963). https://www.findagrave.com/memorial/76940785/william-t-vestal.

Bibliography: Petaluma Argus-Courier, Nov. 18, 1947, p. 6. Santa Rosa Republican, Jan 4, 1911, p.4; Nov. 18, 1947, p. 4.

THE PHOTOGRAPH:

Format / Size: cabinet card, 10.8 x 16.4

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: Embossed in the left bottom corner is the photographer’s imprint, “L. F. Sheppard”. Directly above the imprint, handwritten in script in pencil is: “Will Vestal”. Opposite this name is: “Warren Vestal married Ethel”. Below this is: Sons of Millie + Lemuel Vestal”.

Description, back: Handwritten in script in black marker along the left side of the bottom edge is: “Will Vestal”. Along the right side of the bottom edge is: “Warren Vestal”. Below these inscriptions is written: “Sons of Millie and Lemuel Vestal”. (Millie was a nickname given to their mother, Amelia.)

Date: 1887

Condition: There is a water stain on the top edge of the front of this cabinet card.

Owner: The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wilson, Thomas J. (1872-1934) (3 of 3)

LAFAYETTE F. SHEPPARD’S PORTRAIT PHOTOGRAPH OF Thomas J. Wilson

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: LAFAYETTE F. SHEPPARD was born in 1852 in Ohio and died in 1940 in Inglewood, California. He established his photographic gallery in Petaluma in February of 1886, “in the rooms formerly occupied by Lewis Dowe”. It was located at 59 1/2 Main Street next door to the First National Bank Building. Sheppard continued to work as a photographer in Petaluma at least through June of 1891. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Names: Thomas J. Wilson

Description:

Biographical Note:

Family Affiliation: .

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, 10.8 x 16.4

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wilson, Mattie

LAFAYETTE F. SHEPPARD’S PORTRAIT PHOTOGRAPH OF Mattie Wilson

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: LAFAYETTE F. SHEPPARD was born in 1852 in Ohio and died in 1940 in Inglewood, California. He established his photographic gallery in Petaluma in February of 1886, “in the rooms formerly occupied by Lewis Dowe”. It was located at 59 1/2 Main Street next door to the First National Bank Building. Sheppard continued to work as a photographer in Petaluma at least through June of 1891. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Names: Mattie Wilson

Description:

Biographical Note:

Family Affiliation: .

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, 10.8 x 16.4

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, back:

Date:

Condition:

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Lena Ester Vestal (1878-1968) (2 of 2)

Petaluma Photo Parlors’ Portrait Photograph of Lena Ester Vestal (Hall)

PHOTOGRAPHER / PHOTOGRAPHIC STUDIO:

JOSLIN & COMPANY was established by the photographer Amon James Tuft Joslin. He was born in 1839 in Rockwood, New York, and died in 1913 in San Benito County, California. He established the Petaluma Photo Parlor under the name of Joslin & Company in November 1893, and left the studio, departing for Chico, California in April 1897. (For additional information on Joslin and Company and to view all portraits produced by the studio in the collection, click on its name in blue above.)

THE SITTER:

Name: Lena Ester Vestal (Hall). At the time this portrait was taken, the sitter would have been known as Lena Ester Vestal.

Description: Attired in a fashionable, white, lace, high-collared “Gibson Girl Blouse”, Lena Ester Vestal looks to her left with a tranquil gaze. The only adornment is a metal chain choker with a small round pendant. Her full, wavy hair is pulled to the back of her head and allowed to rest on her right shoulder. Short curls adorn the center of her forehead.

Biographical Note:

Family Affiliation: Lena was the eldest child of early pioneers, Lemuel Hadley Vestal (1841-1932) and Amelia Nancy Ayers Vestal (1852-1930). Among her siblings were Warren Eugene Vestal (1883-1973) and William Thomas Vestal (1885-1947). She graduated, along with her brother, Warren, from the Santa Rosa Business College in 1900. She lived in Sacramento, Petaluma, San Francisco, and Santa Rosa. She married William Clyde Hall of San Francisco in 1917. Lena and William had at least one daughter, Helene Hall Deffenbaugh. Lena is buried in the Santa Rosa Memorial Park.

Bibliography: Petaluma Daily Morning Courier, Nov. 10, 1917, p. 3. Press Democrat (Santa Rosa), Dec. 18, 1968. Sonoma West Times and News, June 20, 1900, p. 3.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm  

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: The photographer’s imprint appears along the bottom edge of the card and directly above it handwritten in script in pencil is: “Lena Vestal”.

Description, back: Handwritten in script in pencil along the top edge is: “Lena Vestal”.

Date: November 1893 to April 1897

Condition: Both sides of this cabinet card are slightly soiled.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Vestal, Amelia Nancy Ayers (1852-1930) (2 of 2)

Petaluma Photo Parlors’ Portrait Photograph of Amelia Nancy Ayers Vestal

PHOTOGRAPHER / PHOTOGRAPHIC STUDIO:

JOSLIN & COMPANY was established by the photographer Amon James Tuft Joslin. He was born in 1839 in Rockwood, New York, and died in 1913 in San Benito County, California. He established the Petaluma Photo Parlor under the name of Joslin & Company in November 1893, and left the studio, departing for Chico, California in April 1897. (For additional information on Joslin and Company and to view all portraits produced by the studio in the collection, click on its name in blue above.)

THE SITTER:

Name: Amelia Nancy Ayers Vestal

Description: In this head-and-shoulders portrait, Amelia Nancy Ayers Vestal looks up and to her right with a confident gaze. She is attired in a high-necked satin blouse and a jacket with very large lapels and wide gathered sleeves. She has a mound of short curls at the crown of her head, and the remainder of her hair has been combed to the back of her head.

Biographical Note: In 1852, Amelia Ayres was born in Illinois to early Petaluma pioneers William Ayers (1829-1899) and Martha Wade Ayers (1829 or 30 - 1890). Her parents brought her to California as an infant and raised her in Annaly and Petaluma. Later in her life, she lived in Santa Rosa. On July 2, 1874, she married Lemuel H. Vestal (1841-1923). Together, they had at least three children: Lena E. Vestal Hall (1877-1968), Warren Eugene Vestal (1883-1973), and William Thomas Vestal (1885-1947). Amelia was buried in the Santa Rosa Odd Fellows Cemetery.

Family Affiliation: https://www.findagrave.com/memorial/231487662/amelia-n-vestal. This website has numerous portraits of additional Vestal and Ayers family members.

Bibliography: Petaluma Argus, “The Ayers Reunion,” May 28, 1908, p. 2. Santa Rosa Republican, Jan. 13, 1930, p.2; Jan. 14, 1930, p. 3.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm  

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: Handwritten in script in pencil along the bottom edge of the card is: “Amelia Nancy Vestal”.

Description, back: Handwritten in script in pencil along the top edge is: “Amelia Nancy Vestal”. Handwritten in script in black marker along the bottom edge is: “Amelia Nancy Vestal”.

Date: November 1893 - April 1897

Condition: This cabinet card is in good condition.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Mary Louise Brown (1860-1932) (6 of 6)

Unidentified Photographer, Portrait Photograph of Mary Louise Brown Hall, Gilbert Pine Hall, and Kathleen Marie Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTERS:

Names: Mary Louise Brown Hall, Gilbert Pine Hall and Kathleen Marie Hall

Description: In this snapshot photograph Gilbert Pine Hall, his wife, Mary Louise Brown Hall, and their daughter, Kathleen Marie Hall, stand in front of the steps leading to the front door to their Petaluma home at 325 Post Street.

Biographical Note: Mary Louise, or Lulu as she was called, was the first of twelve children born to the early Petaluma pioneers, Daniel and Annie Brown.  She was born in Petaluma on March 5, 1860, and attended the Brick School and Petaluma High School.  Lulu graduated from high school in 1878 along with five other students including her future husband, Gilbert Hall.  Two years later on May 29, 1882, Lulu and Gil eloped to Marin County and were married there by a Justice of the Peace.  The next day the Brown parents arranged for them to be married in a Catholic ceremony in their home.  The Hall couple settled in Petaluma and for a few years resided in Santa Rosa while Gil was acting as Sonoma County Auditor and Recorder. From girlhood and throughout her adult years, Mary Louise was active in St. Vincent Church events.  At one time she was photographed driving a horse and buggy down Main Street with a friend while collecting donations for a Catholic fair.  The tintype still exists.

The marriage of the Hall couple lasted almost fifty years.  Gil died on January 24, 1932, and Mary Louise followed on August 25th of the same year.  Five daughters survived the Hall couple, Aletha, Evelyn, Kathleen, Geraldine, and Dorothy; one son died at birth.  Gilbert and Mary Louise lived at 325 Post Street in Petaluma and were buried together in Calvary Catholic Cemetery.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046382/mary_louise_hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of the Hall and Brown families.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3. Petaluma Daily Morning Courier: July 29, 1911, p.1; August 28, 1911, p. 5. https://www.findagrave.com/memorial/42046382/mary-louise-hall.



THE PHOTOGRAPH:

Format / Size: 

Medium: snapshot photograph on Velox paper

Description, front:

Description, back: Handwritten in pencil at the top of the card is: “Mary Louise Brown Hall (1860-1932)”, “Gilbert Pine Hall (1859-1932)”, “Kathleen Marie Hall (1890-1980)”, and “at 325 Post Street, Petaluma”. Below this, handwritten in blue ink is: “Mama-Papa-Kathleen”, and “(Petaluma home)”.

Date: unidentified

Condition: This photograph’s right corner has been clipped and it is missing a section of its left edge white border. It retains several strips of tape remnant.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Kathleen Marie (1890-1980)

Unidentified Photographer, Portrait Photograph of Mary Louise Brown Hall, Gilbert Pine Hall, and Kathleen Marie Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTERS:

Names: Mary Louise Brown Hall, Gilbert Pine Hall, and Kathleen Marie Hall

Description: In this snapshot photograph, Gilbert Pine Hall, his wife, Mary Louise Brown Hall, and their daughter, Kathleen Marie Hall, stand in front of the steps leading to the front door to their Petaluma home at 325 Post Street.

Biographical Note: Kathleen Marie Hall was born in Petaluma on October 11, 1890, the fourth child of Gilbert Pine Hall and Mary Louise Brown Hall. Kathleen began elementary school at B Street School, then attended St. Vincent School through eighth grade, and graduated from Petaluma High School.  Throughout all her school years she very actively participated in many school plays and other events: singing, playing the piano and violin, dancing, acting, and riding on floats in parades.  In her twenties Kathleen moved to San Francisco and attended State Normal School and began her career as an elementary school teacher.  She studied and played music throughout her lifetime and once composed sheet music entitled “Treasure Island” which was published and sold at local stores.  In San Francisco she dated a young man for several years until he was killed during World War I.  She remained single and supported herself as a teacher until her retirement.  Kathleen Hall died on August 10, 1980, at the age of 89 and was buried in Petaluma Calvary Cemetery next to her parents.

*This biographical note was written by Kathleen Marie Hall’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42345147/kathleen-marie-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of the Hall and Brown families.

Bibliography: For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.


THE PHOTOGRAPH:

Format / Size: 

Medium: snapshot photograph on Velox paper

Description, front:

Description, back: Handwritten in pencil at the top of the card is: “Mary Louise Brown Hall (1860-1932)”, “Gilbert Pine Hall (1859-1932)”, “Kathleen Marie Hall (1890-1980)”, and “at 325 Post Street, Petaluma”. Below this, handwritten in blue ink is: “Mama-Papa-Kathleen”, and “(Petaluma home)”.

Date: unidentified

Condition: This photograph’s right corner has been clipped and it is missing a section of its left edge white border. It retains several strips of tape remnant.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Gilbert Pine (1859-1932) (7 of 7)

Unidentified Photographer, Portrait Photograph of Gilbert Pine Hall, Kathleen Marie Hall & Mary Louise Brown Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTERS:

Names: Mary Louise Brown Hall, Gilbert Pine Hall and Kathleen Marie Hall

Description: In this snapshot photograph Gilbert Pine Hall, his wife, Mary Louise Brown Hall, and their daughter, Kathleen Marie Hall, stand in front of the steps leading to the front door to their Petaluma home at 325 Post Street.

Biographical Note: Gilbert Pine Hall was born on April 20, 1859, in Manchester, Missouri, the thirteenth and youngest child of Sarah Gibbons Thomas and Dr. James Henry Hall.  When he was about 11, his family moved to Petaluma, California.  Gil continued his education and graduated in 1878 from Petaluma High School in a class of six students, including Mary Louise Brown, aka Lulu Brown.  Over the next few years, Gil worked in a variety of positions.  In April 1880, he was teaching school in the San Antonio district, and two years later, he and former classmate Lulu were married by the Marin County Justice of the Peace.  The Brown parents soon arranged for Father Cleary of St. Vincent’s parish to repeat the ceremony for the couple, and the Petaluma Courier announced that “Cupid’s darts are flying fast.”

Gil Hall joined the National Guard in 1882, was appointed Postmaster of Petaluma in 1886, and in 1890 was voted in as County Auditor and Recorder.  In 1894, he was admitted to the California Bar and began practicing law in Sonoma County. Gil’s name appeared frequently in Petaluma newspapers throughout his life and many times years after his death.  He was described as eloquent, controversial, golden-tongued, unpredictable, fiery, and many more colorful terms.  Bill Soberanes, a Petaluma Argus-Courier columnist for many years, wrote frequently about Gil Hall’s courtroom tactics.  One story tells about Gil’s defense of a client charged with selling illegal whiskey during prohibition.  The evidence was in a bottle displayed in the courtroom.  Gil picked up the bottle and drank the contents.  “That’s not whiskey!” he exclaimed and won the case.  The evidence was gone.  

Gil and Mary Louise were the parents of five daughters: Aletha, Evelyn, Kathleen, Geraldine, and Dorothy.  An unnamed son died at birth in 1888.  The family lived in Petaluma for all but a few years while Gil was county recorder in Santa Rosa. Their marriage lasted just short of 50 years.  Gil and Mary Louise both died in 1932.   Gil died on January 24 and Mary Louise seven months later on August 25. Their graves are side-by-side in Calvary Catholic Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046069/gilbert-pine-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of Gilbert Pine Hall and his family.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3; Sept 29, 1899, p. 1; November 2, 1927, p. 8; November 8, 1927, p. 7; January 25, 1932, p. 3; March 10, 1932, p. 5. Petaluma Courier: May 29, 1878, p. 3; August 13, 1890, p.4. Petaluma Daily Morning Courier: August 28, 1911, p. 5; December 9, 1896, p. 2; March 8, 1897, p. 2; July 31, 1897, p. 1; November 2, 1897, p.1; July 12, 1911, p.2. Petaluma Weekly Argus: May 31, 1878, p. 3; April 2, 1880, p. 3; July 23, 1889, p. 3; June 2, 1882, p. 3; October 13, 1882, p. 3. Gilbert Pine Hall was referenced numerous times after his death in articles written by Bill Soberanes. The most extensive references include: Petaluma Argus-Courier: May 13, 1966, p.9; April 26, 1967, p. 11; September 14, 1979, p. 11. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size: 

Medium: snapshot photograph on Velox paper

Description, front:

Description, back: Handwritten in pencil at the top of the card is: “Mary Louise Brown Hall (1860-1932)”, “Gilbert Pine Hall (1859-1932)”, “Kathleen Marie Hall (1890-1980)”, and “at 325 Post Street, Petaluma”. Below this, handwritten in blue ink is: “Mama-Papa-Kathleen”, and “(Petaluma home)”.

Date: unidentified

Condition: This photograph’s right corner has been clipped and it is missing a section of its left edge white border. It retains several strips of tape remnant.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Gilbert Pine (1859-1932)(6 of 7)

Sunset Studio’s Portrait Photograph of Gilbert Pine Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

SUNSET STUDIO was established in Petaluma in February 1920 and was in operation until 1942. The studio had three owner/operators who were also photographers: Walter Kersey Waters, Wilfred J. Geoffroy, and Rupert Henry Wheldon. It has not been determined which of the three created this portrait. (For additional information on this studio and its three photographers, click on Sunset Studio in blue above.)

Sunset Studios, 23 Western Avenue, Petaluma, California



THE SITTER:

Name: Gilbert Pine Hall

Description: In this head-and-shoulders portrait, Gilbert Pine Hall looks out at the viewer with a calm and kind gaze. He is attired in a tweed jacket and bowtie. Unfortunately, the objects on and under his lapels have not been identified. Hall’s hair has been cut short and parted just off center.

Biographical Note: Gilbert Pine Hall was born on April 20, 1859, in Manchester, Missouri, the thirteenth and youngest child of Sarah Gibbons Thomas and Dr. James Henry Hall.  When he was about 11, his family moved to Petaluma, California.  Gil continued his education and graduated in 1878 from Petaluma High School in a class of six students, including Mary Louise Brown, aka Lulu Brown.  Over the next few years, Gil worked in a variety of positions.  In April 1880, he was teaching school in the San Antonio district, and two years later, he and former classmate Lulu were married by the Marin County Justice of the Peace.  The Brown parents soon arranged for Father Cleary of St. Vincent’s parish to repeat the ceremony for the couple, and the Petaluma Courier announced that “Cupid’s darts are flying fast.”

Gil Hall joined the National Guard in 1882, was appointed Postmaster of Petaluma in 1886, and in 1890 was voted in as County Auditor and Recorder.  In 1894, he was admitted to the California Bar and began practicing law in Sonoma County. Gil’s name appeared frequently in Petaluma newspapers throughout his life and many times years after his death.  He was described as eloquent, controversial, golden-tongued, unpredictable, fiery, and many more colorful terms.  Bill Soberanes, a Petaluma Argus-Courier columnist for many years, wrote frequently about Gil Hall’s courtroom tactics.  One story tells about Gil’s defense of a client charged with selling illegal whiskey during prohibition.  The evidence was in a bottle displayed in the courtroom.  Gil picked up the bottle and drank the contents.  “That’s not whiskey!” he exclaimed and won the case.  The evidence was gone.  

Gil and Mary Louise were the parents of five daughters: Aletha, Evelyn, Kathleen, Geraldine, and Dorothy.  An unnamed son died at birth in 1888.  The family lived in Petaluma for all but a few years while Gil was county recorder in Santa Rosa. Their marriage lasted just short of 50 years.  Gil and Mary Louise both died in 1932.   Gil died on January 24 and Mary Louise seven months later on August 25. Their graves are side-by-side in Calvary Catholic Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046069/gilbert-pine-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of Gilbert Pine Hall and his family.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3; Sept 29, 1899, p. 1; November 2, 1927, p. 8; November 8, 1927, p. 7; January 25, 1932, p. 3; March 10, 1932, p. 5. Petaluma Courier: May 29, 1878, p. 3; August 13, 1890, p.4. Petaluma Daily Morning Courier: August 28, 1911, p. 5; December 9, 1896, p. 2; March 8, 1897, p. 2; July 31, 1897, p. 1; November 2, 1897, p.1; July 12, 1911, p.2. Petaluma Weekly Argus: May 31, 1878, p. 3; April 2, 1880, p. 3; July 23, 1889, p. 3; June 2, 1882, p. 3; October 13, 1882, p. 3. Gilbert Pine Hall was referenced numerous times after his death in articles written by Bill Soberanes. The most extensive references include: Petaluma Argus-Courier: May 13, 1966, p.9; April 26, 1967, p. 11; September 14, 1979, p. 11. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  7 1/2” X 9 1/2”

Medium: gelatin or collodion photographic print

Description, front:

Description, back: Handwritten in pencil on the top edge is: “Gilbert Pine Hall (1859-1932)”.

Date: 1920-1932

Condition: There are numerous dark spots on the front of this portrait and both the top and bottom edges of the back side have remnants of tape.

Owner: From the collection of Kathleen O’Brien Balestrini, 2024-998-17

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Gilbert Pine (1859-1932) (5 of 7)

Unidentified Photographer, Portrait Photograph of Gilbert Pine Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Gilbert Pine Hall

Description: In this head-and-shoulders portrait, Gilbert Pine Hall looks up and to his left with an air of calm certainty. He is formally attired in a dark jacket, white shirt, and white bow tie. His hair is cut short and parted just off center.

Biographical Note: Gilbert Pine Hall was born on April 20, 1859, in Manchester, Missouri, the thirteenth and youngest child of Sarah Gibbons Thomas and Dr. James Henry Hall.  When he was about 11, his family moved to Petaluma, California.  Gil continued his education and graduated in 1878 from Petaluma High School in a class of six students, including Mary Louise Brown, aka Lulu Brown.  Over the next few years, Gil worked in a variety of positions.  In April 1880, he was teaching school in the San Antonio district, and two years later, he and former classmate Lulu were married by the Marin County Justice of the Peace.  The Brown parents soon arranged for Father Cleary of St. Vincent’s parish to repeat the ceremony for the couple, and the Petaluma Courier announced that “Cupid’s darts are flying fast.”

Gil Hall joined the National Guard in 1882, was appointed Postmaster of Petaluma in 1886, and in 1890 was voted in as County Auditor and Recorder.  In 1894, he was admitted to the California Bar and began practicing law in Sonoma County. Gil’s name appeared frequently in Petaluma newspapers throughout his life and many times years after his death.  He was described as eloquent, controversial, golden-tongued, unpredictable, fiery, and many more colorful terms.  Bill Soberanes, a Petaluma Argus-Courier columnist for many years, wrote frequently about Gil Hall’s courtroom tactics.  One story tells about Gil’s defense of a client charged with selling illegal whiskey during prohibition.  The evidence was in a bottle displayed in the courtroom.  Gil picked up the bottle and drank the contents.  “That’s not whiskey!” he exclaimed and won the case.  The evidence was gone.  

Gil and Mary Louise were the parents of five daughters: Aletha, Evelyn, Kathleen, Geraldine, and Dorothy.  An unnamed son died at birth in 1888.  The family lived in Petaluma for all but a few years while Gil was county recorder in Santa Rosa. Their marriage lasted just short of 50 years.  Gil and Mary Louise both died in 1932.   Gil died on January 24 and Mary Louise seven months later on August 25. Their graves are side-by-side in Calvary Catholic Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046069/gilbert-pine-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of Gilbert Pine Hall and his family.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3; Sept 29, 1899, p. 1; November 2, 1927, p. 8; November 8, 1927, p. 7; January 25, 1932, p. 3; March 10, 1932, p. 5. Petaluma Courier: May 29, 1878, p. 3; August 13, 1890, p.4. Petaluma Daily Morning Courier: August 28, 1911, p. 5; December 9, 1896, p. 2; March 8, 1897, p. 2; July 31, 1897, p. 1; November 2, 1897, p.1; July 12, 1911, p.2. Petaluma Weekly Argus: May 31, 1878, p. 3; April 2, 1880, p. 3; July 23, 1889, p. 3; June 2, 1882, p. 3; October 13, 1882, p. 3. Gilbert Pine Hall was referenced numerous times after his death in articles written by Bill Soberanes. The most extensive references include: Petaluma Argus-Courier: May 13, 1966, p.9; April 26, 1967, p. 11; September 14, 1979, p. 11. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  5 1/2” x 7 1/2”

Medium: matte collodion photographic print on paperboard

Description, front:

Description, back: This portrait was scanned within its frame. On the back of the frame is handwritten in pencil: “Gilbert Pine Hall”, “Our darling Father”, “May he be at peace and at Rest”, “With Our Heavenly Father”. Below this inscription is the framer’s label.

Date: 1890-1910

Condition:

Owner: From the collection of Kathleen O’Brien Balestrini, 2024-998-07

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Gilbert Pine (1859-1932) (4 of 7)

John Quincy Reed’s Portrait Photograph of Gilbert Pine Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Gilbert Pine Hall

Description: Gilbert Pine Hall sits in a studio chair and leans casually to his right while resting his elbow on what appears to be a sheepskin rug. While resting his left hand in his lap, he gazes up to his right. He is dressed in a double breasted jacket, white shirt, and white bow tie. On his left lapel is a large unidentifiable object. He is clean shaven, and his hair is parted off center, oiled and combed to the back of his head.

Biographical Note: Gilbert Pine Hall was born on April 20, 1859, in Manchester, Missouri, the thirteenth and youngest child of Sarah Gibbons Thomas and Dr. James Henry Hall.  When he was about 11, his family moved to Petaluma, California.  Gil continued his education and graduated in 1878 from Petaluma High School in a class of six students, including Mary Louise Brown, aka Lulu Brown.  Over the next few years, Gil worked in a variety of positions.  In April 1880, he was teaching school in the San Antonio district, and two years later, he and former classmate Lulu were married by the Marin County Justice of the Peace.  The Brown parents soon arranged for Father Cleary of St. Vincent’s parish to repeat the ceremony for the couple, and the Petaluma Courier announced that “Cupid’s darts are flying fast.”

Gil Hall joined the National Guard in 1882, was appointed Postmaster of Petaluma in 1886, and in 1890 was voted in as County Auditor and Recorder.  In 1894, he was admitted to the California Bar and began practicing law in Sonoma County. Gil’s name appeared frequently in Petaluma newspapers throughout his life and many times years after his death.  He was described as eloquent, controversial, golden-tongued, unpredictable, fiery, and many more colorful terms.  Bill Soberanes, a Petaluma Argus-Courier columnist for many years, wrote frequently about Gil Hall’s courtroom tactics.  One story tells about Gil’s defense of a client charged with selling illegal whiskey during prohibition.  The evidence was in a bottle displayed in the courtroom.  Gil picked up the bottle and drank the contents.  “That’s not whiskey!” he exclaimed and won the case.  The evidence was gone.  

Gil and Mary Louise were the parents of five daughters: Aletha, Evelyn, Kathleen, Geraldine, and Dorothy.  An unnamed son died at birth in 1888.  The family lived in Petaluma for all but a few years while Gil was county recorder in Santa Rosa. Their marriage lasted just short of 50 years.  Gil and Mary Louise both died in 1932.   Gil died on January 24 and Mary Louise seven months later on August 25. Their graves are side-by-side in Calvary Catholic Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046069/gilbert-pine-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of Gilbert Pine Hall and his family.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3; Sept 29, 1899, p. 1; November 2, 1927, p. 8; November 8, 1927, p. 7; January 25, 1932, p. 3; March 10, 1932, p. 5. Petaluma Courier: May 29, 1878, p. 3; August 13, 1890, p.4. Petaluma Daily Morning Courier: August 28, 1911, p. 5; December 9, 1896, p. 2; March 8, 1897, p. 2; July 31, 1897, p. 1; November 2, 1897, p.1; July 12, 1911, p.2. Petaluma Weekly Argus: May 31, 1878, p. 3; April 2, 1880, p. 3; July 23, 1889, p. 3; June 2, 1882, p. 3; October 13, 1882, p. 3. Gilbert Pine Hall was referenced numerous times after his death in articles written by Bill Soberanes. The most extensive references include: Petaluma Argus-Courier: May 13, 1966, p.9; April 26, 1967, p. 11; September 14, 1979, p. 11. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: In the background of this portrait on the right is a length of dark drapery. On the left is what appears to be a sheepskin rug upon which the sitter rests his right elbow. The photographer’s imprint appears along the bottom edge of the card in blue ink.

Description, back: Handwritten in pencil along the right edge is: “Gilbert Pine Hall - Lawyer”, “(1859-1932)”, and “Mamas father”.

Date: 1890s

Condition: This cabinet card is slightly soiled throughout.

Owner:  From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Emma Rochford (1872-1956)(1 of 2)

Unidentified Photographer’s Portrait Photograph of EMMA ROCHFORD BROWN

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Emma Rochford Brown

Description: In this fashionable portrait, Emma Rochford Brown is portrayed as a highly sophicated young lady. She is dressed in a formal, black jacket with large lapels. Wrapped tightly around her neck is a white scarf that is tied at the nape of her neck. An elaborate white lace jabot falls below her scarf and a thin necklace runs down the edge of her lapel. She wears an elegant, light-colored Edwardian picture hat. It has a wide thin brim, loops of ribbon on its top and a rectangular metal adornment in the center front.

Biographical Note: Emma Rochford Brown was born in Petaluma in 1872, the eighth child of Daniel and Anna Alexis Ferguson Brown.  She attended local public schools until 1885 when St. Vincent de Paul School began accepting girls after many years as a boys-only school.  Emma graduated from high school with honors in 1891. Over the years she was very active in local festivals often entering her oil paintings and works of needlepoint.  She frequently visited friends in San Francisco by train and, a few years after the 1902 death of her father, she moved to the city with her mother and unmarried sisters and brother. The Brown Family Estate allowed her many years of support and extensive travel.  Emma Brown died in 1956 at the age of 84 and was buried in the Brown Family plot at the Petaluma Calvary Cemetery.

*This biographical note was written by Emma Rochford Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41913114/emma-rochford-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Petaluma Argus-Courier: March 19, 1921, p.7; November 23, 1922, p. 7; September 25, 1956, p. 2 (obit); September 27, 1956, p. 8. Petaluma Courier, August 29, 1888, p. 2; June 24, 1891, p. 2. Petaluma Weekly Argus: August 25, 1888, p. 1. Petaluma Daily Morning Courier: October 8, 1904, p. 1; November 13, 1905, p. 1; July 16, 1912, p.4; November 21, 1912, p.1; July 07, 1915, p. 2; November 25, 1922, p. 5. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

THE PHOTOGRAPH:

Format / Size:  4” x 5 1/2”

Medium: matte collodion photographic print mounted on cardstock

Description, front: This portrait has been mounted on textured gray cardstock which has a very thin gold border.

Description, back: Handwritten in script in black pen along the top is: “#459 Crépon Scotch Grey $4.25. (This most probably refers to the texture and color of the portrait’s matte.) Below this handwritten in pencil is: “ September 1901 Emma Brown”.

Date: September, 1901

Condition: With the exception of a white stain on the back and worn corners, this portrait is in good condition

Owner: From the collection of Kathleen O’Brien Balestrini,

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Kathleen Elise (1877-1970)(1 of 2)

Unidentified Photographer and unidentified retoucher’s crayon Portrait of Kathleen Elise Brown


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

Retoucher: unidentified


THE SITTER:

Name: Kathleen Elise Brown

Description: In this full-frontal, head-and shoulders portrait, Kathleen Elise Brown looks directly out at the viewer. She is attired in a simple light-colored blouse with sleeves gathered at her shoulders. Its double scoop neckline is boarded by two lines of thin ribbon embellished with small rosettes. Between the lines of ribbon is a translucent fabric with vertical folds. Brown’s dark hair is parted on her right and arranged to fall over her left shoulder in a single sausage curl. She wears a diadem of small rosettes similar to those on her blouse’s neckline ribbons.

Biographical Note: Kathleen Elise Brown was born in Petaluma on September 21, 1877, the eleventh child of Petaluma pioneers, Daniel Brown and Anna Ferguson Brown.  She preferred her middle name so was always called Elise.  Elise attended Brick Petaluma School and in 1895 at the age of 18 entered the College of Notre Dame in San Francisco as a boarder.  In 1900 she and many family members took part in a two-week family and friends camping trip that she called “To the Geysers or Bust.”  Her brother-in-law, Gil Hall, a local Petaluma attorney, organized the trip. 

After the death of her father in 1902, Elise moved to San Francisco with her mother and other unmarried sisters and brother.  Daniel Brown’s estate supported them comfortably for the rest of their lives.  They were able to take extended trips around the United States and Europe and Asia.  Elise lived the longest of her siblings and managed the estate until she died on October 9, 1970, at the age of 93.  She was buried in Petaluma’s Calvary Cemetery in the Brown Family Plot with her parents and most of her siblings.

*This biographical note was written by Kathleen Elise Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41913557/kathleen-elise-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Primary Sources: Petaluma Argus-Courier: March 19, 1921, p.7; October 12, 1970, p. 12 (obit). Petaluma Daily Morning Courier: August 17, 1895, p. 1; January 8, 1909, p. 1; July 16, 1912, p. 4; November 21, 1912, p. 1. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

THE PHOTOGRAPH:

Format / Size:  Crayon enlargement also known as a crayon portrait

Medium: Photographic print mounted on paperboard and enhanced with charcoal

Description, front:

Description, back:

Date: 1890 -1900

Condition: This portrait is in excellent condition.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wong, Kee

Unidentified Photographer, Portrait Photograph of Wong Kee

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Wong Kee

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: 

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Wong, Fat

Unidentified Photographer, Portrait Photograph of Wong Fat

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Wong Fat

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: 

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Ng, Goy

Unidentified Photographer, Portrait Photograph of Ng Goy

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Ng Goy

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: 

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Hall, Gilbert Pine (1859-1932) (3 of 7)

Unidentified Photographer, Portrait Photograph of Gilbert Pine Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Gilbert Pine Hall

Description: In this full-length portrait, Gilbert Pine Hall stands in an assured, relaxed pose. He rests his right elbow on a fabric -draped studio prop, places his left hand in his vest, and crosses his right leg over his left resting its weight on his toes. He is attired in a frock coat with matching pants. His hair has been carefully parted off-center, oiled and combed.

Biographical Note: Gilbert Pine Hall was born on April 20, 1859, in Manchester, Missouri, the thirteenth and youngest child of Sarah Gibbons Thomas and Dr. James Henry Hall.  When he was about 11, his family moved to Petaluma, California.  Gil continued his education and graduated in 1878 from Petaluma High School in a class of six students, including Mary Louise Brown, aka Lulu Brown.  Over the next few years, Gil worked in a variety of positions.  In April 1880, he was teaching school in the San Antonio district, and two years later, he and former classmate Lulu were married by the Marin County Justice of the Peace.  The Brown parents soon arranged for Father Cleary of St. Vincent’s parish to repeat the ceremony for the couple, and the Petaluma Courier announced that “Cupid’s darts are flying fast.”

Gil Hall joined the National Guard in 1882, was appointed Postmaster of Petaluma in 1886, and in 1890 was voted in as County Auditor and Recorder.  In 1894, he was admitted to the California Bar and began practicing law in Sonoma County. Gil’s name appeared frequently in Petaluma newspapers throughout his life and many times years after his death.  He was described as eloquent, controversial, golden-tongued, unpredictable, fiery, and many more colorful terms.  Bill Soberanes, a Petaluma Argus-Courier columnist for many years, wrote frequently about Gil Hall’s courtroom tactics.  One story tells about Gil’s defense of a client charged with selling illegal whiskey during prohibition.  The evidence was in a bottle displayed in the courtroom.  Gil picked up the bottle and drank the contents.  “That’s not whiskey!” he exclaimed and won the case.  The evidence was gone.  

Gil and Mary Louise were the parents of five daughters: Aletha, Evelyn, Kathleen, Geraldine, and Dorothy.  An unnamed son died at birth in 1888.  The family lived in Petaluma for all but a few years while Gil was county recorder in Santa Rosa. Their marriage lasted just short of 50 years.  Gil and Mary Louise both died in 1932.   Gil died on January 24 and Mary Louise seven months later on August 25. Their graves are side-by-side in Calvary Catholic Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046069/gilbert-pine-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of Gilbert Pine Hall and his family.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3; Sept 29, 1899, p. 1; November 2, 1927, p. 8; November 8, 1927, p. 7; January 25, 1932, p. 3; March 10, 1932, p. 5. Petaluma Courier: May 29, 1878, p. 3; August 13, 1890, p.4. Petaluma Daily Morning Courier: August 28, 1911, p. 5; December 9, 1896, p. 2; March 8, 1897, p. 2; July 31, 1897, p. 1; November 2, 1897, p.1; July 12, 1911, p.2. Petaluma Weekly Argus: May 31, 1878, p. 3; April 2, 1880, p. 3; July 23, 1889, p. 3; June 2, 1882, p. 3; October 13, 1882, p. 3. Gilbert Pine Hall was referenced numerous times after his death in articles written by Bill Soberanes. The most extensive references include: Petaluma Argus-Courier: May 13, 1966, p.9; April 26, 1967, p. 11; September 14, 1979, p. 11. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: This full-standing portrait is framed within a rectangle with a shallow top arch. The backdrop depicts architectural features typical of a grand, classical interior space.

Description, back: Handwritten in blue ink script is: “Gilbert Pine Hall”, “(1859-1932)”, “Papa in his youth-”, and “K. M. Hall”.

Date: 1875-1880

Condition: This carte de visite is soiled and the bottom of the back side shows water damage.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Gilbert Pine (1859-1932) (1 of 7)

Unidentified Photographer, Portrait Photograph of Gilbert Pine Hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Gilbert Pine Hall

Description: In this cased portrait, Gilbert Pine Hall, although a toddler, assumes a calm demeanor. He sits on the top of a studio prop that is covered with an embroidered cloth. With both hands, he holds an adult-sized straw hat. His dark hair has been side-parted and cut to one length just below the top of his ears. He is dressed in a dark jacket which fastens at the top and is trimmed in a plaid fabric. He also wears checkered pants and a white shirt.

Biographical Note: Gilbert Pine Hall was born on April 20, 1859, in Manchester, Missouri, the thirteenth and youngest child of Sarah Gibbons Thomas and Dr. James Henry Hall.  When he was about 11, his family moved to Petaluma, California.  Gil continued his education and graduated in 1878 from Petaluma High School in a class of six students, including Mary Louise Brown, aka Lulu Brown.  Over the next few years, Gil worked in a variety of positions.  In April 1880, he was teaching school in the San Antonio district, and two years later, he and former classmate Lulu were married by the Marin County Justice of the Peace.  The Brown parents soon arranged for Father Cleary of St. Vincent’s parish to repeat the ceremony for the couple, and the Petaluma Courier announced that “Cupid’s darts are flying fast.”

Gil Hall joined the National Guard in 1882, was appointed Postmaster of Petaluma in 1886, and in 1890 was voted in as County Auditor and Recorder.  In 1894, he was admitted to the California Bar and began practicing law in Sonoma County. Gil’s name appeared frequently in Petaluma newspapers throughout his life and many times years after his death.  He was described as eloquent, controversial, golden-tongued, unpredictable, fiery, and many more colorful terms.  Bill Soberanes, a Petaluma Argus-Courier columnist for many years, wrote frequently about Gil Hall’s courtroom tactics.  One story tells about Gil’s defense of a client charged with selling illegal whiskey during prohibition.  The evidence was in a bottle displayed in the courtroom.  Gil picked up the bottle and drank the contents.  “That’s not whiskey!” he exclaimed and won the case.  The evidence was gone.  

Gil and Mary Louise were the parents of five daughters: Aletha, Evelyn, Kathleen, Geraldine, and Dorothy.  An unnamed son died at birth in 1888.  The family lived in Petaluma for all but a few years while Gil was county recorder in Santa Rosa. Their marriage lasted just short of 50 years.  Gil and Mary Louise both died in 1932.  Gil died on January 24 and Mary Louise seven months later on August 25. Their graves are side-by-side in Calvary Catholic Cemetery in Petaluma.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046069/gilbert-pine-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of Gilbert Pine Hall and his family.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3; Sept 29, 1899, p. 1; November 2, 1927, p. 8; November 8, 1927, p. 7; January 25, 1932, p. 3; March 10, 1932, p. 5. Petaluma Courier: May 29, 1878, p. 3; August 13, 1890, p.4. Petaluma Daily Morning Courier: August 28, 1911, p. 5; December 9, 1896, p. 2; March 8, 1897, p. 2; July 31, 1897, p. 1; November 2, 1897, p.1; July 12, 1911, p.2. Petaluma Weekly Argus: May 31, 1878, p. 3; April 2, 1880, p. 3; July 23, 1889, p. 3; June 2, 1882, p. 3; October 13, 1882, p. 3. Gilbert Pine Hall was referenced numerous times after his death in articles written by Bill Soberanes. The most extensive references include: Petaluma Argus-Courier: May 13, 1966, p.9; April 26, 1967, p. 11; September 14, 1979, p. 11. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

It is of significant note that this tintype was used to create a crayon portrait of the sitter that is also in this archive.

Format / Size:  cased tintype, 2 3/4” x 3 1/4”

Medium: tintype

Case description: This portrait’s thermoplastic case, which is also called a Union case, is decorated with 34 stars indicating a date between 1861, when Kansas became the 34th state of the union, and 1863 when West Virginia became the 35th. This case has a floral brass mat and a floral/egg motif preserver which is the brass foil frame around the edge of the brass mat.

Date: 1861 or 1862

Condition: It appears that the case, brass mat, motif preserver, and the tintype are all original to each other.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission, 2024-998-01.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Mary Louise Brown (1860-1932)(1 of 6)

Unidentified Photographer, Two ambrotype Portraits of Daniel Brown and his daughter Mary Louise or Annie Alexis


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified. It is possible one of two Petaluma photographers created these ambrotypes: Giles Pease Kellogg or Edward Payson Butler. Kellogg, the first photographer to work in Petaluma, began offering ambrotypes by May 1856, and Butler, who took over Kellogg’s studio on January 10, 1862, continued to create ambrotypes in Petaluma until April 1863. These dates coincide with the years in which Daniel and Annie Brown were raising their young daughters in Petaluma. Daniel Brown married Annie Alexis Ferguson on May 18, 1858, and their first two children, both girls, were born in Petaluma, Mary Louise on March 5, 1860 and Annie Alexis on August 21, 1861.



THE SITTERS:

Name: Daniel Brown and his daughter Mary Louise Brown (Mary Louise Brown Hall) and/or Annie Alexis Brown

Description: In both ambrotypes, Daniel Brown is portrayed with one of his two toddler daughters. The young father is dressed in his business suit replete with matching vest, pocket watch, neck tie, and straight, high-collared white shirt. He sports a full goatee or chin beard, but no mustache. In the portrait on the left, his daughter has been positioned on a restraining device, the end of which can be seen to the right of her face, and tilted towards her father so that their heads touch. Although this is an endearing pose, she wears a petulant scowl. In the portrait on the right, his daughter sits happily on his lap, his hand supporting her at the waist. In both portraits, the toddler wears white socks, black shoes, and a waisted, drop-shouldered dress which is adorned with wide strips of ribbon at the top of the sleeves.

The two portraits may not have been taken at the same time: there are distinct differences in the details of Daniel’s beard and hair; it appears his bow ties are not the same; and he may not be wearing a vest in the right portrait. If the portraits were taken at different sittings, it is possible that Mary Louise is portrayed in one and Annie Alexis in the other.

Biographical Note: Mary Louise, or Lulu as she was called, was the first of twelve children born to the early Petaluma pioneers, Daniel and Annie Brown.  She was born in Petaluma on March 5, 1860, and attended the Brick School and Petaluma High School.  Lulu graduated from high school in 1878 along with five other students including her future husband, Gilbert Hall.  Two years later on May 29, 1882, Lulu and Gil eloped to Marin County and were married there by a Justice of the Peace.  The next day the Brown parents arranged for them to be married in a Catholic ceremony in their home.  The Hall couple settled in Petaluma and for a few years resided in Santa Rosa while Gil was acting as Sonoma County Auditor and Recorder. From girlhood and throughout her adult years, Mary Louise was active in St. Vincent Church events.  At one time she was photographed driving a horse and buggy down Main Street with a friend while collecting donations for a Catholic fair.  The tintype still exists.

The marriage of the Hall couple lasted almost fifty years.  Gil died on January 24, 1932, and Mary Louise followed on August 25th of the same year.  Five daughters survived the Hall couple, Aletha, Evelyn, Kathleen, Geraldine, and Dorothy; one son died at birth.  Gilbert and Mary Louise lived at 325 Post Street in Petaluma and were buried together in Calvary Catholic Cemetery.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046382/mary-louise-hall Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown and Hall families.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obituary); August 27, 1932, p. 3. Petaluma Daily Morning Courier: July 29, 1911, p.1; August 28, 1911, p. 5. For additional information and artifacts pertaining to the Brown and Hall families, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  According to the owner of the original, both images, as measured outside of their frames, are approximately, 2 3/4” by by 2 1/2”.

Medium: Ambrotype

Description, front: The two ambrotypes are contained in a single brown floral design Union case with brass hinges.

Description, back:

Date: between 1861 and 1863

Condition: Both ambrotypes are in good condition. The Union case has a broken/missing piece from the lower left corner of the front half.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hall, Mary Louise Brown (1860-1932)(4 of 6)

Harry Fowler ROBERTS’ Portrait Photograph of mary louise brown hall

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HARRY FOWLER ROBERTS was born in 1869 in Mankato, Minnesota, and died in February 1907 in Colfax, California, at age 38. As early as 1892 he opened a photographic studio on Petaluma’s Main Street across from the American Hotel. The exact date Roberts closed his studio in Petaluma has not been determined; however, it may have been as late as 1895. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Mary Louise Brown Hall

Description: In this portrait, Mary Louise Brown Hall strikes an elegant standing pose dressed in her Sunday best. Fashionably corseted, she wears a white Basque waistline dress printed with widely spaced sprigs of flowers, and her hem, cuffs, and neckline are embellished with a wide ruffle. She wears a Victorian picture hat with chin strap, a short brim, and a crown containing both dark and light embellishments. She holds the end of a parasol trimmed in dark lace in her right hand.

Biographical Note: Mary Louise, or Lulu as she was called, was the first of twelve children born to the early Petaluma Pioneers, Daniel and Annie Brown.  She was born in Petaluma on March 5, 1860, and attended the Brick School and Petaluma High School.  Lulu graduated from high school in 1878 along with five other students including her future husband, Gilbert Hall.  Two years later on May 29, 1882, Lulu and Gil eloped to Marin County and were married there by a Justice of the Peace.  The next day the Brown parents arranged for them to be married in a Catholic ceremony in their home.  The Hall couple settled in Petaluma and for a few years resided in Santa Rosa while Gil was acting as Sonoma County Auditor and Recorder. From girlhood and throughout her adult years, Mary Louise was active in St. Vincent Church events.  At one time she was photographed driving a horse and buggy down Main Street with a friend while collecting donations for a Catholic fair.  The tintype still exists.

The marriage of the Hall couple lasted almost fifty years.  Gil died on January 24, 1932, and Mary Louise followed on August 25th of the same year.  Five daughters survived the Hall couple, Aletha, Evelyn, Kathleen, Geraldine, and Dorothy; one son died at birth.  Gilbert and Mary Louise lived at 325 Post Street in Petaluma and were buried together in Calvary Catholic Cemetery.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42046382/mary-louise-hall. Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Petaluma Argus-Courier: August 25, 1932, p. 3 (obit); August 27, 1932, p. 3. Petaluma Daily Morning Courier: July 29, 1911, p.1; August 28, 1911, p. 5.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: The background of this standing portrait is elaborate. On the left is a roughly stuccoed, light-colored wall, and on the right is a backdrop depicting a deep-perspective, grand, architectural interior. On the floor is an oriental carpet and a fur rug.

Description, back: The back side of this cabinet card is blank or contains only an accession number.

Date: 1892-1895

Condition: This cabinet card is in good condition.

Owner:  From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Brown, Annie Alexis (August 21, 1861- March 22, 1865)

Unidentified Photographer, Two ambrotype Portraits of Daniel Brown and his daughter Mary Louise and/or Annie Alexis


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified. It is possible one of two Petaluma photographers created these ambrotypes: Giles Pease Kellogg or Edward Payson Butler. Kellogg, the first photographer to work in Petaluma, began offering ambrotypes by May 1856, and Butler, who took over Kellogg’s studio on January 10, 1862, continued to create ambrotypes in Petaluma until April 1863. These dates coincide with the years in which Daniel and Annie Brown were raising their young daughters in Petaluma. Daniel Brown married Annie Alexis Ferguson on May 18, 1858, and their first two children, both girls, were born in Petaluma, Mary Louise on March 5, 1860 and Annie Alexis on August 21, 1861.



THE SITTERS:

Name: Daniel Brown and his daughter Mary Louise Brown (Mary Louise Brown Hall) an/or Annie Alexis Brown

Description: In both ambrotypes, Daniel Brown is portrayed with one of his two toddler daughters. The young father is dressed in his business suit replete with matching vest, pocket watch, neck tie, and straight, high-collared white shirt. He sports a full goatee or chin beard, but no mustache. In the portrait on the left, his daughter has been positioned on a restraining device, the end of which can be seen to the right of her face, and tilted towards her father so that their heads touch. Although this is an endearing pose, she wears a petulant scowl. In the portrait on the right, his daughter sits happily on his lap, his hand supporting her at the waist. In both portraits, the toddler wears white socks, black shoes, and a waisted, drop-shouldered dress which is adorned with wide strips of ribbon at the top of the sleeves.

The two portraits may not have been taken at the same time: there are distinct differences in the details of Daniel’s beard and hair; it appears his bow ties are not the same; and he may not be wearing a vest in the right portrait. If the portraits were taken at different sittings, it is possible that Mary Louise is portrayed in one and Annie Alexis in the other.

Biographical Note: Annie Alexis Brown was the second child born to the early Petaluma pioneers, Annie Alexis Ferguson Brown and Daniel Brown. Named after her mother, the child died at age 3 years 7 months and was buried in the Brown family plot at Petaluma’s Calvary Catholic Cemetery.

Family Affiliation: https://www.findagrave.com/memorial/41885249/annie-alexis-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  According to the owner of the original, both images, as measured outside of their frames, are approximately, 2 3/4” by by 2 1/2”.

Medium: Ambrotype

Description, front: The two ambrotypes are contained in a single brown floral design Union case with brass hinges.

Description, back:

Date: between 1861 and 1863

Condition: Both ambrotypes are in good condition. The Union case has a broken/missing piece from the lower left corner of the front half.


Owner: 
From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Vestal, Lemuel Hadley (1841-1932)

Petaluma Photo Parlors’ Portrait Photograph of Lemuel Hadley Vestal

PHOTOGRAPHER / PHOTOGRAPHIC STUDIO:

JOSLIN & COMPANY was established by the photographer Amon James Tuft Joslin. He was born in 1839 in Rockwood, New York, and died in 1913 in San Benito County, California. He established the Petaluma Photo Parlor under the name of Joslin & Company in November 1893, and left the studio, departing for Chico, California in April 1897. (For additional information on Joslin and Company and to view all portraits produced by the studio in the collection, click on its name in blue above.)

THE SITTER:

Name: Lemuel Hadley Vestal

Description:

Biographical Note: Lemuel Hadley Vestal was a native of Missouri. At the age of 11, he crossed the plains with his family, arriving in the Sacramento Valley in 1852. He owned a ranch in the Stony Point section near Petaluma’s Washoe House. After retiring, he lived in Petaluma and later in Santa Rosa. In 1932, he was buried in the Santa Rosa Odd Fellows Cemetery.

Family Affiliation: Lemuel Hadley Vestal was the son of early pioneers Obedience “Biddy” Vestal (1804-1888) and Thomas Curran Vestal III (1801-1880). Both were natives of North Carolina, and both were buried in Petaluma’s Cypress Hill Cemetery. Lemuel was the brother of fellow Petaluman, Lewis Vestal (1824-1911). In 1874, Lemuel married Amelia Nancy Ayers (1852-1930). He was survived by three of his children: Lena Esther Vestal Hall (1877-1968), Warren Eugene Vestal (1883-1973), and William Thomas Vestal (1885-1947). https://www.findagrave.com/memorial/231487721/lemuel-h-vestal.

Bibliography: Petaluma Weekly Argus, March 10, 1888, p. 3. Petaluma Argus-Courier, March 6, 1911, p. 6; December 26, 1923, p. 8.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm  

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: James T. Joslin’s imprint appears along the bottom edge of the card, and above it handwritten in script in pencil is: “Lemuel H. Vestal”.

Description, back: Handwritten in script in pencil along the top edge is: “L. h. Vestal”. Handwritten in script in black marker along the bottom edge is: “Lemuel Vestal”.

Date: November 1893 - April 1897

Condition: This cabinet card is in good condition.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced. These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Bock, Josephine (Josie) Emma (1863 -1939) (2 of 2)

Lewis Dowe’s Portrait Photograph of Josephine Emma Bock

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Josephine (Josie) Emma Bock

Description: Josephine Emma Bock stands facing to the right and, as though interrupted, turns her head to the viewer with a matter-of-fact gaze. With a gentle and possessive gesture, she grasps, with both hands, a book that has been positioned vertically on top of another book that rests horizontally on a small Eastlake side table. The arrangement of her hands, the books, and the table creates an elegant composition that reflects the verticality of her body. She is attired in a long, corseted, cuirass bodice and matching bustled skirt. Her bodice is of simple design, but her skirt hem has a boxed flounce and dark satin trimming. Around her neck is a white crocheted scarf. Her hair has been center-parted, crimped to create fashionable waves, and pulled to the back of her head.

Biographical Note: Josephine Emma Bock was born on August 29, 1863, and died at age 75 on January 30, 1939. In 1877 Bock was attending school in Petaluma’s Dunham District and was reported to be among the most outstanding students. She was mentioned in the society pages of the Petaluma newspapers throughout her life. Her funeral service was held at the Two Rock Valley Presbyterian Church, and she was interred at the Liberty Cemetery in Petaluma.

Family Affiliation: Josephine Emma Bock was the daughter of David Bock (1822-1887) and Lucy Renn Bock (1828-1896) who were among the earliest pioneer settlers of the Roblar and Stony Point district. Her siblings included William A. Bock (1852-1871), Blanche Elizabeth Bock (died 1926), Edward H. Bock (died 1919), John P. Bock, Kate Bock Magoon, Andrew Bock, Walter Bock (1861-1903), and George Bock.

Bibliography: Petaluma Argus-Courier, February 20, 1926, p. 1; March 22, 1928, p.7; Jan 21, 1933, p. 5; March 26, 1934, p. 8; January 31, 1939, p.3. Petaluma Daily Morning Courier, Feb. 21, 1919, p. 4. Petaluma Weekly Argus, April 6, 1877, p. 4; Sept. 28, 1877, p. 4. https://www.findagrave.com/memorial/15860050/josephine-bock.

THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: albumen photographic print mounted on cardstock

Description, front: This portrait is mounted on a gray cabinet card and surrounded by an ecru boarder with an elaborate design. Lewis Dowe’s imprint runs along the bottom edge of the card.

Description, back: Handwritten in black ink along the bottom of the card is “Josie Bock”.

Date: c. 1879 - March 1882

Condition: This cabinet card is in good condition.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Blakely (Blakeley), Theron Melville (1890-1922)

Elon D. Ormsby’s Portrait Photograph of Theron Melville Blakely (Blakeley)

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Elon D. Ormsby (b.1845). Prior to setting up his studio in Oakland, Elon D. Ormsby worked in Petaluma as a partner with George Colvaine Ross, see Ross & Ormsby.

Studio Location: 1055 Broadway, Oakland, Cal.


THE SITTER:

Name: Theron Melville Blakely (Blakeley)

Description: In this head-and-shoulders portrait, Theron M. Blakely looks up and to his right. He is attired in a businessman’s high-buttoned, lapel-piped jacket, a white shirt with a Mandarin collar, and a necktie with an elaborate trinity knot. A stickpin in the shape of a “T” appears in the center of the knot. Theron is meticulously groomed. His side-parted hair has been carefully oiled and combed, and the tips of his forehead locks have been curled to flip up. He sports a walrus mustache.

Biographical Note: Theron M. Blakely was born and received his early education in Oakland. He later moved to Petaluma, where he enlisted for service in World War I. He was honored as a United States Marine Corps veteran and, after the war, reenlisted in the United States Army Air Service. On February 21, 1922, he died along with 33 crew mates in the disastrous crash of the U.S. Army Airship Roma in Norfolk, Virginia. Theron was buried near his mother’s residence in the Alta Mesa Memorial Park, Palo Alto, California.

Family Affiliation: Theron M. Blakely was the only son of Theron M. Blakely Sr. and Roslie “Rosa” Ayers Blakely (1865-1938), the daughter of early Petaluma pioneers William Ayers (1829-1899) and Martha Wade Ayers (1829 or 30 - 1890). Theron had one sister, Clarice Aletha Blakely Holmes. https://www.findagrave.com/memorial/95182713/theron-melville-blakely

Bibliography: Petaluma Daily Morning Courier, Feb. 23, 1922, p. 1; Feb 26, 1922, p. 3.; March 3, 1922, p. 2; March 5, 1922, p. 1.


THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back: Elon D. Ormsby’s large imprint appears in brown ink. Handwritten in script in pencil along the top edge is: “Theron Blakely”.

Date:

Condition: This cabinet card is in good condition.

Owner:  The Cyndi Logan Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Hon, Chung

Unidentified Photographer, Portrait Photograph of hon chung

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Hon Chung

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: 

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Williams, Mehitable (Mehetabel) Lilly (1807-1899) (1 of 3)

BRADLEY & RULOFSON’s STUDIO portrait of MEHITABLE LILLY WILLIAMS

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Bradley & Rulofson, 429 Montgomery Street, San Francisco, California. Henry William Bradley (1813-1891) opened a photographic studio in San Francisco in 1850 and in 1860 took on his partner William Rulofson (1826-1876). Their studio was considered by many to be the best in California. Bradley retired in 1878.



THE SITTER:

Name: Mehitable Lilly Williams

Description:

Biographical Note: George and Mehetabel Williams were stellar examples of the pioneer spirit of hard work and determination. After testing his luck searching for gold, George sailed up the Petaluma River in 1851 in search for a location to build a family home, and in 1855 he convinced his wife and children to join him. In a strange twist of fate, Mehetabel and the children journeyed west while George was journeying east to fetch them. They eventually rendezvoused in Petaluma in August of 1855.

George was an enterprising developer and community builder. He constructed two of Petaluma’s earliest hotels, the American Hotel in 1852 and the Washington Hotel in 1856, and he was instrumental in constructing one of Petaluma’s first public schools and many of its private homes.

The full story of the adventures of George and Mehetabel is long and intriguing. Portions of their story are recounted in the memoirs of their son, George Roscoe Williams, and a thorough discussion is provided in Adair Lara’s definitive History of Petaluma, A California River Town. Adair Lara succinctly summed up George Williams’ legacy when she wrote, “It is ironic that Williams is remembered most in Petaluma history not for his ambitious hotel schemes, his land dealings, or his civic contributions, but for that idle moment early in 1856 when, out of longing to see his daughter again, or perhaps simply on impulse, he drew a rough sketch of Petaluma Creek and sent it off to John A. McNear, a young cousin who had married his daughter, Clara… In that moment, he changed Petaluma forever.”

George and Mehitable celebrated their 63rd wedding anniversary in November of 1898. They both died in 1899 and were buried in Petaluma’s Cypress Hill Memorial Park.

Family Affiliation: George Bailey Williams’ mother was Elizabeth “Betsy” Bailey Williams (1792-1882). His wife was Mehitable (Mehetabel)Lilly Williams (1807-1899), and his children were: Clarinda Damsen Williams McNear (1837-1866), George Roscoe Williams (1839-1934), Rosetta Lilly Williams Weeks (1842-1899), and Laura J. Williams Barstow (1842-1904).

Bibliography:


THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: Hugh Anderson’s imprint is on the center of the back of this carte de visite. Anderson created several versions of his Petaluma imprint. An expanded, possibly later, version appears here. It is printed in red ink and includes four lines of text, each in a different font. The text is embellished above and below with a horizontally flipped, elaborate flourish.

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Williams, Mary Ludwig (1848-1898)(3 of 3)

BRADLEY & RULOFSON STUDIO Portrait Photograph of Mary Ludwig Williams

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Bradley & Rulofson, 429 Montgomery Street, San Francisco, California. Henry William Bradley (1813-1891) opened a photographic studio in San Francisco in 1850 and in 1860 took on his partner William Rulofson (1826-1876). Their studio was considered by many to be the best in California. Bradley retired in 1878.


THE SITTER:

Name: Mary Ludwig Williams

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Williams, Mary Ludwig (1848-1898) (2 of 3)

B.F. Howland & Co.’s Portrait Photograph of Mary Ludwig Williams

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: B.F. Howland & Co.

Photographic Studio: 25 & 27 Third Street East Side, San Francisco, Ca


THE SITTER:

Name: Mary Ludwig Williams

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Williams, Mary Ludwig (1848-1898)(1 of 3)

Unidentified Photographer, Portrait Photograph of Mary Ludwig Williams

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Mary Ludwig Williams

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Williams, George Roscoe (1839-1934)

Billings & Hough’s Portrait Photograph of George Roscoe Williams

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Billings & Hough

Photographic Studio: Lebanon, N.H.




THE SITTER:

Name: George Roscoe Williams

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Williams, Mehitable (Mehetabel) Lilly (1807-1899)(3 of 3)

E. R. HEALY GROUND FLOOR GALLERY’S Photograph of MEHITABLE and George WILLIAMS

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923)  Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)



THE SITTER:

Name: Mehitable (Mehetable) Lilly Williams

Description:

Biographical Note: George and Mehitabel Williams were stellar examples of the pioneer spirit of hard work and determination. After testing his luck searching for gold and building the Globe Hotel in San Francisco, George sailed up the Petaluma River in 1851 in search of a location to build a family home. In 1855, he convinced his wife and children to join him. In a strange twist of fate, Mehetabel and the children journeyed west while George was journeying east to fetch them. They eventually rendezvoused in Petaluma in August 1855.

George was an enterprising developer and community builder. He constructed Petaluma’s Washington Hotel in 1856 and was instrumental in constructing one of Petaluma’s first public schools and many of its private homes.

The full story of the adventures of George and Mehitabel is long and intriguing. Portions of their story are recounted in the memoirs of their son, George Roscoe Williams, and a thorough discussion is provided in Adair Lara’s definitive History of Petaluma, A California River Town. Adair Lara succinctly summed up George Williams’ legacy when she wrote, “It is ironic that Williams is remembered most in Petaluma history not for his ambitious hotel schemes, his land dealings, or his civic contributions, but for that idle moment early in 1856 when, out of longing to see his daughter again, or perhaps simply on impulse, he drew a rough sketch of Petaluma Creek and sent it off to John A. McNear, a young cousin who had married his daughter, Clara… In that moment, he changed Petaluma forever.”

George and Mehitable celebrated their 63rd wedding anniversary in November of 1898. They both died in 1899 and were buried in Petaluma’s Cypress Hill Memorial Park.

Family Affiliation: George Bailey Williams’ mother was Elizabeth “Betsy” Bailey Williams (1792-1882). His wife was Mehitable (Mehetabel)Lilly Williams (1807-1899), and his children were: Clarinda Damsen Williams McNear (1837-1866), George Roscoe Williams (1839-1934), Rosetta Lilly Williams Weeks (1842-1899), and Laura J. Williams Barstow (1842-1904). https://www.findagrave.com/memorial/81648868/george-bailey-williams. https://www.findagrave.com/memorial/81648884/mehetabel_williams.

Bibliography: Primary source: George Roscoe William, My First Fifty Years in California, (The original copy of this memoir is at the Bancroft Library, and a copy is available at the Petaluma Historical Library & Museum; Petaluma Daily Morning Courier, obituary, October 16, 1899, p.1. Secondary source: Adair Lara, History of Petaluma, A California River Town, 1982, pp. 56-61.


THE PHOTOGRAPH:

Format / Size: 

Medium: gelatin or collodion photographic print mounted on heavy cardstock

Description, front: The setting of this double portrait attempts to recreate the appearance of a upper-middle-class, domestic interior. The painted backdrop, depicting a large mirror and side table, give the illusion of an adjoining room. The wall to the left adorned with floral wall paper, the potted plant and the rugs all add to the feeling of homey tranquility and comfort.

Description, back: Hugh Anderson’s imprint is on the center of the back of this carte de visite. Anderson created several versions of his Petaluma imprint. An expanded, possibly later, version appears here. It is printed in red ink and includes four lines of text, each in a different font. The text is embellished above and below with a horizontally flipped, elaborate flourish.

Date: 1896-1899. The inscription written on the original frame backing of this portrait states that it was taken either in 1884 on the couple’s 50th wedding anniversary or in 1894 on the couple’s 60th anniversary. Neither of these dates can be correct: the Healy Ground Floor gallery was not opened until 1896. Additionally, both George and Mehitable died in 1899.

Condition: This portrait is in good condition; however, when it was removed from its original frame, the cardstock on which it is mounted was damaged.

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Williams, George Bailey (1809-1899)

E. R. HEALY GROUND FLOOR GALLERY’S Photograph of George and Mehitable

Williams

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923)  Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)



THE SITTER:

Name: George Bailey Williams

Description:

Biographical Note: George and Mehitabel Williams were stellar examples of the pioneer spirit of hard work and determination. After testing his luck searching for gold and building the Globe Hotel in San Francisco, George sailed up the Petaluma River in 1851 in search of a location to build a family home. In 1855, he convinced his wife and children to join him. In a strange twist of fate, Mehetabel and the children journeyed west while George was journeying east to fetch them. They eventually rendezvoused in Petaluma in August 1855.

George was an enterprising developer and community builder. He constructed Petaluma’s Washington Hotel in 1856 and was instrumental in constructing one of Petaluma’s first public schools and many of its private homes.

The full story of the adventures of George and Mehitabel is long and intriguing. Portions of their story are recounted in the memoirs of their son, George Roscoe Williams, and a thorough discussion is provided in Adair Lara’s definitive History of Petaluma, A California River Town. Adair Lara succinctly summed up George Williams’ legacy when she wrote, “It is ironic that Williams is remembered most in Petaluma history not for his ambitious hotel schemes, his land dealings, or his civic contributions, but for that idle moment early in 1856 when, out of longing to see his daughter again, or perhaps simply on impulse, he drew a rough sketch of Petaluma Creek and sent it off to John A. McNear, a young cousin who had married his daughter, Clara… In that moment, he changed Petaluma forever.”

George and Mehitable celebrated their 63rd wedding anniversary in November of 1898. They both died in 1899 and were buried in Petaluma’s Cypress Hill Memorial Park.

Family Affiliation: George Bailey Williams’ mother was Elizabeth “Betsy” Bailey Williams (1792-1882). His wife was Mehitable (Mehetabel)Lilly Williams (1807-1899), and his children were: Clarinda Damsen Williams McNear (1837-1866), George Roscoe Williams (1839-1934), Rosetta Lilly Williams Weeks (1842-1899), and Laura J. Williams Barstow (1842-1904). https://www.findagrave.com/memorial/81648868/george-bailey-williams. https://www.findagrave.com/memorial/81648884/mehetabel_williams.

Bibliography: Primary source: George Roscoe William, My First Fifty Years in California, (The original copy of this memoir is at the Bancroft Library, and a copy is available at the Petaluma Historical Library & Museum. Secondary source: Adair Lara, History of Petaluma, A California River Town, 1982, pp. 56-61.

THE PHOTOGRAPH:

Format / Size: 

Medium: gelatin or collodion photographic print mounted on heavy cardstock

Description, front: The setting of this double portrait attempts to recreate the appearance of a upper-middle-class, domestic interior. The painted backdrop, depicting a large mirror and side table, give the illusion of an adjoining room. The wall to the left adorned with floral wall paper, the potted plant and the rugs all add to the feeling of homey tranquility and comfort.

Description, back: Hugh Anderson’s imprint is on the center of the back of this carte de visite. Anderson created several versions of his Petaluma imprint. An expanded, possibly later, version appears here. It is printed in red ink and includes four lines of text, each in a different font. The text is embellished above and below with a horizontally flipped, elaborate flourish.

Date: 1896-1899 The inscription written on the original frame backing of this portrait states that it was taken either in 1884 on the couple’s 50th wedding anniversary or in 1894 on the couple’s 60th anniversary. Neither of these dates can be correct: the Healy Ground Floor gallery was not opened until 1896. Additionally, both George and Mehitable died in 1899.

Condition: This portrait is in good condition; however, when it was removed from its original frame, the cardstock on which it is mounted was damaged.

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Williams, Eliza Jane (1813-1884) (see Garrett)

Unidentified Photographer, Portrait Photograph of Eliza Jane williams garrett

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Eliza Jane Williams Garrett

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: 

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Garrett, Eliza Jane Williams (1813-1884) (2 of 2)

W.C. Tuttle’s Portrait Photograph of Eliza jane williams garrett

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  W.C. Tuttle

Photographic Studio: High Street, Belfast, ME




THE SITTER:

Name: Eliza Jane Williams Garrett

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Garrett, Eliza Jane Williams (1813-1884) (1 of 2)

Unidentified Photographer, Portrait Photograph of Eliza Jane williams garrett

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Eliza Jane Williams Garrett

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: 

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Parsons, Lillian M. Blackburn (1865-1949)

Dewey Studio’s portrait photograph of LIllian M. blackburn parsons

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Dewey Studios

Studio Location: 41 South Main Street, Los Angeles, California

THE SITTER:

Name: Lillian M. Blackburn Parsons

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium:

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Blackburn, Charles Sr. (1821-1897) (1 of 2)

George Ross’ Portrait Photograph of Charles Blackburn, Sr.

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTERS:

Name: Charles Blackburn, Sr.

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn Faith (1858-1940) (8 of 8)

John Quincy Reed’s Portrait Photograph of Mary Jane blackburn Faith rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Mary Jane Blackburn Faith Rodd

Description: In this profile portrait, Mary Jane Blackburn Faith Rodd gazes into the distance to the viewer’s left. An abundance of curls adorn the top of her head and the remainder of her hair has been twisted into a bun. She wears a dark, heavily embroidered dress with a small, stiff, projecting collar that latches at her neck with two white buttons. Her dress, the somberness of the image, and the fact that she wears no jewelry, prompts one to assume that she may be in mourning and that this image commemorates the death of a family member or close friend.

Biographical Note: Mary Jane Blackburn Faith Rodd was born in Petaluma on Third and D Streets. She was educated in Petaluma and studied the piano under Sarah Lucinda Lewis Lippitt (1832-1919). Later in life, she resided at 229 Keokuk. She was affiliated with the Petaluma Druidic Circle, No. 6 and the Neighbors of Woodcraft. She was buried in Petaluma Cypress Hill Memorial Park.

Family Affiliation: Mary Jane Blackburn Faith Rodd was the daughter of early prominent Petaluma pioneers, Charles Blackburn (1821-1897) and Jemima Jane Richardson Blackburn (1825-1905) who made the overland journey to Petaluma by ox team in 1852 from Oskaloosa, Iowa. Mary Jane was the sister of Martha Blackburn (1849-1856), John Selvay Blackburn (1851-1903), Hester C. Blackburn Elphick (1869-1944), Lillian M. Blackburn (1865-1949) and Franklin L. Blackburn (1869-1931). Mary Jane’s first husband was George Faith (1851-1880). Together they had one son, George Blackburn Rodd (1880-1924) who took the name of Mary Jane’s second husband, Samuel Rodd (1849-1929). Mary Jane and Samuel had one daughter, Dorothy Clark Rodd Barber Wallace (1884-1963). https://www.findagrave.com/memorial/106979435/mary_jane_rodd.

Bibliography: Petaluma Argus-Courier, July 26, 1937, p.2.; July 27, 1939, p. 4. April 26, 1940, p.8. Santa Rosa Republican, April 26, 1940, p.2. https://www.findagrave.com/memorial/106979435/mary-jane-rodd.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.25 cm  

Medium: albumen photographic print mounted on cardstock

Description, front: The photographer’s imprint appears along the bottom edge.

Description, back: Handwritten in cursive in blue ink along the top edge is, “Mary Jane Blackburn Rodd”. There are additional handwritten inscriptions which appear to include the words, “Mary J. Rudd Petaluma Sonoma County Mary Blackman Petaluma Sonoma Co California Sonoma Co Sonoma Co Petaluma Petaluma

Date: 1890s

Condition: Both sides of this cabinet card are soiled and stained. The front is faded.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn Faith (1858-1940) (7 of 8)

George Ross’ Portrait Photograph of Mary Jane Blackburn Faith Rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Mary Jane Blackburn Faith Rodd

Description: In this portrait, Mary Jane Blackburn Faith Rodd sits elegantly upon the arm of a parlor chair. Her hands are placed on the top of a large book that rests on her thigh. This arrangement displays the spine of the book; however, its title is not legible. To her left is a table upon which are additional books. She is attired in a magnificent dark dress replete with an elaborate double hem, embroidered cuffs and a fully draped bustle. Her hair is center-parted and the crown of her head displays an abundance of curls. The hair at the back of her head has been allowed to fall behind her. Around her neck she wears a long chain and a white scarf that has been tied in a bow. From her waist hangs a horn-shaped handbag with diagonal trimming from which protrudes what is most likely a handkerchief.

Biographical Note: Mary Jane Blackburn Faith Rodd was born in Petaluma on Third and D Streets. She was educated in Petaluma and studied the piano under Sarah Lucinda Lewis Lippitt (1832-1919). Later in life, she resided at 229 Keokuk. She was affiliated with the Petaluma Druidic Circle, No. 6 and the Neighbors of Woodcraft. She was buried in Petaluma Cypress Hill Memorial Park.

Family Affiliation: Mary Jane Blackburn Faith Rodd was the daughter of early prominent Petaluma pioneers, Charles Blackburn (1821-1897) and Jemima Jane Richardson Blackburn (1825-1905) who made the overland journey to Petaluma by ox team in 1852 from Oskaloosa, Iowa. Mary Jane was the sister of Martha Blackburn (1849-1856), John Selvay Blackburn (1851-1903), Hester C. Blackburn Elphick (1869-1944), Lillian M. Blackburn (1865-1949) and Franklin L. Blackburn (1869-1931). Mary Jane’s first husband was George Faith (1851-1880). Together they had one son, George Blackburn Rodd (1880-1924) who took the name of Mary Jane’s second husband, Samuel Rodd (1849-1929). Mary Jane and Samuel had one daughter, Dorothy Clark Rodd Barber Wallace (1884-1963). https://www.findagrave.com/memorial/106979435/mary_jane_rodd.

Bibliography: Petaluma Argus-Courier, July 26, 1937, p.2.; July 27, 1939, p. 4. April 26, 1940, p.8. Santa Rosa Republican, April 26, 1940, p.2. https://www.findagrave.com/memorial/106979435/mary-jane-rodd.

THE PHOTOGRAPH:

Format / Size:  cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This portrait has been set within an arched format. The photographer’s imprint is along the bottom edge. In the center of the bottom edge is handwritten in pencil “Mary Rodd”.

Description, back: Unfortunately, the remnants of what is most probably the black pages of a photo album conceal the handwritten inscription beneath it. Below the black paper, handwritten in cursive in blue ink is written, “Mrs. Mary Jane Blackburn Rodd”.

Date: late 1880s

Condition: Both sides of this cabinet card are soiled.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Dorothy Clark (1884-1963) (see Barber)

John Quincy Reed’s Portrait Photograph of Dorothy Clark Rodd Barber

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Dorothy Clark Rodd Barber

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.25 cm  

Medium: albumen photographic print mounted on

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Barber, Dorothy Clark Rodd (1884-1963)

John Quincy Reed’s Portrait Photograph of Dorothy Clark Rodd Barber

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Dorothy Clark Rodd Barber

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.25 cm  

Medium: albumen photographic print mounted on

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn (1858-1940) (1 of 8)

John Quincy Reed’s Portrait Photograph of Mary Jane blackburn rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Mary Jane Blackburn Rodd

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.25 cm  

Medium: albumen photographic print mounted on

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Faith, George Blackburn (1880-1924) (2 of 2)

George Ross’ Portrait Photograph of George Blackburn Faith

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: George Blackburn Faith

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Faith, George Blackburn (1880-1924)(1 of 2)

George Ross’ Portrait Photograph of Charles Blackburn, Sr. and George Blackburn Faith

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTERS:

Name: Charles Blackburn, Sr. and George Blackburn Faith

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Blackburn, Charles Sr. (1821-1897)(2 of 2)

George Ross’ Portrait Photograph of Charles Blackburn, Sr. and George Blackburn Faith

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTERS:

Name: Charles Blackburn, Sr. and George Blackburn Faith

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  cabinet card, approximately 10.75 x 16.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Blackburn, Unidentified Son

George Ross’ Portrait Photograph of an unidentified Blackburn Son

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Unidentified Blackburn son

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

“An Elegant Gentleman Wearing Edwardian Business Attire”

William Blodgett Cook’s Portrait Photograph of “An elegant gentleman wearing edwardian business attire”

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: WILLIAM BLODGETT COOK was born in Ohio and worked as a photographer in many California cities. He worked in Petaluma during two brief periods at the beginning of the twentieth century. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

Photographic Studio: Healy Studio

THE SITTER:

Name: Unidentified

Description: This head-and-shoulders portrait depicts an elegant young gentleman formally attired in a dark suit with high thin lapels and a matching vest. His white shirt has an exceptionally tall collar which lends a stiff and professional air to his visage. Typical of the Edwardian era, his necktie is not covered by his collar and gathers at his neck in a large knot. He is clean shaven and meticulously groomed.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion photographic print with oval mount

Description, front: The color of this portrait’s card stock is a medium gray, and the portrait is set within a vertical oval which has a cream colored border and an embossed line which includes flourishes at the top and bottom. On a diagonal, in the bottom right corner of the card, is printed in cream colored ink, “Cook Artist”, “Healy Studio”, and “Petaluma”.

Description, back: The back of this cabinet card is either blank or contains only an accession number.

Date: August 1903 to February 1904 (Cook worked at the Healy Studio between these dates.)

Condition: This cabinet card is slightly soiled and has several, small, dark spots throughout.

Owner:  Petaluma Historical Library & Museum, 2023-023

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

“An Elegant Gentleman Wearing Edwardian Business Attire”

William Blodgett Cook’s Portrait Photograph of “An elegant gentleman wearing edwardian business attire”

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: WILLIAM BLODGETT COOK was born in Ohio and worked as a photographer in many California cities. He worked in Petaluma during two brief periods at the beginning of the twentieth century. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

Photographic Studio: Healy Studio

THE SITTER:

Name: Unidentified

Description: This head-and-shoulders portrait depicts an elegant young gentleman formally attired in a dark suit with high thin lapels and a matching vest. His white shirt has an exceptionally tall collar which lends a stiff and professional air to his visage. Typical of the Edwardian era, his necktie is not covered by his collar and gathers at his neck in a large knot. He is clean shaven and meticulously groomed.

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion photographic print with oval mount

Description, front: The color of this portrait’s card stock is a medium gray, and the portrait is set within a vertical oval which has a cream colored border and an embossed line which includes flourishes at the top and bottom. On a diagonal, in the bottom right corner of the card, is printed in cream colored ink, “Cook Artist”, “Healy Studio”, and “Petaluma”.

Description, back: The back of this cabinet card is either blank or contains only an accession number.

Date: August 1903 to February 1904 (Cook worked at the Healy Studio between these dates.)

Condition: This cabinet card is slightly soiled and has several, small, dark spots throughout.

Owner:  Petaluma Historical Library & Museum, 2023-023

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn Faith(1858-1940) (6 of 8)

John Quincy Reed’s Portrait Photograph of Mary Jane blackburn Faith rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Mary Jane Blackburn Faith Rodd

Description: In this head-and-shoulders portrait, Mary Jane Blackburn Faith Rodd looks over her right shoulder and gazes into the distance while resting her forearms on a support in front of her. Her left hand dangles over the edge of the support. Her hair is center-parted and drawn to the back of her head where it is gathered in shoulder-length curls several of which cascade down her left shoulder. She wears a dark blouse with large center buttons. Around her neck is a stiff white ruff that crosses at her neck and is secured by a large round brooch.

Biographical Note: Mary Jane Blackburn Faith Rodd was born in Petaluma on Third and D Streets. She was educated in Petaluma and studied the piano under Sarah Lucinda Lewis Lippitt (1832-1919). Later in life, she resided at 229 Keokuk. She was affiliated with the Petaluma Druidic Circle, No. 6 and the Neighbors of Woodcraft. She was buried in Petaluma Cypress Hill Memorial Park.

Family Affiliation: Mary Jane Blackburn Faith Rodd was the daughter of early prominent Petaluma pioneers, Charles Blackburn (1821-1897) and Jemima Jane Richardson Blackburn (1825-1905) who made the overland journey to Petaluma by ox team in 1852 from Oskaloosa, Iowa. Mary Jane was the sister of Martha Blackburn (1849-1856), John Selvay Blackburn (1851-1903), Hester C. Blackburn Elphick (1869-1944), Lillian M. Blackburn (1865-1949) and Franklin L. Blackburn (1869-1931). Mary Jane’s first husband was George Faith (1851-1880). Together they had one son, George Blackburn Rodd (1880-1924) who took the name of Mary Jane’s second husband, Samuel Rodd (1849-1929). Mary Jane and Samuel had one daughter, Dorothy Clark Rodd Barber Wallace (1884-1963). https://www.findagrave.com/memorial/106979435/mary_jane_rodd.

Bibliography: Petaluma Argus-Courier, July 26, 1937, p.2.; July 27, 1939, p. 4. April 26, 1940, p.8. Santa Rosa Republican, April 26, 1940, p.2. https://www.findagrave.com/memorial/106979435/mary-jane-rodd.

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on yardstick

Description, front:

Description, back: Handwritten in capital letters in pencil at the top of the card is: “MARY JANE BLACKBURN (RODD) BORN 7-26-. In the center of the card is the photographer’s imprint

Date: c. 1878

Condition: Both sides of this carte de visit are slightly soiled.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Blackburn, Jemima Jane Richardson

George Ross’ Portrait Photograph of Jemima Jane Richardson Blackburn

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Names: Jemima Jane Richardson Blackburn (presumably)

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn Faith(1858-1940)(5 of 8)

Skelton Stanford noble’s Portrait Photograph of Mary Jane BlackBurn Faith Rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

SKELTON STANFORD NOBLE was born in Missouri c. 1833. He worked as a photographer in many California cities before arriving in Petaluma. He worked in Petaluma with Albert Webster Fell in the Noble & Fell partnership beginning in December 1873. In May 1874 the partership was dissolved and Noble continued to operate the studio by himself until 1875. Noble’s sole ownership is evident in the Sunbeam Gallery imprint which changed from “Noble & Fell’s Sunbeam Gallery” to “S. S. Noble, Sunbeam Gallery”. Evidently in possession of an enlarger, Noble advertised between July and December 1874 his ability to produce “full-sized” portraits, announcing, “For life-sized pictures go to S. S. Noble, of the Sunbeam Gallery". After departing Petaluma, Noble operated photo studios in Sierra City, Nevada City, and Cambria. (For a bibliography on this photographer and to view all the portraits by him in this collection taken when he was the sole owner of the Sunbeam Gallery, click on his name in blue above.)


THE SITTER:

Name: Mary Jane Blackburn Faith Rodd

Description: Description: In this head-and-shoulders portrait, Mary Jane Blackburn Faith Rodd looks over her left shoulder and gazes into the distance. Her hair is drawn to the back of her head where it is gathered in shoulder-length sausage curls several of which cascade down her right shoulder. A bow appears above her right ear from which hangs a long pendant earring. She wears a light-colored form-fitting blouse. Around her neck she wears a stiff white ruff and a striped fringed scarf which has been tied in a bow. A second portrait of Rodd that is most probably from the same sitting is in this archive.

Biographical Note: Mary Jane Blackburn Faith Rodd was born in Petaluma on Third and D Streets. She was educated in Petaluma and studied the piano under Sarah Lucinda Lewis Lippitt (1832-1919). Later in life, she resided at 229 Keokuk. She was affiliated with the Petaluma Druidic Circle, No. 6 and the Neighbors of Woodcraft. She was buried in Petaluma Cypress Hill Memorial Park.

Family Affiliation: Mary Jane Blackburn Faith Rodd was the daughter of early prominent Petaluma pioneers, Charles Blackburn (1821-1897) and Jemima Jane Richardson Blackburn (1825-1905) who made the overland journey to Petaluma by ox team in 1852 from Oskaloosa, Iowa. Mary Jane was the sister of Martha Blackburn (1849-1856), John Selvay Blackburn (1851-1903), Hester C. Blackburn Elphick (1869-1944), Lillian M. Blackburn (1865-1949) and Franklin L. Blackburn (1869-1931). Mary Jane’s first husband was George Faith (1851-1880). Together they had one son, George Blackburn Rodd (1880-1924) who took the name of Mary Jane’s second husband, Samuel Rodd (1849-1929). Samuel and Mary Jane were married in 1883, and they had one daughter, Dorothy Clark Rodd Barber Wallace (1884-1963). https://www.findagrave.com/memorial/106979435/mary_jane_rodd.

Bibliography: Petaluma Argus-Courier, July 26, 1937, p. 2.; July 27, 1939, p. 4. April 26, 1940, p.8. Santa Rosa Republican, April 26, 1940, p. 2. https://www.findagrave.com/memorial/106979435/mary-jane-rodd.

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: This portrait is framed within a vertical oval.

Description, back: Handwritten in pencil in cursive along the top edge is “Mary Jane Blackburn (Rodd)”. In the center appears Skelton Stanford Noble’s Sunbeam Gallery imprint.

Date: May 1874 to 1875

Condition: Both sides of this carte de visite are heavily soiled.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn Faith(1858-1940)(4 of 8)

Skelton Stanford noble’s Portrait Photograph of Mary Jane BlackBurn faith Rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

SKELTON STANFORD NOBLE was born in Missouri c. 1833. He worked as a photographer in many California cities before arriving in Petaluma. He worked in Petaluma with Albert Webster Fell in the Noble & Fell partnership beginning in December 1873. In May 1874 the partership was dissolved and Noble continued to operate the studio by himself until 1875. Noble’s sole ownership is evident in the Sunbeam Gallery imprint which changed from “Noble & Fell’s Sunbeam Gallery” to “S. S. Noble, Sunbeam Gallery”. Evidently in possession of an enlarger, Noble advertised between July and December 1874 his ability to produce “full-sized” portraits, announcing, “For life-sized pictures go to S. S. Noble, of the Sunbeam Gallery". After departing Petaluma, Noble operated photo studios in Sierra City, Nevada City, and Cambria. (For a bibliography on this photographer and to view all the portraits by him in this collection taken when he was the sole owner of the Sunbeam Gallery, click on his name in blue above.)


THE SITTER:

Name: Mary Jane Blackburn Faith Rodd

Description: In this head-and-shoulders portrait, Mary Jane Blackburn Faith Rodd looks over her right shoulder and gazes into the distance. Her hair is center-parted and drawn to the back of her head where it is gathered in shoulder-length sausage curls several of which cascade down her left shoulder. A bow appears above her left ear from which hangs a small pendant earring. She wears a light-colored form-fitting blouse with large dark center buttons. Around her neck she wears a stiff white ruff and what appears to be a scarf which has been tied in a bow. A second portrait of Rodd that is most probably from the same sitting is in this archive.

Biographical Note: Mary Jane Blackburn Faith Rodd was born in Petaluma on Third and D Streets. She was educated in Petaluma and studied the piano under Sarah Lucinda Lewis Lippitt (1832-1919). Later in life, she resided at 229 Keokuk. She was affiliated with the Petaluma Druidic Circle, No. 6 and the Neighbors of Woodcraft. She was buried in Petaluma Cypress Hill Memorial Park.

Family Affiliation: Mary Jane Blackburn Faith Rodd was the daughter of early prominent Petaluma pioneers, Charles Blackburn (1821-1897) and Jemima Jane Richardson Blackburn (1825-1905) who made the overland journey to Petaluma by ox team in 1852 from Oskaloosa, Iowa. Mary Jane was the sister of Martha Blackburn (1849-1856), John Selvay Blackburn (1851-1903), Hester C. Blackburn Elphick (1869-1944), Lillian M. Blackburn (1865-1949) and Franklin L. Blackburn (1869-1931). Mary Jane’s first husband was George Faith (1851-1880). Together they had one son, George Blackburn Rodd (1880-1924) who took the name of Mary Jane’s second husband, Samuel Rodd (1849-1929). Mary Jane and Samuel had one daughter, Dorothy Clark Rodd Barber Wallace (1884-1963). https://www.findagrave.com/memorial/106979435/mary_jane_rodd.

Bibliography: Petaluma Argus-Courier, July 26, 1937, p.2.; July 27, 1939, p. 4. April 26, 1940, p.8. Santa Rosa Republican, April 26, 1940, p.2. https://www.findagrave.com/memorial/106979435/mary-jane-rodd.

THE PHOTOGRAPH:

Format / Size: carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front: This portrait is framed within a vertical oval.

Description, back: Handwritten in pencil along the top edge is “MARY JANE BLACKBURN (RODD)”. This inscription is repeated on a white paper label affixed to the bottom of the card. In the center is the imprint of

Date: May 1874 to 1875

Condition: This carte de visite is heavily soiled on both sides.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn Faith(1858-1940) (3 of 8)

George Ross’ Portrait Photograph of Mary Jane Blackburn Faith Rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Name: Mary Jane Blackburn Faith Rodd. When this portrait was taken, the sitter would have been known by her maiden name, Mary Jane Blackburn.

Description: In this portrait, Mary Jane Blackburn Faith Rodd looks over her right shoulder and gazes into the distance. Her hair is center-parted and restrained with a dark headband. Her hair falls to her shoulders in sausage curls. She is attired in a plaid dress with white lace trim at the neck. She wears a large cross dangling from a black ribbon around her neck.

Biographical Note: Mary Jane Blackburn Faith Rodd was born in Petaluma on Third and D Streets. She was educated in Petaluma and studied the piano under Sarah Lucinda Lewis Lippitt (1832-1919). Later in life, she resided at 229 Keokuk. She was affiliated with the Petaluma Druidic Circle, No. 6 and the Neighbors of Woodcraft. She was buried in Petaluma Cypress Hill Memorial Park.

Family Affiliation: Mary Jane Blackburn Faith Rodd was the daughter of early prominent Petaluma pioneers, Charles Blackburn (1821-1897) and Jemima Jane Richardson Blackburn (1825-1905) who made the overland journey to Petaluma by ox team in 1852 from Oskaloosa, Iowa. Mary Jane was the sister of Martha Blackburn (1849-1856), John Selvay Blackburn (1851-1903), Hester C. Blackburn Elphick (1869-1944), Lillian M. Blackburn (1865-1949) and Franklin L. Blackburn (1869-1931). Mary Jane’s first husband was George Faith (1851-1880). Together they had one son, George Blackburn Rodd (1880-1924) who took the name of Mary Jane’s second husband, Samuel Rodd (1849-1929). Mary Jane and Samuel had one daughter, Dorothy Clark Rodd Barber Wallace (1884-1963). https://www.findagrave.com/memorial/106979435/mary_jane_rodd.

Bibliography: Petaluma Argus-Courier, July 26, 1937, p.2.; July 27, 1939, p. 4. April 26, 1940, p.8. Santa Rosa Republican, April 26, 1940, p.2. https://www.findagrave.com/memorial/106979435/mary-jane-rodd.

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: Handwritten in cursive in pencil along the top edge appears, “Mary Jane Blackburn”. Additional handwritten inscriptions and marks also appear on the back side. George Ross’ imprint appears in the center.

Date: late 1860s

Condition: Both sides of this carte de visite are stained and soiled. The photographic paper on the front side has been torn on the right side.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Unidentified Man (2023-883-H)

Bryan R. Johnson’s Portrait Photograph of an Unidentified Man

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTER:

Names: Unidentified

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: April 1863-1864

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Blackburn, Unidentified Children

George Ross’ Portrait Photograph of two unidentified Blackburn children

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


THE SITTERS:

Names: Unidentified

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite, approximately 6.25 x 10.5 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

“Teenage Girl in a White Dress With Her Hand on a Book”

Hugh S. Anderson’s Portrait Photograph of “A Teenage Girl in a White Dress With her Hand on a Book”

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

HUGH S. ANDERSON  was born in 1826 in Scotland and died in 1900 in San Francisco, California. He was active in Petaluma as early as January 1872, and he departed Petaluma in December 1873. His Sunbeam Gallery was located, “At the Old Stand, Opposite H. C. Taft & Co.’s”. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTERS:

Names: Unidentified

Description: This teenage girl stands beside a Victorian side table with her right hand resting on a book, her index finder extended as if to draw attention to it. Beside the book is a neoclassical style vase with an oval cameo on its lower section. The girl looks out at the viewer with a quiet, self-possessed gaze. Her long, dark, straight hair is center-parted and combed to fall behind her back. A thin, white, handband secures it in place. She wears a white, multi-layered, calf-length, dress and low-heeled, lace-up Victorian boots.

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: This is a full-length, standing portrait with a solid gray background and Victorian side table.

Description, back: Hugh Anderson’s imprint is on the center of the back of this carte de visite. Anderson created several versions of his Petaluma imprint. An expanded, possibly later, version appears here. It is printed in red ink and includes four lines of text, each in a different font. The text is embellished above and below with a horizontally flipped, elaborate flourish.

Date: January 1872 - December 1873

Condition: This carte de visite is soiled and a bit out of focus. It is not possible to read the texture of the girl’s dress.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Blackburn, John Silvey (1851-1903)

Unidentified Photographer, Portrait Photograph of John Silvey Blackburn

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified



THE SITTER:

Name: John Silvey Blackburn

Description:

Biographical Note:

Family Affiliation:

Bibliography:



THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Blackburn, Unidentified Boy

Grand Art Gallery’s portrait photograph of a Blackburn Boy

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Grand Art Gallery

Studio Location: Corner of Third and Jessie Streets, San Francisco

THE SITTER:

Name: Maria Nancy Angell Allen

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Rodd, Mary Jane Blackburn Faith(1858-1940)(2 of 8)

Bryan R. Johnson’s Portrait Photograph of Mary Jane Blackburn Faith Rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Mary Jane Blackburn Faith Rodd. When this portrait was taken, the sitter would have been known by her maiden name, Mary Jane Blackburn.

Description: In this full-length portrait, Mary Jane Blackburn as a child of five or six years, stands on a footstool and grasps the back of an upholstered balloon chair. With an open and innocent gaze, she looks out directly at the viewer. Her hair is center parted and falls to her shoulders in sausage curls. She is attired in a plaid dress with short dropped sleeves and a full skirt. The front of her dress and its hem and sleeves have been trimmed with black ribbon. Her dress falls to mid calf revealing her white stockings and unusually large lace-up boots. She wears a short chain about her neck.

Biographical Note: Mary Jane Blackburn Faith Rodd was born in Petaluma on Third and D Streets. She was educated in Petaluma and studied the piano under Sarah Lucinda Lewis Lippitt (1832-1919). Later in life, she resided at 229 Keokuk. She was affiliated with the Petaluma Druidic Circle, No. 6 and the Neighbors of Woodcraft. She was buried in Petaluma Cypress Hill Memorial Park.

Family Affiliation: Mary Jane Blackburn Faith Rodd was the daughter of early prominent Petaluma pioneers, Charles Blackburn (1821-1897) and Jemima Jane Richardson Blackburn (1825-1905) who made the overland journey to Petaluma by ox team in 1852 from Oskaloosa, Iowa. Mary Jane was the sister of Martha Blackburn (1849-1856), John Selvay Blackburn (1851-1903), Hester C. Blackburn Elphick (1869-1944), Lillian M. Blackburn (1865-1949) and Franklin L. Blackburn (1869-1931). Mary Jane’s first husband was George Faith (1851-1880). Together they had one son, George Blackburn Rodd (1880-1924) who took the name of Mary Jane’s second husband, Samuel Rodd (1849-1929). Mary Jane and Samuel had one daughter, Dorothy Clark Rodd Barber Wallace (1884-1963). https://www.findagrave.com/memorial/106979435/mary_jane_rodd.

Bibliography: Petaluma Argus-Courier, July 26, 1937, p.2.; July 27, 1939, p. 4. April 26, 1940, p.8. Santa Rosa Republican, April 26, 1940, p.2. https://www.findagrave.com/memorial/106979435/mary-jane-rodd.

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front: This portrait includes a backdrop depicting ferns and other foliage. Unfortunately, many of its details are undecipherable due to the deteriorated state of the portrait.

Description, back: At the top edge of the card, handwritten upside down in pencil in cursive is, “Mary Jane Blackburn (Rodd)”. A white label has been applied to the bottom of the card. Handwritten on it in blue ink is, “Mary Jane Blackburn Rodd”. Bryan R. Johnson’s imprint appears in the center.

Date: April 1863-1865

Condition: Both sides of this carte de visite are soiled, and the photographic paper on the front has been torn is several locations. The bottom edge of the card has been trimmed.

Owner:  The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Rodd, Samuel (1848-1929)

Unidentified Photographer, Portrait Photograph of Samuel Rodd

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified



THE SITTER:

Name: Samuel Rodd

Description:

Biographical Note:

Family Affiliation:

Bibliography:



THE PHOTOGRAPH:

Format / Size: 

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: The Carol Cook Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wells, Dr. William Randall (1813-1902)

Unidentified Photographer, portrait of Dr. William Randall Wells

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified

THE SITTER:

Name: Dr. William Randall Wells

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Weeks, Rosetta Lily Williams (1842-1899) (3 of 4)

John c. Daley’s Portrait Photograph of Rosetta Lily Williams Weeks

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: John C. Daley

Photographic Studio: 1445 Washington Street, Boston, MA




THE SITTER:

Name: Rosetta Lily Williams Weeks

Description:

Biographical Note:

Family Affiliation:

Bibliography:







THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Weeks, Rosetta Lily Williams (1842-1899) (4 of 4)

mathieu Schramm’s Portrait Photograph of Rosetta Lily Williams Weeks

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Mathieu Schramm, Artist & Photographer

Photographic Studio: 186 Fourth Street, Santa Rosa, California




THE SITTER:

Name: Rosetta Lily Williams Weeks

Description:

Biographical Note:

Family Affiliation:

Bibliography:







THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Weeks, Rosetta Lily Williams (1842-1899) (2 of 4)

Bryan R. Johnson’s Portrait Photograph of Rosetta Lily willams weeks

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Rosetta Lily Willams Weeks

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite, approximately 6.25 x 9.25 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: From B.R. Johnson’s Photographic Establishment, Doyle’s Building, Main Street, Petaluma.; Leona Whitney 2 years old the 17th of April 1866

Date: April 1863-1864

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Weeks, Rosetta Lily Williams (1842-1899) (1 of 4)

George Daniels Morse’s Portrait Photograph of Rosetta Lily Williams Weeks

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  George Daniels Morse (born c. 1835)

Photographic Studio: 417 Montgomery Street, San Francisco




THE SITTER:

Name: Rosetta Lily Williams Weeks

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Weeks, Frank Parker (1862-1942) (2 of 2)

T.L. Rea & Co.’s Portrait Photograph of Frank parker weeks

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

T.L. Rea & Co. Photographic Gallery

Santa Rosa, Cal.

THE SITTER:

Name: Frank Parker Weeks

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Weeks, Frank Parker (1862-1942) (1 of 2)

Bryan R. Johnson’s Portrait Photograph of Frank parker weeks

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

BRYAN R. JOHNSON was born c. 1834 in New York State, and his death date is unidentified. After working as a photographer in several California cities, Johnson moved to Petaluma and beginning in December of 1862 co-partnered with Edward P. Butler at the Ambrotype and Photographic Gallery on Petaluma’s Phoenix Block. In April 1863, Johnson took sole possession of the gallery and renamed it “Johnson’s Premier Pioneer Photographic Gallery”. In 1864, he moved his studio twice within the community finally settling in the Doyle Building on Main Street. Johnson sold his studio to William Henry Lentz in October 1866. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Frank Parker Weeks

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite, approximately 6.25 x 9.25 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back: From B.R. Johnson’s Photographic Establishment, Doyle’s Building, Main Street, Petaluma.; Leona Whitney 2 years old the 17th of April 1866

Date: April 1863-1864

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

McNear, Jennie Otis (1857- May 27, 1883) (1 of 2)

Hectos W. Vaughan’s PORTRAIT photograph of Jennie Otis Mcnear

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Hector W. Vaughan

Photographic Studio: Imperial Photographic Gallery, 724 1/2 Market Street, San Francisco, California

THE SITTER:

Name: Jennie Otis McNear (At the time this portrait was taken, the sitter may not have been married and would have been known as Jennie Otis. Jennie was between 20 and 23 years old when this portrait was taken.)

Description: In this head-and-shoulders portrait, Jennie Otis McNear looks stoically and solemnly into the distance. Her dignified composure exudes calm seriousness tingled with melancholy. Her center-parted hair has been carefully coiffed into soft waves and pulled to the back of her head. She wears a dark jacket which is embellished at the neck with a large bow and a small white lace collar.

Biographical Note: Jennie Otis McNear was born in 1857 in Cannon Falls, Minnesota. At the age of seven, she moved to Petaluma with her parents, Mr. and Mrs. Charles Wesley Otis. After graduating from Petaluma High School in 1875, she taught school in Salinas, San Leandro and San Diego. On May 13, 1880, she married prominent Petaluma businessman, George Plummer McNear (1857-1947), and together they had one child, Clara McNear (married name, Leppo). Jennie’s early, tragic death on May 27, 1883 resulted from the disastrous explosion of the steamship, Pilot, and was recounted in this excerpt from the Marin Journal, published May 31, 1883:

“No story could be more sad than that which tells of the early and sudden death of Mrs. George P. McNear. She was the idolized daughter of Mr. and Mrs. Charles W. Otis—their only child—and great as was their parental pride and love for her, their affection was returned with all the ardor of her strong and affectionate nature. Jennie had been a little more than three years the wife of Mr. George P. McNear, and the day of her burial, last Sunday, was the second anniversary of the birth of their little daughter. She was the very personification of rosy health; in form and feature a model of beauty; the rosy pathway of her life was reflected in her cheerful spirits, and as daughter, wife, and mother, her character seemed perfection. This was the tender daughter, the bride-wife, the clinging mother, her good-bye kiss fresh on the lips of her husband-lover and child, and her feet led by filial affection toward a suffering mother, who was met by the appalling catastrophe to the steamer Pilot last Friday.” Marin Journal, volume 23, number 12, May 31, 1883.

Family Affiliation: Jennie Otis was the daughter of Mr. and Mrs Charles W. Otis. A man named C. W. Otis was an early librarian in Petaluma, and may have been her father. Jennie was the first wife of prominent Petaluma businessman, George Plummer McNear (m. May 13, 1880). Their only child was Clara McNear Leppo (1881-1979). https://www.findagrave.com/memorial/105784417/jennie-mcnear.

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: albumen photographic print mounted on cardstock

Description, Front: The imprint of the photographer appears in brown ink along the bottom edge of this classic head-and-shoulders cabinet card portrait.

Description, Back: The back of this cabinet card is either blank or contains only an accession number.

Date: This portrait was taken sometime between 1877 and 1880, the years in which the Imperial Studio in San Francisco was in operation.

Condition: There is light foxing throughout the front side of this cabinet card.

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

McNear, George Plummer Sr. (1857-1947) (3 of 4)

Charles Lainer, Portrait Photograph of George Plummer Mcnear

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Charles Lainer

Studio Location: 31 Third Street, San Francisco, CA

THE SITTER:

Name: George Plummer McNear

Description:

Biographical Note: Following in the footsteps of his famous, Petaluma, pioneer father, John August McNear (1832-1918), George Plummer McNear Sr. was a prominent Petaluma citizen and successful business man. He invested early in the community’s poultry industry, served on the board of Sonoma County National Bank and was Vice President of the Petaluma and Santa Rosa Railroad. He was also a generous philanthropist donating sections of his extensive land holdings to accommodate the community post office, fire station, McNear Park and McNear School.

Family Affiliation: George Plummer McNear was the only child of Petaluma pioneers John Augustus McNear (1832-1918) and his first wife, Clarinda Damsen Williams McNear (1837-1866), to survive to adulthood. George’s first wife was Jennie Otis McNear (1857-1883) who died tragically at the age of 26. Together George and Jennie had one child, Clara McNear Leppo (1881-1979), named in honor of George’s mother. George’s second wife was Ida Belle Denman McNear (1859-1949). Together, they had four children. https://www.findagrave.com/memorial/105717995/george-plummer-mcnear.

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back: Charles Lainer’s imprint

Date: undated

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

McNear, Ezekial Denman (1889-1984)

Unidentified Photographer, portrait of Ezekial Denman McNear

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified

THE SITTER:

Name: Ezekial Denman McNear

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

McNear, Clarence Williams (1861-1874)(2 of 2)

Unidentified Photographer, portrait of Clarence McNear

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified

THE SITTER:

Name: Clarence McNear

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date: According to Peter Palmquist, Pioneer Photographers of the Far West, Stanford University Press, 2000, p. 498 column 2, Shew listed his address as 417,421, 423, & 425 Montgomery between November 1866 and early 1869.

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

McNear, Clarence Williams (1861-1874)(1 of 2)

William Shew’s Portrait Photograph of Clarence McNear

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: William Shew (1820-1903) was a prominent 19th century photographer famous for his daguerrotypes. He worked in New York and Boston before moving to San Francisco in 1851.

Studio Location: 417, 421, 423 and 425 Montgomery Street, San Francisco, California

THE SITTER:

Name: Clarence McNear

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: According to Peter Palmquist, Pioneer Photographers of the Far West, Stanford University Press, 2000, p. 498 column 2, Shew listed his address as 417,421, 423, & 425 Montgomery between November 1866 and early 1869.

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Leppo, Clara McNear (1881-1979) (2 of 2)

Charles Lainer, Portrait Photograph of Clara McNear Leppo

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Charles Lainer

Studio Location: 31 Third Street, San Francisco, CA

THE SITTER:

Name: Clara McNear Leppo

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back: Charles Lainer’s stamp

Date: undated

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, William Silver (1875-?) (5 of 5)

Imperial Studio’s portrait photograph of William silver Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Hector W. Vaughan

Photographic Studio: Imperial Photographic Gallery, 724 1/2 Market Street, San Francisco, California

THE SITTER:

Name: William Silver Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date: This portrait was taken sometime between 1877 and 1880, the years in which the Imperial Studio in San Francisco was in operation.

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, William Silver (1875-?) (4 of 5)

dames & Haves photographic art gallery protrait photograph of William silver Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Dames & Haves Photographic Art Gallery

Studio Location: 715 Market Street, San Francisco

THE SITTER:

Name: William Silver Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, size N/A

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, Back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, William Silver (1875-?) (3 of 5)

Lewis Dowe’s Portrait Photograph of William silver Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: William Silver Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, William Silver (1875-?) (2 of 5) (Copy)

Lewis Dowe’s Portrait Photograph of William silver Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: William Silver Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, William Silver (1875-?) (1 of 5)

Lewis Dowe’s Portrait Photograph of William silver Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: William Silver Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, Orlando Johnson

Jacob shew’s portrait photograph of Orlando Johnson grover


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Jacob Shew

Photographic Studio: Jacon Shew Photographer, 315 Montgomery at Pine, San Francisco



THE SITTER:

Name: Orlando Johnson Grover

Description:

Biographical Note:

Family Affiliation: Bibliography:



THE PHOTOGRAPH:

Format / Size: carte de visite

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Grover, Flora (2 of 2)

Lewis Dowe’s Portrait Photograph of Flora Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Flora Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, Flora (1 of 2)

Unidentified Photographer, Portrait Photograph of Flora Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Flora Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: 

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, Benjamin Percy (2 of 2)

Lewis Dowe’s Portrait Photograph of Benjamin Percy Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LEWIS DOWE was born in 1838 in Hanover, New Hampshire and died in 1919 in Portland, Oregon. He arrived in Petaluma in September of 1875 and set up his photography studio in the rooms formerly occupied by photographer Hugh Anderson. Dowe worked in Petaluma as both a “view” and portrait photographer until he departed the town in March of 1882. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Benjamin Percy Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Grover, Benjamin Percy (1 of 2)

Unidentified Photographer, Portrait Photograph of Benjamin Percy Grover

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Benjamin Percy Grover

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: 

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner: The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Daniel (c.1830 -1902)(2 of 3)

Unidentified Photographer, Portrait Photograph of Daniel Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified. This portrait may have been taken at the Bushnell Photography Studio in San Francisco. For an explanation of this speculation, see portrait 3 of 3 of Daniel Brown.


THE SITTER:

Name: Daniel Brown

Description: In this head-and-shoulder portrait, the elderly gentleman’s shoulders are full frontal. He turns his head slightly and glazes off to the viewer’s right. He is balding and sports a gray chin beard with no mustache. He is attired in a business suit with matching vest, a wide-spread collared white shirt, and a dark crossed necktie.

Biographical Note: Daniel Brown was born in 1830 in County Tipperary, Ireland, and as a child immigrated to the United States with his family.  The Brown family lived in New York City until the late 1840s when his father died.  Daniel and his mother and sisters then headed to California.  They made it as far as New Orleans and were recorded there in September on the 1850 U.S. Census, Daniel working as a clerk.  Two months later, Daniel was again recorded on the 1850 Census, this time in Placerville, California, and this time working as a miner.  Daniel had been drawn by the Gold Rush.  By 1853 Daniel had settled in Petaluma and was selling liquor.  On May 18, 1858, he married Annie Alexis Ferguson, also from Ireland.  Daniel and Annie had twelve children; seven lived to adulthood. 

An old family story said that Daniel found selling liquor more profitable than digging for gold and this appears to have been accurate.  By 1858 Daniel’s name appeared in Petaluma newspapers as “Wholesale Dealer in WINES & LIQUORS.”  He continued in his very profitable liquor business for years, accumulated his wealth, and began to invest in land, property, and mining companies, locally and spreading into other counties.  He was active in politics, participated in local committees for city development and railroad construction, and was on the board of the Mutual Benefit Association. For years he was on the board of several Petaluma and Santa Rosa banks and until his death he was vice-president of the local Wickersham Bank. Two of the Brown daughters, Mary Louise and Lillian Nathalie, married and had children thereby continuing the Brown-Ferguson line.  Daniel Brown was 72 when he died in 1902.  He was buried in the Brown Family Plot in the Petaluma Calvary Cemetery.  His fortune was set up in a trust that supported his widow and the surviving Brown descendants until the death of the youngest daughter Kathleen Elise in 1970 at 93.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41847997/daniel-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: The Sonoma County Journal: March 19, 1858, p. 2; August 27, 1858, p. 2; October 17, 1862, p. 2; June 5, 1863, p. 2. Petaluma Argus-Courier: January 13, 1900, p.2; January 14, 1902, p.3; April 4, 1902, p. 1; April 30, 1902, p. 4; May 23, 1902, p. 1; October 14, 1902, p. 1. Petaluma Weekly Argus: July 25, 1873, p. 3; February 12, 1875, p.1; October 18, 1878, p. 3; October 28, 1881, p.3. Petaluma Daily Morning Courier: April 94, 1902, p. 3; May 20, 1902, p. 1 & 4; May 23, 1902, p. 1, 2; May 23, 1902, p.2; January 9, 1903, p. 4. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.


THE PHOTOGRAPH:

Format / Size:  approximately 5” x 7”

Medium:

Description, front: This head-and-shoulder portrait has a uniform gray background and is set within a thin metal frame.

Description, back: Hand written in print script in pencil at the bottom is: “Daniel Brown”, “b. May 1830”, “Tipperary, Ireland”, “d. 20 May 1902 Petaluma CA”, “m. Annie Alexis Ferguson”, “18, May 1858”.

Date: 1895. This portrait was taken at the same sitting as portrait 3 of 3 of Daniel Brown in this archive. On the back of portrait 3 of 3 the date of 1895 is inscribed.

Condition: This portrait is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini,

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Daniel (c. 1830 -1902)(1 of 3)

Unidentified Photographer, Two ambrotype Portraits of Daniel Brown and his daughter Mary Louise or Annie Alexis


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified. It is possible one of two Petaluma photographers created these ambrotypes: Giles Pease Kellogg or Edward Payson Butler. Kellogg, the first photographer to work in Petaluma, began offering ambrotypes by May 1856, and Butler, who took over Kellogg’s studio on January 10, 1862, continued to create ambrotypes in Petaluma until April 1863. These dates coincide with the years in which Daniel and Annie Brown were raising their young daughters in Petaluma. Daniel Brown married Annie Alexis Ferguson on May 18, 1858, and their first two children, both girls, were born in Petaluma, Mary Louise on March 5, 1860 and Annie Alexis on August 21, 1861.



THE SITTERS:

Name: Daniel Brown and his daughter Mary Louise Brown (Mary Louise Brown Hall) and/or Annie Alexis Brown.

Description: In both ambrotypes, Daniel Brown is portrayed with one of his two toddler daughters. The young father is dressed in his business suit replete with matching vest, pocket watch, neck tie, and straight, high-collared white shirt. He sports a full goatee or chin beard, but no mustache. In the portrait on the left, his daughter has been positioned on a restraining device, the end of which can be seen to the right of her face, and tilted towards her father so that their heads touch. Although this is an endearing pose, she wears a petulant scowl. In the portrait on the right, his daughter sits happily on his lap, his hand supporting her at the waist. In both portraits, the toddler wears white socks, black shoes, and a waisted, drop-shouldered dress which is adorned with wide strips of ribbon at the top of the sleeves.

The two portraits may not have been taken at the same time: there are distinct differences in the details of Daniel’s beard and hair; it appears his bow ties are not the same; and he may not be wearing a vest in the right portrait. If the portraits were taken at different sittings, it is possible that Mary Louise is portrayed in one and Annie Alexis in the other.

Biographical Note: Daniel Brown was born in 1830 in County Tipperary, Ireland, and as a child immigrated to the United States with his family.  The Brown family lived in New York City until the late 1840s when his father died.  Daniel and his mother and sisters then headed to California.  They made it as far as New Orleans and were recorded there in September on the 1850 U.S. Census, Daniel working as a clerk.  Two months later, Daniel was again recorded on the 1850 Census, this time in Placerville, California, and this time working as a miner.  Daniel had been drawn by the Gold Rush.  By 1853, Daniel had settled in Petaluma and was selling liquor.  On May 18, 1858, he married Annie Alexis Ferguson, also from Ireland.  Daniel and Annie had twelve children; seven lived to adulthood. 

An old family story said that Daniel found selling liquor more profitable than digging for gold and this appears to have been accurate.  By 1858 Daniel’s name appeared in Petaluma newspapers as “Wholesale Dealer in WINES & LIQUORS.”  He continued in his very profitable liquor business for years, accumulated his wealth, and began to invest in land, property, and mining companies, locally and spreading into other counties.  He was active in politics, participated in local committees for city development and railroad construction, and was on the board of the Mutual Benefit Association. For years he was on the board of several Petaluma and Santa Rosa banks and until his death he was vice-president of the local Wickersham Bank. Two of the Brown daughters, Mary Louise and Lillian Nathalie, married and had children thereby continuing the Brown-Ferguson line.  Daniel Brown was 72 when he died in 1902.  He was buried in the Brown Family Plot in the Petaluma Calvary Cemetery.  His fortune was set up in a trust that supported his widow and the surviving Brown descendants until the death of the youngest daughter Kathleen Elise in 1970 at 93.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41847997/daniel-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: The Sonoma County Journal: March 19, 1858, p. 2; August 27, 1858, p. 2; October 17, 1862, p. 2; June 5, 1863, p. 2. Petaluma Argus-Courier: January 13, 1900, p.2; January 14, 1902, p.3; April 4, 1902, p. 1; April 30, 1902, p. 4; May 23, 1902, p. 1; October 14, 1902, p. 1. Petaluma Weekly Argus: July 25, 1873, p. 3; February 12, 1875, p.1; October 18, 1878, p. 3; October 28, 1881, p.3. Petaluma Daily Morning Courier: April 94, 1902, p. 3; May 20, 1902, p. 1 & 4; May 23, 1902, p. 1, 2; May 23, 1902, p.2; January 9, 1903, p. 4. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  According to the owner of the original, both images, as measured outside of their frames, are approximately, 2 3/4” by by 2 1/2”.

Medium: Ambrotype

Description, front: The two ambrotypes are contained in a single brown floral design Union case with brass hinges.

Description, back:

Date: between 1861 and 1863

Condition: Both ambrotypes are in good condition. The Union case has a broken/missing piece from the lower left corner of the front half.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Anna “Annie” Alexis Ferguson (1841-1920) (2 of 4)

Petaluma Photo Parlors’ portrait photograph of Anna “annie” Alexis Ferguson Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:


JOSLIN & COMPANY
was established by the photographer Amon James Tuft Joslin. He was born in 1839 in Rockwood, New York, and died in 1913 in San Benito County, California. He established the Petaluma Photo Parlor under the name of Joslin & Company in November 1893, and left the studio, departing for Chico, California in April 1897. (For additional information on Joslin and Company and to view all portraits produced by the studio in the collection, click on its name in blue above.)

THE SITTER:

Name: Anna “Annie” Alexis Ferguson Brown

Description: In this head-and-shoulder portrait, Anna Brown holds herself in a dignified pose and gazes confidently out at the viewer. Her hair is center-parted and pulled to the back of her head. She wears wire-rimmed spectacles, small drop earrings, and a choker with metallic embellishments. Reflecting the fashion of the 1890s, her velvet blouse is adorned with gimp braid trim, and its sleeves are puffed at the shoulder.

Biographical Note: Anna Alexis Ferguson was born in 1841 in County Galway, Ireland. By age 5, she and her family had immigrated to the United States and lived in Boston, Massachusetts. Annie sailed around Cape Horn and came to California in 1856 to live in Petaluma with her sister and brother-in-law, Sabina and Thomas Rochford. On May 18, 1858, Annie and Daniel Brown were married at the Rochford’s house by Father Louis Auger. Annie and Daniel had twelve children, seven of whom survived until adulthood. Besides raising their children, Annie was active in St. Vincent de Paul Catholic Church and participated in local fairs, entering tapestries and other works of art she had created.  Annie lived in Petaluma until a few years after the 1902 death of her husband.  She moved to San Francisco with her son, Vincent and three of her unmarried daughters, Josephine, Emma, and Kathleen Elise. Annie died in San Francisco on March 13, 1920.  She was buried next to Daniel in Calvary Cemetery in Petaluma, and eventually most of their twelve children were interred with them in the Brown Family Plot. 

*This biographical note was written by Anna Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41848304/annie-alexis-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Primary Sources: Petaluma Argus-Courier: March 28, 1900, p. 1; March 13, 1916, p. 2; March 13, 1920, p. 4 (obit); March 15, 1920, p. 5.. Petaluma Daily Morning Courier: October 12, 1904, p. 1; March 20, 1922, p.3; September 13, 1911, p. 5; March 14, 1920, p. 8 (obit). Petaluma Weekly Argus: September 1, 1888, p. 2. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: This digital image was not taken from the original cabinet card. It was taken from a copy of the original.

Description, back: The back of this card is either empty or contains only an accession number.

Date: between November 1893 and April 1897

Condition: Because this digital copy was not taken from the original, the condition of the original is unknown.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Anna “Annie” Alexis Ferguson (1841-1920) (3 of 4)

Unidentified Photographer’s Portrait Photograph of Anna “Annie” alexis Ferguson Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unidentified



THE SITTER:

Name: Anna “Annie” Alexis Ferguson Brown

Description: In this head-and-shoulder portrait, the middle-aged matron gazes confidently out at the viewer. Her serious demeanor is reinforced by her decision to wear her pince-nez, a style of spectacles fashionable in the United States between 1880 and 1910. Her hair is center-parted and pulled to the back of her head into a tight bun visual at the top of her head. Her bun is adorned with a beaded barrette. She wears small round earrings and a circular brooch on her collar. Her blouse is made of ornate black lace, and her jacket, which features large gigot sleeves, is made of dark satin.

Biographical Note: Anna Alexis Ferguson was born in 1841 in County Galway, Ireland. By age 5, she and her family had immigrated to the United States and lived in Boston, Massachusetts. Annie sailed around Cape Horn and came to California in 1856 to live in Petaluma with her sister and brother-in-law, Sabina and Thomas Rochford. On May 18, 1858, Annie and Daniel Brown were married at the Rochford’s house by Father Louis Auger. Annie and Daniel had twelve children, seven of whom survived until adulthood. Besides raising their children, Annie was active in St. Vincent de Paul Catholic Church and participated in local fairs, entering tapestries and other works of art she had created.  Annie lived in Petaluma until a few years after the 1902 death of her husband.  She moved to San Francisco with her son, Vincent and three of her unmarried daughters, Josephine, Emma, and Kathleen Elise. Annie died in San Francisco on March 13, 1920.  She was buried next to Daniel in Calvary Cemetery in Petaluma, and eventually most of their twelve children were interred with them in the Brown Family Plot. 

*This biographical note was written by Anna Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41848304/annie-alexis-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Primary Sources: Petaluma Argus-Courier: March 28, 1900, p. 1; March 13, 1916, p. 2; March 13, 1920, p. 4 (obit); March 15, 1920, p. 5.. Petaluma Daily Morning Courier: October 12, 1904, p. 1; March 20, 1922, p.3; September 13, 1911, p. 5; March 14, 1920, p. 8 (obit). Petaluma Weekly Argus: September 1, 1888, p. 2. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  approximately 5” x 7”

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: This crisp, sharply focused, head-and-shoulder portrait is set in front of a background of soft, out-of-focus drapery.

Description, back: The green sticker identifies the stationer company, H. S. Gutermute, as the framer of this portrait. Along the bottom, hand printed in pencil is: “Annie Alexis Ferguson”, “b. May 1841 Ireland”, “d. May 1920 San Francisco CA”, “m. Daniel Brown”, “18 May 1858”, and “Petaluma, CA”.

Date: The gigot sleeves and pince-nez suggest this portrait was taken late in the 19th or early in the 20th century.

Condition: This portrait is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini,

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Anna “Annie” Alexis Ferguson (1841-1920) (1 of 4)

Tyler & Co’s 25 Cent Daguerreotype Rooms’ Portrait Photograph of Anna “Annie” alexis Ferguson Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographic Studio: Tyler & Co’s 25 Cent Daguerreotype Rooms, corner of Winter and Washington Streets, Boston, MA. This studio was managed by Edward M. Tyler between 1853 and 1855. The slip of paper taken from the back of the portrait, reproduced below, inscribed with “William A. Bean”, may document the name of photographer who created this daguerrotype. https://pioneeramericanphotographers.com/tag/tyler-company/

THE SITTER:

Name: Anna “Annie” Alexis Ferguson Brown. At the time this portrait was taken, the sitter would have been known as Annie Alexis Ferguson.

Description: This teenage girl sits frontally and gazes out at the photographer with a calm and dignified composure. Her hands rest in her lap with her right clasping the wrist of her left. She wears a ring on her right index finger, a small ornament at the base of her throat, and delicate drop earrings. Her dark hair is center-parted and drawn back into a snood, the ends of which can be seen directly above her shoulders. Her dark, short-sleeved dress is fan-pleated from the waist and embellished with white lace at her collar and sleeve ends.

Biographical Note: Anna Alexis Ferguson was born in 1841 in County Galway, Ireland. By age 5, she and her family had immigrated to the United States and lived in Boston, Massachusetts. Annie sailed around Cape Horn and came to California in 1856 to live in Petaluma with her sister and brother-in-law, Sabina and Thomas Rochford. On May 18, 1858, Annie and Daniel Brown were married at the Rochford’s house by Father Louis Auger. Annie and Daniel had twelve children, seven of whom survived until adulthood. Besides raising their children, Annie was active in St. Vincent de Paul Catholic Church and participated in local fairs, entering tapestries and other works of art she had created.  Annie lived in Petaluma until a few years after the 1902 death of her husband.  She moved to San Francisco with her son, Vincent and three of her unmarried daughters, Josephine, Emma, and Kathleen Elise. Annie died in San Francisco on March 13, 1920.  She was buried next to Daniel in Calvary Cemetery in Petaluma, and eventually most of their twelve children were interred with them in the Brown Family Plot. 

*This biographical note was written by Anna “Annie” Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41848304/annie-alexis-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Primary Sources: Petaluma Argus-Courier: March 28, 1900, p. 1; March 13, 1916, p. 2; March 13, 1920, p. 4 (obit); March 15, 1920, p. 5.. Petaluma Daily Morning Courier: October 12, 1904, p. 1; March 20, 1922, p.3; September 13, 1911, p. 5; March 14, 1920, p. 8 (obit). Petaluma Weekly Argus: September 1, 1888, p. 2. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.





THE PHOTOGRAPH:

Format / Size:  According to the owner of the original, the image itself, as measured outside of its frame, is approximately, 2” by 2 1/2”.

Medium: Daguerreotype

Case Description: Within its frame, this portrait has been mounted off-center to the left. The nonpareil brass mat is typical of the early 1850s. The preserver (foil frame around image) is typical of the 1860s. The case and all its components are likely not original to this image but instead added later perhaps during a restoration of damaged case. The case is of the Eickmeyer band style design introduced in 1855, it is not known whether this is an authentic Eickmeyer or an imitation.

Inscribed note found in case: Annie’s descendants knew little about her childhood until years later when a very old and very small leather case was opened.  Inside the case was this daguerreotype, a very dark image of a young girl.  Also inside the case was a note reproduced above which was written by one of her daughters on the back of a bank deposit slip. Written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini

Date: 1855 (In 1855 the Tyler & Co photographic studio moved to Worcester, Massachusetts.)

Condition: Moderate tarnishing of the plate particularly visible along the top and bottom edges. Case appears to have been restored. Case components may not be original to this image.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Daniel (c.1830 -1902)(3 of 3)

Unidentified Photographer, Portrait Photograph of Daniel Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: The photographer of this portrait is unidentified; however, its ornate, carved chair can be seen in other portraits taken in the Bushnell Photography Studio in San Francisco, California. For an example see the portrait of George Plummer McNear in this archive.


THE SITTER:

Name: Daniel Brown

Description: The elderly gentleman depicted in this portrait sits with his legs crossed in a highly ornate, carved chair. He is meticulously groomed and attired in an elegant business suit. He strikes a fashionable pensive pose: resting his right elbow on the arm of the chair, he places the fore finger of his right hand upon his cheek. He leans casually to his right and rests his left hand on his thigh. He is balding and sports a gray chin beard with no mustache. In the background is a painted backdrop depicting a vaguely rendered vase, drapery, and foliage.

Biographical Note: Daniel Brown was born in 1830 in County Tipperary, Ireland, and as a child immigrated to the United States with his family.  The Brown family lived in New York City until the late 1840s when his father died.  Daniel and his mother and sisters then headed to California.  They made it as far as New Orleans and were recorded there in September on the 1850 U.S. Census, Daniel working as a clerk.  Two months later, Daniel was again recorded on the 1850 Census, this time in Placerville, California, and this time working as a miner.  Daniel had been drawn by the Gold Rush.  By1853 Daniel had settled in Petaluma and was selling liquor.  On May 18, 1858, he married Annie Alexis Ferguson, also from Ireland.  Daniel and Annie had twelve children; seven lived to adulthood. 

 An old family story said that Daniel found selling liquor more profitable than digging for gold and this appears to have been accurate.  By 1858 Daniel’s name appeared in Petaluma newspapers as “Wholesale Dealer in WINES & LIQUORS.”  He continued in his very profitable liquor business for years, accumulated his wealth, and began to invest in land, property, and mining companies, locally and spreading into other counties.  He was active in politics, participated in local committees for city development and railroad construction, and was on the board of the Mutual Benefit Association. For years he was on the board of several Petaluma and Santa Rosa banks and until his death he was vice-president of the local Wickersham Bank. Two of the Brown daughters, Mary Louise and Lillian Nathalie, married and had children thereby continuing the Brown-Ferguson line.  Daniel Brown was 72 when he died in 1902.  He was buried in the Brown Family Plot in the Petaluma Calvary Cemetery.  His fortune was set up in a trust that supported his widow and the surviving Brown descendants until the death of the youngest daughter Kathleen Elise in 1970 at 93.

*This biographical note was written by Annie Alexis Ferguson Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41847997/daniel-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: The Sonoma County Journal: March 19, 1858, p. 2; August 27, 1858, p. 2; October 17, 1862, p. 2; June 5, 1863, p. 2. Petaluma Argus-Courier: January 13, 1900, p.2; January 14, 1902, p.3; April 4, 1902, p. 1; April 30, 1902, p. 4; May 23, 1902, p. 1; October 14, 1902, p. 1. Petaluma Weekly Argus: July 25, 1873, p. 3; February 12, 1875, p.1; October 18, 1878, p. 3; October 28, 1881, p.3. Petaluma Daily Morning Courier: April 94, 1902, p. 3; May 20, 1902, p. 1 & 4; May 23, 1902, p. 1, 2; May 23, 1902, p.2; January 9, 1903, p. 4. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.



THE PHOTOGRAPH:

Format / Size:  oval, approximately 5” x 7”

Medium: matte collodion photographic print

Description, front: This portrait is surrounded by a dark oval mat with a gold inner band.

Description, back: Hand written in pencil along the top is: “1895”, “Daniel Brown”, and “1833 [sic]-1902”. An additional back sheet to this portrait contains a ripped label proclaiming the framer of the portrait to be “Ball Wall Paper”. The Ball Wall Paper Company advertised in the Fresno Morning Republican between 1907 and 1918.

Date: 1895

Condition: This portrait is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini,

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Emma Rochford (1872-1956)(2 of 2)

Unidentified Photographer’s Portrait Photograph of MArY KELLEY, DR. VINCENT dE PAUL BROWN, EMMA ROCHFORD BROWN, AND KATHLEEN ELISE BROWN

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTERS:

Names: (from left to right) Mary Kelley, Dr. Vincent de Paul Brown (seated), Emma Rochford Brown, and Kathleen Elise Brown

Description: Emma Rochford Brown is the tall woman in the center of the composition. To the right is her sister, Kathleen Elise Brown; to the left is Mary Kelley, and seated in front is her brother, Dr. Vincent de Paul Brown. All three women wear magnificent examples of Edwardian picture hats. Emma’s is a flat, thin, wide-brimmed hat embellished on its crown with large loops of ribbon and pheasant feathers that extend far beyond the back of the hat’s brim. In contrast to her elaborate hat, Emma wears a simple, long, fitted, light-colored, pinstriped jacket with a small, high lapel. The collar of her white lace blouse is adorned with a round brooch, and a very long, thin necklace is secured under the lapel of her jacket.

Biographical Note: Emma Rochford Brown was born in Petaluma in 1872, the eighth child of Daniel and Anna Alexis Ferguson Brown.  She attended local public schools until 1885 when St. Vincent de Paul School began accepting girls after many years as a boys-only school.  Emma graduated from high school with honors in 1891. Over the years she was very active in local festivals often entering her oil paintings and works of needlepoint.  She frequently visited friends in San Francisco by train and, a few years after the 1902 death of her father, she moved to the city with her mother and unmarried sisters and brother. The Brown Family Estate allowed her many years of support and extensive travel.  Emma Brown died in 1956 at the age of 84 and was buried in the Brown Family plot at the Petaluma Calvary Cemetery.

*This biographical note was written by Emma Rochford Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41913114/emma-rochford-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Petaluma Argus-Courier: March 19, 1921, p.7; November 23, 1922, p. 7; September 25, 1956, p. 2 (obit); September 27, 1956, p. 8. Petaluma Courier, August 29, 1888, p. 2; June 24, 1891, p. 2. Petaluma Weekly Argus: August 25, 1888, p. 1. Petaluma Daily Morning Courier: October 8, 1904, p. 1; November 13, 1905, p. 1; July 16, 1912, p.4; November 21, 1912, p.1; July 07, 1915, p. 2; November 25, 1922, p. 5. For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.


THE PHOTOGRAPH:

Format / Size:  Real photo postcard (RPPC)

Medium: Azo paper with 4 triangles

Description, front: The four persons depicted in this real photo postcard pose in front of a backdrop depicting voluminous, ornate drapery. Handwritten in cursive below the image are the names: “Mary Kelley”, “Dr. V. Brown”, “Emma Brown”, and “Elise Brown”.

Description, back: Handwritten in pencil is, “Pan Pacific Expo”, and “1915”.

Date: 1915

Condition: This postcard is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Kathleen Elise (1877-1970)(2 of 2)

Unidentified Photographer’s Portrait Photograph of Mary Kelley, Dr. Vincent De paul Brown, Emma Rochford Brown, and Kathleen Elise Brown


THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTERS:

Names: (from left to right) Mary Kelley, Dr. Vincent de Paul Brown (seated), Emma Rochford Brown, and Kathleen Elise Brown, (Kathleen Elise Brown was most often referred to as Elise Brown.)

Description: Kathleen Elise Brown is standing in profile on the right. In the center is her sister, Emma Rochford Brown, and on the left is Mary Kelley. Seated in front is Kathleen Elise and Emma’s brother, Dr. Vincent de Paul Brown. All three women wear magnificent examples of Edwardian picture hats. Kathleen Elise’s is a curved, thin, wide-brimmed hat embellished on its crown with a large satin ribbon bow in front and a dramatic arrangement of bird feathers in back. In contrast to her elaborate hat, Kathleen Elise wears a simple, long, fitted, light-colored jacket and matching skirt. With her right hand, Kathleen Elise grasps the back of the wicker chair her brother is sitting in, and her left hand is concealed within a large fur muff embellished with two taxidermied animal heads on the top front. The muff’s wristlet can be seen secured around the cuff of her left jacket sleeve.

Biographical Note: Kathleen Elise Brown was born in Petaluma on September 21, 1877, the eleventh child of Petaluma pioneers, Daniel Brown and Anna Ferguson Brown.  She preferred her middle name so was always called Elise.  Elise attended Brick Petaluma School and in 1895 at the age of 18 entered the College of Notre Dame in San Francisco as a boarder.  In 1900 she and many family members took part in a two-week family and friends camping trip that she called “To the Geysers or Bust.”  Her brother-in-law, Gil Hall, a local Petaluma attorney, organized the trip. 

After the death of her father in 1902, Elise moved to San Francisco with her mother and other unmarried sisters and brother.  Daniel Brown’s estate supported them comfortably for the rest of their lives.  They were able to take extended trips around the United States and Europe and Asia.  Elise lived the longest of her siblings and managed the estate until she died on October 9, 1970, at the age of 93.  She was buried in Petaluma’s Calvary Cemetery in the Brown Family Plot with her parents and most of her siblings.

*This biographical note was written by Kathleen Elise Brown’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/41913557/kathleen-elise-brown Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Primary Sources: Petaluma Argus-Courier: March 19, 1921, p.7; October 12, 1970, p. 12 (obit). Petaluma Daily Morning Courier: August 17, 1895, p. 1; January 8, 1909, p. 1; July 16, 1912, p. 4; November 21, 1912, p. 1. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.


THE PHOTOGRAPH:

Format / Size:  Real photo postcard (RPPC)

Medium: Azo paper with 4 triangles

Description, front: The four persons depicted in this real photo postcard pose in front of a backdrop depicting voluminous, ornate drapery. Handwritten in cursive below the image are the names: “Mary Kelley”, “Dr. V. Brown”, “Emma Brown”, and “Elise Brown”.

Description, back: Handwritten in pencil is, “Pan Pacific Expo”, and “1915”.

Date: 1915

Condition: This postcard is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Brown, Vincent de Paul (1880-1928)

Unidentified Photographer’s Portrait Photograph of May Kelley, Dr. Vincent dePaul Brown, Emma Rochford Brown, and Kathleen Elise Brown

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO

Photographer: unidentified


THE SITTERS:

Names: (from left to right) Mary Kelley, Dr. Vincent de Paul Brown (seated), Emma Rochford Brown, and Kathleen Elise Brown “Elise Brown”

Description: Doctor Vincent de Paul Brown is seated in a large, Victorian, wicker chair surrounded by three women. His sisters Emma and Elisa are on the right, and the woman on the left is Mary Kelley. With a slight, stoic smile, he looks directly are the viewer. He is elegantly dressed in a gentleman’s double-breasted Edwardian overcoat with a black velvet collar. He wears a fashionably high-collared white shirt and large tie. His gloved hands hold his bowler hat in his lap. He is bespectacled and immaculately groomed, with his dark hair parted in the center and combed to each side.

Biographical Note: Vincent de Paul Brown was born January 12, 1880, in Petaluma, the youngest of the twelve children of Daniel Brown and Annie Alexis Ferguson Brown.  He was named after the patron saint of the Petaluma Catholic Church, St. Vincent de Paul.  Vincent attended the Petaluma Brick School until high school when he boarded at St. Ignatius in San Francisco for college prep.  In 1903 he obtained his medical degree at Cooper Medical School (now part of Stanford University), and immediately began his medical career in San Francisco. Following the 1906 earthquake and fire, Dr. Brown was in charge of an improvised hospital set up in an old Pullman railroad car used to treat those injured.  Later he went to Europe and studied ear, nose, and throat, which became his specialty. During the First World War he served as Captain in the Aviation Medical Department.  He was a member of the San Francisco Medical Society and the California Medical Society. Vincent never married and lived with his sisters in San Francisco until his death from pneumonia at 48 on June 25, 1928.  He was buried in Petaluma Calvary Cemetery in the Brown Family Plot.

Family Affiliation: https://www.findagrave.com/memorial/41898560/vincent-depaul-brown. Search this archive and the Sonoma County Library photograph archive for additional portraits of the Brown family.

Bibliography: Primary Sources: Petaluma Argus-Courier: June 29, 1906, p. 5; May 1, 1909, p. 9; February 1, 1911, p.3; April 18, 1911, p. 8; April 19, 1911, p. 1; July 25, 1911, p. 5; May 20, 1912, p. 1; July 16, 1912, p. 3; July 10, 1917, p. 4; September 19, 1918, p. 2; June 9, 1921, p. 5; March 20, 1923, p. 6; May 14, 1925, p. 6; March 2, 1927, p. 6; June 28, 1928, p. 2. Petaluma Daily Morning Courier: January 8, 1909, p. 1; March 11, 1909, p. 4; March 27, 1909, p. 4; May 1, 1909, p. 2; May 25, 1909, p. 1; February 1, 1911, p. 8; April 19, 1911, p. 8; April 20, 1911, p. 5; May 20, 1912, p. 8; September 5, 1912, p. 6; July 8, 1913, p. 1; October 20, 1914, p. 8; May 17, 1917, p. 4; September 18, 1918, p. 1; January 22, 1922, p. 10; May 19, 1925, p. 5;  March 2, 1927, p. 4; June 27, 1928, p. 8. For additional information and artifacts pertaining to the Brown family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

THE PHOTOGRAPH:

Format / Size:  Real photo postcard (RPPC)

Medium: Azo paper with 4 triangles

Description, front: The four persons depicted in this real photo postcard pose in front of a backdrop depicting voluminous, ornate drapery. Handwritten in cursive below the image are the names: “May Kelley”, “Dr. V. Brown”, “Emma Brown”, and “Elise Brown”.

Description, back: Handwritten in pencil is, “Pan Pacific Expo”, and “1915”.

Date: 1915

Condition: This postcard is in good condition

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Baker, Aletha Hall O'Brien (1883-1966)(1 of 4)

George Ross’ Portrait Photograph of Aletha Hall o’brien baker

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)


 THE SITTER:

Name: Aletha Hall O’Brien Baker. At the time this photo was taken, the sitter would have been known as Aletha Hall.

Description: This sturdy baby has been sat on a ledge, and she has assumed a full-frontal pose. Her feet dangle over the edge. She is wearing dark Mary Janes shoes and white, calf-high socks. The cuffs and hem of her white dress are embellished with a thick border of elaborate lace.

Biographical Note: Aletha Hall was born in Petaluma in 1883, the eldest child of Gilbert and Mary Louise Brown Hall.  She was educated at Petaluma schools and the Ursuline Academy in Santa Rosa and for a while ran her own millinery store in Petaluma.  In 1907 she married local physician Dr. John Thomas O’Brien and the couple was blessed with three children, Margaret in 1908, Kathleen in 1911, and John T., Jr., in 1913. During the First World War, Dr. O’Brien received a commission to the Army Medical Corps and was stationed in San Diego.  Aletha drove south with her children to be near him and when he was honorably discharged they all returned to Petaluma to their beautiful home on several acres near Oak Hill Park.  In 1920 the O’Briens sold their home and moved to San Francisco.  In 1926 Dr. O’Brien died there at the age of 63.  Several years later Aletha married Walter Baker, an officer with the Metropolitan Insurance Company.  Walter died in 1933 and Aletha, at the age of 50, was again a widow.

Aletha led a busy life as a widow.  She settled in Palo Alto and was highly involved with her family which included twelve grandchildren.  She never moved back to Petaluma but always kept her connection, often visiting relatives and friends there, and frequently sending notices of family events to the Argus Courier.  She was frequently involved in local events, acting as a guest speaker at AAUW meetings and as a frequent chairperson at political conferences.  She was a staunch Democrat and after Eisenhower’s win expressed herself with one of the first bumper stickers:  Don’t Blame Me!  I voted Democrat!  Aletha Hall O’Brien Baker died in 1966 and was buried in the O’Brien Plot in the Catholic Calvary Cemetery in Petaluma.

*This biographical note was written by Aletha Hall O’Brien Baker’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42033731/aletha-o'brien_baker. There are many portraits of other members of the Hall, O’Brien, and Baker families in this archive.

Bibliography: Petaluma Argus-Courier, September, 20, 1966, p. 5 (obituary); The Peninsula Times Tribune (Palo Alto, CA), September 20, 1966, p. 4 (obituary). For additional information and artifacts pertaining to the Hall family, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum. For additional information and artifacts pertaining to the Hall, O’Brien, and Baker families, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.


THE PHOTOGRAPH:

Format / Size: Cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: The staging of this portrait is elaborate. It creates the illusion of an exterior window. On the left is a trellis covered in vines, and above and to the right is a white curtain and a fringed scalloped valance.

Description, back: Handwritten in pencil is, “Aletha Hall”, “(1883 - 1966)”, and “2 years old, ca 1885”.

Date: c. 1885

Condition: This cabinet card is in good condition.

Owner: From the collection of Kathleen O’Brien Balestrini,

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Baker, Aletha Hall O'Brien (1883-1966)(2 of 4)

Lafayette F. Sheppard’s Portrait Photograph of Aletha Hall O’Brien baker

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LAFAYETTE F. SHEPPARD was born in 1852 in Ohio and died in 1940 in Inglewood, California. He established his photographic gallery in Petaluma in February of 1886, “in the rooms formerly occupied by Lewis Dowe”. It was located at 59 1/2 Main Street next door to the First National Bank Building. Sheppard continued to work as a photographer in Petaluma at least through June of 1891. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: Aletha Hall O’Brien Baker. At the time this portrait was taken, the sitter would have been known as Aletha Hall

Description: This child sits atop a bale of hay dressed in a white dress embellished with a wide lace hem and collar. She wears dark stockings and leather boots. The child assumes a strikingly dignified pose uncommon in one so young.

Biographical Note: Aletha Hall was born in Petaluma in 1883, the eldest child of Gilbert and Mary Louise Brown Hall.  She was educated at Petaluma schools and the Ursuline Academy in Santa Rosa and for a while ran her own millinery store in Petaluma.  In 1907 she married local physician Dr. John Thomas O’Brien and the couple was blessed with three children, Margaret in 1908, Kathleen in 1911, and John T., Jr., in 1913. During the First World War, Dr. O’Brien received a commission to the Army Medical Corps and was stationed in San Diego.  Aletha drove south with her children to be near him and when he was honorably discharged they all returned to Petaluma to their beautiful home on several acres near Oak Hill Park.  In 1920 the O’Briens sold their home and moved to San Francisco.  In 1926 Dr. O’Brien died there at the age of 63.  Several years later Aletha married Walter Baker, an officer with the Metropolitan Insurance Company.  Walter died in 1933 and Aletha, at the age of 50, was again a widow.

 Aletha led a busy life as a widow.  She settled in Palo Alto and was highly involved with her family which included twelve grandchildren.  She never moved back to Petaluma but always kept her connection, often visiting relatives and friends there, and frequently sending notices of family events to the Argus Courier.  She was frequently involved in local events, acting as a guest speaker at AAUW meetings and as a frequent chairperson at political conferences.  She was a staunch Democrat and after Eisenhower’s win expressed herself with one of the first bumper stickers:  Don’t Blame Me!  I voted Democrat!  Aletha Hall O’Brien Baker died in 1966 and was buried in the O’Brien Plot in the Catholic Calvary Cemetery in Petaluma.

*This biographical note was written by Aletha Hall O’Brien Baker’s descendant, Kathleen O’Brien Balestrini.

Family Affiliation: https://www.findagrave.com/memorial/42033731/aletha-o'brien_baker. There are many portraits of other members of the Hall, O’Brien, and Baker families in this archive.

Bibliography: Petaluma Argus-Courier, September, 20, 1966, p. 5 (obituary); The Peninsula Times Tribune (Palo Alto, CA), September 20, 1966, p. 4 (obituary). For additional information and artifacts pertaining to the Hall and O’Brien families, see the Kathleen O’Brien Balestrini Collection at the Petaluma Historical Library & Museum.

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.5 x 16 cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front: Sheppard’s imprint appears along the bottom edge of this card.

Description, back: Handwritten in pencil is, “Aletha Hall” and “1883-1966”.

Date: c. 1888

Condition: There is slight foxing in the top half of the card, and the back side is slightly soiled.

Owner: From the collection of Kathleen O’Brien Balestrini, digital copy by permission.


Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Barstow, Laura Jane Williams (5 of 5)

Unidentified Photographer, Portrait Photograph of Laura Jane williams barstow

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified

THE SITTER:

Name: Laura Jane Williams Barstow

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: 

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner: The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Barstow, Laura Jane Williams (4 of 5)

George Daniels Morse’s Portrait Photograph of Garfield Barstow

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  George Daniels Morse (born c. 1835)

Photographic Studio: Palace of Art, Phelan Building, 826 Market Street, San Francisco, California

THE SITTER:

Name: Laura Jane Williams Barstow

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back:

Date: 1881

Condition: Excellent

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Barstow, Laura Jane Williams (3 of 5)

McMillan’s Portrait Photograph of Laura Jane Williams Barstow

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  McMillan

Photographic Studio: San Rafael






THE SITTER:

Name: Laura Jane Williams Barstow

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back:

Date: 1895

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Barstow, Laura Jane Williams (2 of 5)

Edouart’s photographic Gallery’s Portrait Photograph of Laura Jane williams Barstow

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Edouart’s Photographic Gallery

Photographic Studio: Washington Street, San Francisco






THE SITTER:

Name: Laura Jane Williams Barstow

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: cdv

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Barstow, Laura Jane Williams (1 of 5)

Yeaw & Co.’s Portrait Photograph of Laura Jane williams Barstow

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  Yeaw & Co.

Photographic Studio: 166 Essex Street, Lawrence






THE SITTER:

Name: Laura Jane Williams Barstow

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size: cdv

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Armstrong, George J. (1857-1925)

J.M. McMurry’s Portrait Photograph of

George J. Armstrong and Maybelle “Belle” Church Armstrong

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: J. M. McMurry

Studio Location: Port Townsend, Washington


THE SITTERS:

Names: George J. Armstrong and Maybelle “Belle” Church Armstrong

Description: In this double portrait, George J. Armstrong sits on a rustic, broken chair while dressed in businessman’s attire. He wears a vested suit and a white, banded collar. A watch fob attached to his vest button hole drapes across his belly. He sports a walrus mustache. In a stilted pose, his wife, Maybelle “Belle” Church Armstrong, stands at his side with the knuckles of her right hand resting on her cheek and her elbow resting on a post. In her left hand she holds an ornate, feathered fan. She is dressed in an elegantly draped skirt and matching, front-buttoned, corseted, Basque jacket. Her lapels, collar, cuffs and skirt are trimmed in a darker color fabric. Her collar and cuffs are trimmed in white lace. Unusual for the time, she wears her hair in a short “boy cut” style.

Biographical Note: George J. Armstrong was born near Chicago, Illinois on May 26, 1857. As a young man, he moved to California and worked in poultry and ranching. He later worked as a machinist, businessman, and politician. He served Sonoma County as a supervisor for two years, but in 1909 the Grand Jury of Sonoma filed an accusation against him alleging misconduct. Proclaiming his innocence, Armstrong tendered his resignation and moved to Oakland. Soon thereafter, he moved to Oregon and re-entered politics and served as a Commissioner of Bandan County. Towards the end of his life, Armstrong returned to Petaluma living his final years at 27 Webster Street.

Family Affiliation: George Armstrong was married to Maybelle Church Armstrong in 1887. They had two sons, Harry George Armstrong (1886-1950) and Samuel Walter Armstrong (d.1942), and one daughter, Gladys Louise Armstrong (1894-1905).

Bibliography: Petaluma Argus-Courier, Nov. 30, 1904, p. 1; Sept. 28, 1925, p. 4 (obit). Petaluma Daily Morning Courier, Feb. 10, 1908, p.2; Jan. 8, 1909, p. 3; Jan 11, 1909, p.3; Jan. 12, 1909, p.3; March 13, 1909, p. 3; Nov. 28, 1910, p. 3

THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: albumen photographic print mounted on cardstock

Description, Front: This portrait was taken in the studio of J. M. McMurry to appear as though it was taken out-of-doors. The painted backdrop depicts an open-sky landscape with a single tree on the left and a dilapidated fence on the right. Even the studio chair in which George sits was constructed to appear rustic.

Description, back: This card was a gift, undoubtedly, to Maybelle’s brother, Walter A. Church (1856-1923) and his wife, Minnie Belle Warders Church (1864-1958). Handwritten in cursive in pencil at the top of the card is written, “for Walter & Minnie”. Below this is written, “George and Belle Armstrong”, and “married March 31 - 1887”.

Date: J. M. McMurry operated his studio in Port Townsend between 1886 and 1902. Given the inscription on the back of this cabinet card, this portrait may have been taken while George and Maybelle were on their honeymoon. This assumption would date the portrait to Spring 1887.

Condition: There is extensive foxing on the bottom third of the front of this card. The back side is stained extensively and the right edge has been exposed to light.

Owner:  Petaluma Historical Library & Museum, 1979-425-03-p19-p11, Church Family Album

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Reed, Anna Medora Morrison (1849-1921)

an Unidentified Photographer’s Portrait Photograph of Anna Medora Morrison REed

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  This portrait may have been taken by Petaluma photographer, Harry Fowler Roberts. Its rough stucco backdrop can be seen in several of Robert’s portraits dating approximately from the same time.

THE SITTER:

Name: Anna Medora Morrison Reed

Description: There are numerous portraits of Anna Medora Morrison Reed, but this example is particularly interesting due to her attire. Anna wears a late-nineteenth-century, homemade interpretation of an ancient Roman matron’s stola. The result is a curious combination of Victorian and Classical elements. The free-flowing dress is gathered at the waist by what appears to be a Victorian drapery cord with large elaborate tassels. Under the stola, Anna wears a waist-cinching corset, a form-shaping undergarment considered de rigueur for nineteenth-century women. This combination of Roman stola and Victorian corset is curiously incongruous. It abides by the corset standard but ventures out to embrace the simplicity and free-flowing qualities of Classical dress. It anticipates the style of San Francisco-born dancer and choreographer Isadora Duncan (1877-1927), who, championing female liberation, rejected the restraints of the corset and embraced the freedom of Classical dress.

At its time, this dress would not have been acceptable in many social circumstances. The full exposure of her arms, which are adorned with cuff bracelets, would have been considered improper. In context, however, her attire may have been socially acceptable: her Roman stola may have been the costume she wore at the 1893 California State Agricultural Fair held in Sacramento, where she delivered its annual oration the evening of the Fair’s classically themed Circus Maximus entertainment event. Anna does appear a bit apprehensive. She has placed her left hand over her breast in a gesture of solemnity and modesty, and at her throat is an imposing Christian cross. An additional Victorian attempt at modesty is Anna’s chemisette which covered her flesh exposed between the stola’s low neckline and her choker. The chemisette is difficult to see, but its closure strip can be faintly discerned resting on Anna’s chest between the end of her cross and the stola’s neckline.

Biographical Note: Anna Medora Morrison Reed was born in Dubuque, Iowa, in 1849. At age five, she traveled with her mother, Mary Elmira Preston Morrison (1827-1881), to join her father, Guy Bryan Morrison (1814-1910), in Oregon City, an early California mining camp. As a young woman, she worked as a teacher and journalist and lectured throughout Northern California, espousing temperance and traditional roles for women. In 1871 she married John Smith Reed (1829-1900), and they settled in Ukiah, where they raised five children.

As a married woman, Anna continued her work as a journalist and wrote three books of poetry. As a widow, she established herself as a magazine and newspaper editor. Over time, she reversed several of the views she held as a young woman, becoming a champion of women’s suffrage and an advocate for the California wine industry. In 1890, she served as a charter member of the Pacific Coast Women’s Press Association and, in April 1904, edited the first edition of her magazine, The Northern Crown, which reported on Northern California political and cultural issues. Edward A. Keller (1880-1947), who was married to Anna’s daughter, Susan Mary Reed Keller (1873-1938), published early editions of Anna’s magazine in Ukiah at his Excelsior Press. Edward and Susan later moved to Petaluma, and in 1908, Anna and her youngest son, John Smith Reed Jr. (1881-1928) joined them. In 1909, Edward and John established the Keller and Reed Company, where they continued publishing The Northern Crown. In June 1909, Anna edited and the Keller and Reed Company published the first edition of The Sonoma County Independent, a daily newspaper that ran until 1912. Anna returned to Ukiah in 1916, where she worked as the editor of the Ukiah Times Journal, ran as a candidate for the California State Assembly in 1918, and continued publishing The Northern Crown until its final edition in July/August 1920, the year before her death.

In 1978, John E. Keller, Anna’s grandson, edited and published a compilation of her writings entitled Anna Morrison Reed, 1849-1921.

Family Affiliation: https://www.findagrave.com/memorial/28779462/anna-medora-reed

Bibliography: John E. Keller (editor), Anna Morrison Reed, 1849-1921, published by the editor, Lafayette, California, 1978. https://buttecountyhistory.com/wp-content/uploads/2020/11/YHHS-Morrison-ANNA-2017-complete.pdf; https://petalumahistorian.com/petalumas-california-girl/. The Pacific Bee (Sacramento), August 11, 1893, p.4. Sacramento Bee, August 3, 1893, p.2; September 15, 1893, p.4. Harlan Osborne, “Keller’s Family Printed its Name on Petaluma,” Petaluma Argus-Courier, August 11, 2023, section C.

THE PHOTOGRAPH:

Format / Size: This portrait’s format, size, and proportions are anomalous. It is approximately 6” X 2”.

Medium: undetermined

Description, front: Anna’s classical Roman attire and the anomalous properties of this portrait’s format, size, and proportions suggest the portrait may have been created to promote the 1893 California State Agricultural Fair in Sacramento, where Anna delivered the annual oration the evening of the Fair’s classically themed Circus Maximus entertainment event.

Description, back: The back is either blank or contains only an accession number.

Date: possibly summer 1893

Condition: There is slight foxing throughout the portrait.

Owner:  Petaluma Historical Library & Museum, 1996-80-05

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Barstow, Garfield (1880-1896)

George Daniels Morse’s Portrait Photograph of Garfield Barstow

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  George Daniels Morse (born c. 1835)

Photographic Studio: 417 Montgomery Street, San Francisco

THE SITTER:

Name: Garfield Barstow

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 10.75 x 16.5 cm

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back:

Date: 1881

Condition: Excellent

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Allen, Reverend George Barbour (1833-1918)

Unknown Photographer’s Portrait Photograph of Reverend George Barbour Allen

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: The photographer’s embossed imprint appears on the front of the portrait in the bottom right corner; however, it has been cut in half. Of the first line, “Keith S” can be read and of the second line “OA” can be read. Additionally, on the top edge of the portrait’s original frame is handwritten in black ink an indecipherable text which may also reference the photographer and sitter.

THE SITTER:

Name: Reverend George Barbour Allen

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: “Panel” sized portrait, 4” X 8.25”

Medium: gelatin or collodion photographic print mounted on board

Description, front:

Description, back: Handwritten in pencil appears: “Brown oak”, “made”, “5 X 91/4”, two indecipherable squiggles, the number “3953” inside a circle, “Rev. Geo. B. Allen at 80 years old”.

Date: 1913

Condition: This portrait is in excellent condition.

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Mauzy, Elmer

Unidentified Photographer, Portrait Photograph of reginald heber allen & elmer Mauzy

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTERS:

Name: Reginald Heber Allen and Elmer Mauzy

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date: 1884

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Allen, Reginald Heber

Unidentified Photographer, Portrait Photograph of reginald heber allen & elmer Mauzy

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTERS:

Name: Reginald Heber Allen and Elmer Mauzy

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date: 1884

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Allen, Maria Nancy Angell (2 of 2)

Unidentified Photographer, Portrait Photograph of Maria Nancy Angell Allen

 

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: unidentified


THE SITTER:

Name: Maria Nancy Angell Allen

Description:

Biographical Note:

Family Affiliation:

Bibliography:




THE PHOTOGRAPH:

Format / Size:

Medium:

Description, front:

Description, back:

Date:

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

Allen, Maria Nancy Angell (1 of 2)

Charles Lainer, Portrait Photograph of Maria Nancy Angell Allen

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Charles Lainer

Studio Location: 31 Third Street, San Francisco, CA

THE SITTER:

Name: Maria Nancy Angell Allen

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card

Medium: gelatin or collodion photographic print mounted on cardstock

Description, Front:

Description, Back:

Date: 1888

Condition:

Owner:  The James Allen Family Collection, digital copy by permission.

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Osmon, Mabel Emily Lewis (1877-1960)

Easterly & Company’s Portrait Photograph of Mabel Lewis osmon, Julia Lewis cox & Elizabeth Lewis Wallace

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EASTERLY & CO. was operated in Petaluma by George Bascombe Easterly (1859-1906) between August 1891 and November 1893. (For additional information on Easterly & Co. and to view all portraits produced by the studio in the collection, click its name in blue above.)

Active in Petaluma: 1892-1895

Biographical Note: Easterly opened a studio in Petaluma in 1892 and moved to Lake County 1895.

Bibliography:

THE SITTER:

Names: Mabel Emily Lewis Osmon, Julia Bertha Lewis Cox, Elizabeth Lewis Wallace

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 17.4 x 25

Medium: gelatin print mounted on cardstock

Description, front:

Description, back:

Date: 1892

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-326

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Cox, Julia Bertha Lewis (1885-1982) (3 of 5)

Easterly & Company’s Portrait Photograph of Mabel Lewis osmon, Julia Lewis cox & Elizabeth Lewis Wallace

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EASTERLY & CO. was operated in Petaluma by George Bascombe Easterly (1859-1906) between August 1891 and November 1893. (For additional information on Easterly & Co. and to view all portraits produced by the studio in the collection, click its name in blue above.)

THE SITTERS:

Names: Mabel Emily Lewis Osmon, Julia Bertha Lewis Cox, Elizabeth Lewis Wallace

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 17.4 x 25

Medium: gelatin print mounted on cardstock

Description, front:

Description, back:

Date: 1892

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-326

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Wallace, Leon Lawrence (1874-1961)

Unidentified Photographer, Portrait photograph of Elizabeth Lewis Wallace & Leon Lawrence Wallace

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Elizabeth Lewis Wallace & Leon Lawrence Wallace

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: cabinet card, 15.2 x 22.7

Medium:

Description, font:

Description, back:

Date: 1909

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection, 2022-214-331

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wallace, Elizabeth "Lizzie" Lewis (1878-1953) (6 of 6)

Unidentified Photographer, Portrait photograph of Elizabeth Lewis Wallace & Leon Lawrence Wallace

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Elizabeth Lewis Wallace & Leon Lawrence Wallace

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: cabinet card, 15.2 x 22.7

Medium:

Description, font:

Description, back:

Date: 1909

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection, 2022-214-331

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wallace, Elizabeth "Lizzie" Lewis (1878-1953) (3 of 6)

Easterly & Company’s Portrait Photograph of Mabel Lewis osmon, Julia Lewis cox & Elizabeth Lewis Wallace

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EASTERLY & CO. was operated in Petaluma by George Bascombe Easterly (1859-1906) between August 1891 and November 1893. (For additional information on Easterly & Co. and to view all portraits produced by the studio in the collection, click its name in blue above.)

Active in Petaluma: 1892-1895

Biographical Note: Easterly opened a studio in Petaluma in 1892 and moved to Lake County 1895.

Bibliography:

THE SITTER:

Names: Mabel Emily Lewis Osmon, Julia Bertha Lewis Cox, Elizabeth Lewis Wallace

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 17.4 x 25

Medium: gelatin print mounted on cardstock

Description, front:

Description, back:

Date: 1892

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-326

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.

 

Wallace, Elizabeth "Lizzie" Lewis(1878-1953)(5 of 6)

Unidentified Photographer, Portrait photograph of Elizabeth Lewis Wallace

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer:  unidentified 


THE SITTER:

Name: Elizabeth Lewis Wallace

Description:

Biographical Note:

Family Affiliation:

Bibliography:


THE PHOTOGRAPH:

Format / Size: cabinet card

Medium:

Description, font:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, The Barbara Webster Collection, 2022-214-323

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wallace, Elizabeth "Lizzie" Lewis (1878-1953) (4 of 6)

Healy Ground Floor Gallery’s Portrait Photograph of

Elizabeth Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)

THE SITTER:

Name: Elizabeth Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

 THE PHOTOGRAPH:

Format / Size: cabinet card, 11.3 x 16.8

Medium: gelatin or collodion photographic print mounted on cardstock

Description, front:

Description, back:

Date: September 1898

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-325

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Wallace, Elizabeth "Lizzie" Lewis (1878-1953)(2 of 6)

LAFAYETTE F. SHEPPARD’S PORTRAIT PHOTOGRAPH OF Elizabeth lewis Wallace

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

LAFAYETTE F. SHEPPARD was born in 1852 in Ohio and died in 1940 in Inglewood, California. He established his photographic gallery in Petaluma in February of 1886, “in the rooms formerly occupied by Lewis Dowe”. It was located at 59 1/2 Main Street next door to the First National Bank Building. Sheppard continued to work as a photographer in Petaluma at least through June of 1891. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Names: Elizabeth Lewis Wallace

Description:

Biographical Note:

Family Affiliation: .

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, 10.8 x 16.4

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-324

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Cox, Julia Bertha Lewis (1885-1982) (2 of 5)

LAFAYETTE F. SHEPPARD’S PORTRAIT PHOTOGRAPH OF Julia Bertha lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: LAFAYETTE F. SHEPPARD was born in 1852 in Ohio and died in 1940 in Inglewood, California. He established his photographic gallery in Petaluma in February of 1886, “in the rooms formerly occupied by Lewis Dowe”. It was located at 59 1/2 Main Street next door to the First National Bank Building. Sheppard continued to work as a photographer in Petaluma at least through June of 1891. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Names: Julia Bertha Lewis Cox

Description:

Biographical Note:

Family Affiliation: .

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, 10.8 x 16.4

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-322

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Cox, Julia Bertha Lewis (1885-1982) (1 of 5)

Elite Studio’s portrait photograph of Julia Bertha Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unknown

THE SITTER:

Name: Julia Bertha Lewis Cox

Description:

Biographical Note:

Family Affiliation: .

Bibliography:

THE PHOTOGRAPH:

Format / Size: oval, 9.2 x 12.2

Medium: albumen photographic print mounted on cardstock

Description, front: It appears this photograph has been cut to fit within an oval frame.

Description, back: Handwritten in black ink along the top is “Lewis”, 11 1/2 months. Handwritten in pencil appears: Julia B. Lewis”, “oct 15 1886”, age 11 1/2 most”. Below this handwritten in black ink is: “dau (daughter?) of Julia & C. W. Lewis”, “Julia B. Lewis” 11 1/2 mo”, 15 Oct 1886”.

Date: October 15, 1886

Condition: This portrait has water damage. There is a large white stain at the top and three white stains on the right edge.

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-321

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Cox, Julia Bertha Lewis (1885-1982) (4 of 5)

Elite Studio’s portrait photograph of Julia Bertha Lewis Cox

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Unknown

Studio Location:

THE SITTER:

Name: Julia Bertha Lewis Cox

Description:

Biographical Note:

Family Affiliation: .

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, 10.8 x 14.9cm

Medium: albumen photographic print mounted on cardstock

Description, Front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-320

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

“Young Girl Standing on a Chair”

Robert Peterson Dammand’s Portrait Photograph of an a “young girl standing on a chair”

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

ROBERT PETERSON DAMMAND (Dammond) was born on September 6, 1855, in Horsens, Denmark, and died on January 27, 1936, in Glendale, California. He worked as a photographer in Iowa and Southern California before arriving in Petaluma in November 1901. He resided on Petaluma’s D Street and located his photographic studio opposite the American Hotel over the Steiger Building on Main Street. In late July 1905, Dammand departed Petaluma to set up a studio in Richmond, California. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Unidentified

Description: The composition of this vertical cabinet card is unusual. The photographer has chosen to poise an unidentified young girl standing on a high-back wooden chair. She grasps the turned post of the chair’s back with her left hand and, with a sad but determined demeanor, looks to her right. She appears to be approximately four years old. She wears a drop-waist, white dress with flounced cuffs and yoke collar. Her shoulder-length hair has been parted on the side and drawn to her right with a light colored bow.

Biographical Note:

Family Affiliation:

Bibliography:



THE PHOTOGRAPH:

Format / Size:  cabinet card

Medium: matte collodion print mounted on cardstock

Description, front: The painted backdrop of this vertically formatted portrait depicts a large plant in the lower right.

Description, back: The back of this cabinet card is either blank or contains only an accession number.

Date: November 1901 - July 1905

Condition: This cabinet card is in good condition.

Owner:  Private collector, digital copy by permission

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Cox, Julia Bertha Lewis(1885-1982)(5 of 5)

Elite Studio’s portrait photograph of Julia Bertha Lewis Cox

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

Photographer: Elite Studios

Studio Location: Santa Rosa, California

THE SITTER:

Name: Julia Bertha Lewis Cox

Description:

Biographical Note:

Family Affiliation: .

Bibliography:

THE PHOTOGRAPH:

Format / Size: 9 x 17.9 cm

Medium: matte collodion photographic print with embellished oval mount

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-319

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942) (4 of 4)

Healy Ground Floor Gallery’s Portrait Photograph of

charles wadsworth lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)

THE SITTER:

Name: Charles Wadsworth Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

 THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion print with embossed oval mount

Description, front:

Description, back:

Date: 1904

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-318

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942) (2 of 4)

Healy Ground Floor Gallery’s Portrait Photograph of

charles wadsworth lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

EDWIN RUTHVEN HEALY (1856-1923) and ADA “ADDIE” GOSSAGE HEALY (1860-1923). Edwin and Ada Healy were a married couple, and both were listed in California directories as a photographer. It has been assumed they worked together; however, ascertaining their division of labor is problematic. The “E. R. Healy Gound Floor Gallery” was opened in 1896 at 816 Main Street, Petaluma, California. It was later relocated to 818 Main Street and sold in June, 1905. In 1906 the Healys moved to Berkeley, California. (To view all portraits in this collection taken at the E. R. Healy Ground Floor Gallery and for additional information on Edwin and Ada Healy, click on their names in blue above.)

THE SITTER:

Name: Charles Wadsworth Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

 THE PHOTOGRAPH:

Format / Size:

Medium: matte collodion print with embossed oval mount

Description, front:

Description, back:

Date: June 1900

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-317

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Mary Elizabeth Goodwin (1845-1926)

Joseph Wayne’s Portrait Photograph of Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOSEPH WAYNE (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 20.7 x 18 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-316

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942) (3 of 4)

Joseph Wayne’s Portrait Photograph of Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOSEPH WAYNE (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Charles Wadsworth Lewis & Mary Elizabeth Goodwin Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: cabinet card, approximately 20.7 x 18 cm

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date:

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-316

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, Charles Wadsworth (1853-1942)(1 of 4)

John Quincy Reed’s Portrait Photograph of Charles Wadsworth Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

JOHN QUINCY REED was born in 1841 in Abington, Massachusetts and died in 1902 in Petaluma. He worked as a photographer in Petaluma for over 25 years, moving his studio within the community to several different locations. He arrived into Petaluma from Stockton in 1870 and continued to work as a photographer in Petaluma until at least 1898. Many of his portraits of Petaluma’s citizens are of exceptionally fine quality. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)



THE SITTER:

Name: Charles Wadsworth Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size: carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: April 1884

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-314

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use. 

Lewis, John Davis (1875-1885)(2 of 2)

George Ross’ Portrait Photograph of John Davis Lewis

THE PHOTOGRAPHER/ PHOTOGRAPHIC STUDIO:

GEORGE COLVAINE ROSS was born February 12, 1832 in Edinburgh, Scotland and died in 1893 at the age of 60 in Petaluma, California. Unlike the other nineteenth century Petaluma photographers, Ross lived and worked in Petaluma for many years. He arrived in Petaluma in 1855, and in 1862 he began his profession as a photographer, moving his studio within the city several times as noted on his various carte de visite and cabinet card imprints. In 1869 he was also part of a short-lived photographic studio partnership with Elon D. Ormsby on Main Street in Petaluma. It was reported that Ross stopped working as a photographer soon after he developed a disability in 1888. Ross was among the most prolific Petaluma portrait photographers, and his work was of exceptionally high quality. Ross was buried in Petaluma’s Cypress Hill Memorial Park. (For additional information on this photographer and to view all portraits by him in the collection, click on his name in blue above.)

THE SITTER:

Name: John Davis Lewis

Description:

Biographical Note:

Family Affiliation:

Bibliography:

THE PHOTOGRAPH:

Format / Size:  carte de visite

Medium: albumen photographic print mounted on cardstock

Description, front:

Description, back:

Date: circa 1862-1893

Condition:

Owner:  Petaluma Historical Library & Museum, Barbara Webster Collection, 2022-214-313

Reproduction rights: The Petaluma Museum Association makes no assertions as to ownership of any original copyrights to the digitized images here reproduced.  These images are intended for personal or research use only. Any other kind of use, including, but not limited to commercial or scholarly publication in any medium or format, public exhibition, or use online or in a web site, may be subject to additional restrictions including but not limited to the copyrights held by parties other than the Association. USERS ARE SOLELY RESPONSIBLE for determining the existence of such rights and for obtaining any permissions and/or paying associated fees necessary for the proposed use.